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ใ‹ใ–ใพ๏ผ ๐ŸŽใŒ 

Arte IA di ใ‹ใ–ใพ๏ผ ๐ŸŽใŒ  su PixAI. Creato con Tsubaki.3.

Avatar image of ใ‹ใ–ใพ๏ผ ๐ŸŽใŒ 

ใ‹ใ–ใพ๏ผ ๐ŸŽใŒ 

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2boys, 2 chibi young men, flat chest, rank 4 chibi proportions, (chibi:1.4), isometric view, (pixel-art i:1.4), pixel art, sprite art, crisp limited palette, young man with (white short bob hair:1.4), rabbit ears, red eyes, star-shaped pupils, (jitome:1.4), scornful stare, flat-lidded half-lidded eyes, pink school uniform shirt, sleeve cuffs, long school pants, loafers, young man with (pink short bob hair:1.4), rabbit ears, red eyes, star-shaped pupils, (jitome:1.4), scornful stare, flat-lidded half-lidded eyes, pink school uniform shirt, long school pants, loafers, town street, food stall, striped awning, table, chair, (Frankfurter bun with yakisoba in between:1.2), yakisoba pan, paper handed to viewer, sign board, the sign board reads "yakisoba pan", text on signboard, legible pixel lettering, standing side by side, looking at viewer, head tilt, arms crossed, hip shift, glaring, blush, no extra people, empty street, storefront row, pixelated ground tiles, dithered shading. A high isometric view down a narrow town street, seen from the corner above table height at a true three-quarter isometric tilt, the whole scene cut into small square pixel tiles so every plane steps in hard stair-edged blocks of colour. The street runs diagonally from lower left to upper right behind the two children: a row of low storefronts with beige stucco walls and tiled roofs recedes along the left side, telegraph pole and shop lanterns shrinking toward the top edge, and the paving is a checkerboard of grey and blue-grey pixel tiles with a single darker drain channel running along the curb. In the near foreground, on the corner of the pavement, sits the food stall: a wooden cart with a striped red-and-white awning stretched over it, the counter surface stacked with buns and a flat griddle, and beside the cart a folding table and a folding chair tucked half under it, one chair leg resting on the curb step with the ground shadow stepping cleanly under it in square pixels. The sign board stands on a post at the stall's right corner, tilted a few degrees toward the camera, and the lettering "yakisoba pan" runs across it in white square pixel capitals on a dark ground, the sign's own thickness shading the counter behind it and the bottom row of letters cut by the wooden frame. The two boys stand close together on the paving in front of the stall, facing out toward the viewer in a mirrored pair: the one on the left has a white short bob and the one on the right a pink short bob, both cut with straight blunt ends at the jaw in stepped pixel fringes, and both pairs of long rabbit ears rise in staggered blocks from the top of their heads, the left boy's ears tilted to his left and the right boy's bent slightly forward so the tips droop into the frame of the awning strip above them. Their eyes are big chibi eyes reduced to chunky pixel blocks, each with a red iris and a four-pointed white star pupil, and the upper contour of both eye shapes is a flat, unbroken horizontal line of pixels, so the stare lands flat and unimpressed: the left boy's eyes are narrowed in a level, contemptuous look aimed straight at the viewer with his mouth a small flat line and a single pixel blush patch on his cheek, while the right boy has his chin tipped up, brow pixels lowered, one corner of his mouth twitching down, his stare sliding slightly sideways as though judging whoever is looking. Both are slim and small-chested under the loose pink uniform shirts, the shirts hanging boxy over long pink-tone trousers, the cuffs of the sleeves and the hems of the pants ending in blocky steps, and both are bare-headed besides the ears, their small pixel hands empty and held in front of their hips, the left boy's fingers curled into a loose fist. Light comes from a single high sun at the upper left of the isometric frame, striking the top faces of the awning, the boys' shoulders and the tops of their ears so those surfaces hold the brightest pixel values, while the left side of the stall and the shaded side of both bodies sink into a darker two-tone dither and the ground shadows drop down-right from every object as stepped pixel staircases. The palette is disciplined to the street's neutrals, the warm reds and wood browns of the stall, and the two pinks of the uniforms and the right boy's hair, with the red of the eyes as the only sharp accent on the figures. Deliberate low-resolution aliasing, limited palette, dithering between tones, no anti-aliasing, crisp pixel edges throughout. Smug and deadpan.
Mostra parametri
Immissione richiesta originale
(masterpiece, best quality, high quality, 8k), (pixel-art i:1.4) chibi isometric 2boys (jitome:1.4) star-eyes (chibi :1.4) young-man flat-chests (white short bob hair :1.4) rabbit-ears red-eyes pink-school-uniform pants and (jitome:1.4) star-eyes (chibi :1.4) young-man flat-chests (pink short bob hair :1.4) rabbit-ears red-eyes pink-school-uniform pants break town street food-stall table chair (Frankfurter bun with yakisoba in between:1.2) sign board "yakisoba pan"
Modalitร 
pro
Tag qualitร 
๏นPrompt๏นž
Dimensione
1888 x 1056
Metodo di campionamento
Euler
Negativo
lowres, worst quality, low quality, bad anatomy, explicit
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Modello e LoRA utilizzati

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
7.64k

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AI artwork
Avatar image of ใ‹ใ–ใพ๏ผ ๐ŸŽใŒ 
2boys, 2 chibi young men, flat chest, rank 4 chibi proportions, (chibi:1.4), isometric view, (pixel-art i:1.4), pixel art, sprite art, crisp limited palette, young man with (white short bob hair:1.4), rabbit ears, red eyes, star-shaped pupils, (jitome:1.4), scornful stare, flat-lidded half-lidded eyes, pink school uniform shirt, sleeve cuffs, long school pants, loafers, young man with (pink short bob hair:1.4), rabbit ears, red eyes, star-shaped pupils, (jitome:1.4), scornful stare, flat-lidded half-lidded eyes, pink school uniform shirt, long school pants, loafers, town street, food stall, striped awning, table, chair, (Frankfurter bun with yakisoba in between:1.2), yakisoba pan, paper handed to viewer, sign board, the sign board reads "yakisoba pan", text on signboard, legible pixel lettering, standing side by side, looking at viewer, head tilt, arms crossed, hip shift, glaring, blush, no extra people, empty street, storefront row, pixelated ground tiles, dithered shading. A high isometric view down a narrow town street, seen from the corner above table height at a true three-quarter isometric tilt, the whole scene cut into small square pixel tiles so every plane steps in hard stair-edged blocks of colour. The street runs diagonally from lower left to upper right behind the two children: a row of low storefronts with beige stucco walls and tiled roofs recedes along the left side, telegraph pole and shop lanterns shrinking toward the top edge, and the paving is a checkerboard of grey and blue-grey pixel tiles with a single darker drain channel running along the curb. In the near foreground, on the corner of the pavement, sits the food stall: a wooden cart with a striped red-and-white awning stretched over it, the counter surface stacked with buns and a flat griddle, and beside the cart a folding table and a folding chair tucked half under it, one chair leg resting on the curb step with the ground shadow stepping cleanly under it in square pixels. The sign board stands on a post at the stall's right corner, tilted a few degrees toward the camera, and the lettering "yakisoba pan" runs across it in white square pixel capitals on a dark ground, the sign's own thickness shading the counter behind it and the bottom row of letters cut by the wooden frame. The two boys stand close together on the paving in front of the stall, facing out toward the viewer in a mirrored pair: the one on the left has a white short bob and the one on the right a pink short bob, both cut with straight blunt ends at the jaw in stepped pixel fringes, and both pairs of long rabbit ears rise in staggered blocks from the top of their heads, the left boy's ears tilted to his left and the right boy's bent slightly forward so the tips droop into the frame of the awning strip above them. Their eyes are big chibi eyes reduced to chunky pixel blocks, each with a red iris and a four-pointed white star pupil, and the upper contour of both eye shapes is a flat, unbroken horizontal line of pixels, so the stare lands flat and unimpressed: the left boy's eyes are narrowed in a level, contemptuous look aimed straight at the viewer with his mouth a small flat line and a single pixel blush patch on his cheek, while the right boy has his chin tipped up, brow pixels lowered, one corner of his mouth twitching down, his stare sliding slightly sideways as though judging whoever is looking. Both are slim and small-chested under the loose pink uniform shirts, the shirts hanging boxy over long pink-tone trousers, the cuffs of the sleeves and the hems of the pants ending in blocky steps, and both are bare-headed besides the ears, their small pixel hands empty and held in front of their hips, the left boy's fingers curled into a loose fist. Light comes from a single high sun at the upper left of the isometric frame, striking the top faces of the awning, the boys' shoulders and the tops of their ears so those surfaces hold the brightest pixel values, while the left side of the stall and the shaded side of both bodies sink into a darker two-tone dither and the ground shadows drop down-right from every object as stepped pixel staircases. The palette is disciplined to the street's neutrals, the warm reds and wood browns of the stall, and the two pinks of the uniforms and the right boy's hair, with the red of the eyes as the only sharp accent on the figures. Deliberate low-resolution aliasing, limited palette, dithering between tones, no anti-aliasing, crisp pixel edges throughout. Smug and deadpan.
ใ‹ใ–ใพ๏ผ ๐ŸŽใŒ 
AI artwork
Avatar image of ใ‹ใ–ใพ๏ผ ๐ŸŽใŒ 
solo, 1boy, chibi, young man, green hair, wavy hair, ponytail, long hair, cat ears, animal ears, round glasses, black-framed glasses, kimono, apron, pants, isometric view, pixel art, standing at a table, holding imagawayaki, eating, sweets shop, wooden stall, noren shop curtain, sign board, speech bubble, sound effect, japanese text, open mouth, looking at food, from above, three-quarter view, warm interior palette, cozy An isometric pixel-art view from above and to the front-right of a tiny wooden sweets stall, one chibi young man at its counter, nobody else in frame. He stands behind the table on the stall's left edge, three-quarter turned toward the viewer's right, weight on his right hip with his left knee slightly bent forward, so the ponytail swings out past his left shoulder. His green hair is a thick wavy mass pulled into a low ponytail by a plain tie, loose waves curling at the tail's end and a soft fringe over his brow; two small cat ears rise from the top of his head, fur the same green as his hair, inner shells faintly pink and tilted outward. Round black-framed glasses sit squarely on his nose, catching two small white highlight squares. He wears a muted indigo kimono whose collar crosses left over right at his throat, a cream canvas apron knotted at his waist with its bib covering his chest, and loose grey-brown work pants tied at the ankles, the kimono hem falling to mid-thigh over them. He is caught mid-bite: his right hand lifts a golden-brown imagawayaki โ€” a thick round griddled cake with a crisp patterned rim โ€” up near his chin, and his left hand presses flat on the table edge for balance. His mouth is open in a small round bite-ready shape, brows raised, his gaze fixed on the pastry a few centimeters from his lips rather than at the camera. A single crumb has fallen from the cake and lies on the apron bib. The stall is a compact wooden counter occupying the midground: a plank table top in warm worn wood, a small cast-iron griddle at its far end with three more imagawayaki browning in neat rows, and a pale wooden sign board propped on the table's front-right corner, facing the viewer, its painted lettering stacked in clear rows: "neko no mise" as the larger top line, then "oyaki", "imagawayaki", "kaitenyaki", "obanyaki", "Chelunbing", "baked-mochocho" down the board in smaller even rows, the paint slightly chipped at each letter's edge. Behind him hangs a dark indigo noren curtain across the stall's entry, split into three panels, its fabric hanging in soft pixel-stepped folds. Inside the stall's shadow, shelves of stacked pastries recede in dithering. Two speech bubbles float in the upper left of the frame: a rounded bubble beside his head reads "imagawayaki", and a smaller tail-connected bubble closer to the sign reads "oyaki". A bold pixel sound-effect lettering โ€” "ใƒ‘ใ‚ฏใƒƒ" โ€” sits at the point where his teeth meet the cake, angled with the bite. All lettering is crisp blocky pixel type, the bubbles outlined in one-pixel dark borders with white interiors. The light comes from a single warm lantern hanging above the stall's right side, pooling gold on the table top, the cake in his hand and the right side of his face; his left side and the stall's interior fall into cool blue-violet shadow, and the sign board casts a short soft shadow to its left on the tabletop. The palette is tight: warm wood ochre and lantern gold against indigo and cream, with his green hair as the single vivid accent. Dithering gradients and a 32-pixel grid keep the render chunky and readable. Cozy, appetizing.
ใ‹ใ–ใพ๏ผ ๐ŸŽใŒ 
#zetaCollab
AI artwork
Avatar image of ใ‹ใ–ใพ๏ผ ๐ŸŽใŒ 
pixel art, isometric view, 1boy, solo, chibi, young man, green hair, wavy hair, long hair, ponytail, cat ears, round glasses, kimono, apron, pants, standing, leaning forward, both hands on table, looking down, sweets shop, food stall, wooden table, table sign-board, noren, imagawayaki, tail, speech bubble, sound effect, japanese text, warm lantern light A pixel-art isometric view looking down at a 45-degree angle onto a tiny street-corner sweets stall, the whole scene built from crisp square pixels on a strict grid. In the center of the isometric diamond sits a low wooden table of pale planks, its grain rendered as two-pixel dark lines running along the board direction; on it a row of imagawayaki โ€” small round griddled cakes, each a golden-brown disc with a paler seam where the batter was folded, stacked three high in one column and laid flat in a fan in front of them, their edges catching a warm highlight along the top-left faces. Behind the table stands the single young man, a chibi figure roughly two and a half heads tall, body turned three-quarters toward the table and away from the viewer's right, leaning forward from the hips with both palms flat on the tabletop, fingers splayed, thumbs braced against the near edge; his weight rests on his left leg, right knee slightly bent and right heel lifted. Green wavy hair falls in loose two-pixel waves, gathered into a ponytail that drops over his right shoulder and curls forward across the apron bib, the tip flicking up from the lean. A pair of pointed cat ears rise from the crown of his head, green fur with darker inner-ear pixels, the left one angled toward the table, the right swiveled back. Round glasses sit low on his nose, each lens a three-pixel ring with a diagonal white glint in the upper-left quadrant; his eyes behind them are angled down at the cakes, head tipped so the chin points toward the table, one brow drawn up, mouth a small open oval caught mid-call. His kimono is a muted indigo with a crossed collar lying left over right at the throat, wide sleeves pushed back to the elbows, and over it a dark-brown apron tied at the waist, its hem hanging in a straight pixel line above dark grey pants that widen slightly toward the ankles. His tail, green and furred, curves out from behind the apron and hooks around his right hip, tip lifted. The stall frames him: a wooden counter post at the left corner, a noren hung across the top of the stall opening, its indigo cloth split into three panels that hang with one stiff fold each, swaying a hair toward the right as though just brushed. The table sign-board stands propped on the near-left corner of the table, a small A-frame with a painted face: on the cloth noren the top band reads "neko no mise" in cream lettering, and down the hanging panels the words are painted one per panel in pale cream โ€” "oyaki", "imagawayaki", "kaitenyaki" โ€” while the sign-board carries "obanyaki" across its face and, on smaller stacked lines beneath, "Chelunbing" and "baked-mochocho", every letter built from blocky pixel glyphs that follow the fabric's slight curve and the board's tilt. Above the young man's left shoulder a rectangular speech bubble with a pixel-stepped tail points down at his mouth, and inside it a short line of japanese text sits in dark pixel glyphs on a cream fill. At the right edge of the table a bold japanese-text sound effect is lettered in thick outlined pixel strokes, tilted with the table's isometric axis, its characters at the point where his palms strike the boards. The single light source is a warm paper lantern hanging from the stall's top beam at the upper left, so the top-left faces of the cakes, the young man's left cheek, the lens rings and the upper folds of the noren glow amber while the undersides of the table, the right side of his apron and the deep interior of the stall fall into cool indigo shadow; each object casts a short hard pixel-edged shadow down and to the right. The ground beneath is a diamond of grey paving stones, and his shadow falls across them toward the lower right, cut by the table's legs. Palette of indigo, warm amber, pale wood and the green of his hair and tail, nothing else admitted; nearest-neighbor pixels with no anti-aliasing. Small, warm, busy.
ใ‹ใ–ใพ๏ผ ๐ŸŽใŒ 
#zetaCollab#1 ragazzo

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Avatar image of ใƒชใ‚ช
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
ใƒชใ‚ช
4#Puella Magi Madoka Magica#Madoka Kaname#Puella Magi Madoka Magica
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