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AI artwork featuring #Super Natural Dating Sim

실핀

Contest Entry

PixAI x Super Natural Dating Sim Contest#Super Natural Dating Sim

Pubblicato il Nov 10, 2026

실핀

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1girl, solo, front view, from above, looking down at viewer, outstretched hand, reaching toward viewer, one hand on knee, blurred face, facial blur increasing toward the eyes, eyes lost in blur, orange-tinted brown hair, tousled hair, medium-length hair, bangs, hair loose on one side, half updo, single round bun at mid-length on one side, black cloak, fully closed cloak, nothing visible beneath the cloak, futuristic skirt, techwear skirt, black stockings, black boots, black dress shoes, white sleeve, soft smile, closed-lip smile, young girl, about 13 years old, cute, pretty, kneeling, leaning forward, night, street, city street at night, from below perspective on the viewer's side, foreshortening on the extended hand, depth of field, bokeh, looking at viewer, The camera looks down from above her: she is the one looking down, front-on to the viewer, kneeling at the edge of a night pavement with her weight sunk back onto her right hip and her right hand pressed flat against her front knee, fingers spread and the knee's fabric dimpling under the heel of her palm. Her left arm comes straight out of the frame toward the viewer, elbow softly bent, palm turned up and open, fingers slightly curled as if waiting for a hand to land in it; the outstretched hand sits nearest the lens and is thrown large by foreshortening, its cuff slipping back to bare a sliver of pale wrist and a white shirt sleeve. Her face is turned full to the viewer and reads as soft and out of focus, the blur densest across the eye line and thinning toward the jaw and cheeks, so the small gentle closed-lip smile stays legible beneath the haze while her eyes dissolve; her head tips down and a strand of bangs falls loose over the blurred brow. Her hair is tousled orange-tinted brown, cut to the collarbone: the left side hangs completely free in a loose shaggy mass, the right side is gathered into a single round bun tied off at mid-length, its ends splaying out in small spikes, and the uneven weight pulls her head a half-inch toward the loose side. A black cloak closes over her shoulders and chest in a single smooth unbroken front with the clasp at the throat, its hem falling over a hard-edged futurist skirt of panelled plates with narrow emissive seams, so no inner garment shows anywhere along the front line; the cloak's edge lifts a little at her knees. Below that, black stockings run to black boots with a low heel, both boots planted, the right knee forward and the left foot tucked slightly behind it. The street is wet, and the effect is a single-source light: a cold lamp further down the block lays a long soft specular streak along the asphalt and lights the upward faces of her hair, the top of the bun, her shoulders and the outstretched palm, while the undersides of the cloak, her throat and the ground directly beneath her fall into deep blue-black. Her own cast shadow pools tight under her knees. The background drops away in shallow focus: a row of shopfronts with shut signboards of illegible glowing type, a low kerb, a distant crossing signal. Palette holds to orange-brown hair, glossy black cloth, cold sodium-orange street light and blue shadow, with the thin cool glow of the skirt seams as the only other colour. The blur on her face reads as the camera deciding to look at the offered hand instead of her eyes: quiet, tender.

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