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AI art "銀魂:坂田銀時と月詠のビーチサイド" featuring #kimono, #Capelli biondi, #capelli bianchi, #Gintama, #Gintoki Sakata, #Spiaggia, #1 ragazza and #1 ragazzo
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銀魂:坂田銀時と月詠のビーチサイド

『銀魂』の銀さんと月詠が海辺を歩く姿、本当に素敵ですよね。二人の自然な空気感と、月詠の凛とした美しさに見とれてしまいます。気に入っていただけたら、いいねやフォローをお願いします!次回の投稿もお楽しみに。

#kimono#Capelli biondi#capelli bianchi#Gintama#Gintoki Sakata#Spiaggia#1 ragazza#1 ragazzo
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character: sakata_gintoki, tsukuyo_(gintama), copyright: gintama 2girls, sakata_gintoki, tsukuyo_(gintama), black t-back bikini, white rash guard, open rash guard, barefoot, kiseru, smoking, holding pipe, walking, walking on sand, beach, seaside, sand, ocean, looking back, looking over shoulder, over-shoulder look, looking at viewer, smile, innocent smile, open mouth, happy, blonde hair, medium hair, sidelocks, bangs pinned back, purple eyes, purple eyeshadow, pale skin, hair ornament, tassel hair ornament, hoop earrings, white hair, short hair, hair between eyes, red eyes, yukata, dark blue yukata, bare feet, from above, cowboy shot, wide shot, day, summer, bright sunlight, backlighting, depth of field, warm palette, cinematic, high detail, Shot from a high angle, slightly behind and above the pair, the camera looking down the beach as the two of them walk away from the lens along the wet-packed sand at the water's edge. Tsukuyo holds the left of frame, half turned back at the waist, chin over her right shoulder so her face comes up toward the camera: both purple eyes find the viewer, one brow faintly lifted, and her lips are parted around a bright, unguarded grin, the corners of her mouth pulled high and her cheeks lifted by it, eyelashes catching the sun. Her blonde hair is gathered up in a pinned nihongami shape with the bangs swept back off her forehead, the tasselled ornament swinging against her left temple; the sidelocks hang free and lift in the sea wind. The kiseru is pinched between her right index and middle finger at the bowl's neck, stem angled up past her jaw, its bowl already glowing and a thin thread of smoke peeling off it and streaming sideways over her shoulder toward the sea. The white rash guard is unzipped and hangs wide open off both shoulders, sleeves loose and billowing, the fabric snapping and pulling away from her back in the breeze so the black t-back bikini reads clearly beneath it — narrow black straps over the hips, the t-back cut leaving the small of her back and both shoulder blades bare where the rash guard parts. Her left arm swings low and back with the stride; her weight is on the forward right foot, the rear left heel just peeling off the sand, toes gripping. Feet bare, sand clinging to the soles and the outer edge of each foot, and a line of fresh prints trailing behind her toward the bottom-left corner of the frame, the nearest one still holding its edge. Gintoki walks at her right, a half-step ahead, and he too is caught mid-turn — head rotated back over his right shoulder, red eyes narrow and flat and aimed dead at the lens with the tired, put-upon look of a man being dragged along. His white hair is short and spiky, the strand between his eyes falling forward as his head turns. He wears a dark blue yukata, the collar pulled loose and the hem hiked above the knee, the right sleeve shoved up to the elbow, and his left hand is jammed into his sleeve fold while the right hangs free and open. Bare feet, one planted flat and one rolling forward on the ball, kicking a shallow divot of dry sand that hangs in the air behind his heel. Between the two of them there is an easy, unforced gap of half a metre — her turned face angled up to the camera, his turned face angled down along the same line, the two of them bracketing the frame's centre. The beach runs diagonally from the lower left foreground away to the upper right; the wet tide line curves in a long leading line beside their feet and mirrors a pale, broken reflection of the sky. Behind them the dry sand rises to a low dune with sparse dune grass, and the sea fills the upper left as a band of deep summer blue with a thin white surf edge. Late-afternoon sun sits low off frame right, striking the two of them from the right side: her right cheek, right shoulder and the right sleeve of the rash guard blaze white, while the left sides of both figures fall into a cool soft shadow that stretches long across the sand to the lower left. Rim light picks out the edges of her hair and the fuzz of the rash guard's fabric. The palette is held to sun-bleached sand, bright marine blue, the white of the rash guard and the black of the bikini and Gintoki's dark yukata, with her blonde hair and the pipe's small ember as the only warm accents. Skin, wet fabric and dry sand are all handled at the same crisp level of detail; the far dune and surf soften out of focus. Sunlit, carefree.
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銀魂、月詠、月詠は黒いTバックビキニに白いラッシュガードを羽織り笑顔でキセルを吸っている、銀さんと2人浜辺の砂浜を無邪気な笑顔で振り向きながら歩いている
Modalità
pro
Tag qualità
﹝Prompt﹞
Dimensione
768 x 1280
Metodo di campionamento
Euler
Negativo
lowres, worst quality, low quality, bad anatomy, explicit
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リオ