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エルデンリング:ミケラの静寂な玉座
Arte IA «エルデンリング:ミケラの静寂な玉座» di 阿部優 su PixAI. Tag: Elden Ring, pelle pallida, gambe incrociate. Creato con Tsubaki.3 Flash.
『エルデンリング』のミケラを描きました。玉座に座り静かに指を組む姿は、神々しさとどこか儚げな美しさを感じさせますね。彼の纏う神秘的な雰囲気に、私もつい見入ってしまいました。気に入っていただけたら、いいねやフォローをよろしくお願いします!
Mostra parametri
- Modalità
- flash
- Dimensione
- 848 x 1280
Modello e LoRA utilizzati
Creation Assistant
Agent
Mio.2
Minimal input, professional output
Immagini simili
Mostra di piùsm
1boy, solo, tall man, long blood red hair, long black coat, sitting, crossed legs, hand on chin, smug, shadow throne, throne room, dark background, from below, wide shot, dutch angle, looking down at viewer, half-closed eyes, lopsided smirk, raised eyebrow, fingers curled under chin, elbow propped on throne armrest, black boots, black gloves, high collar, loose strands of red hair falling over shoulder, violet rim light, cold blue fill, volumetric haze, floor-to-throne perspective lines, ink-dark shadows, pale grey skin, sharp cheekbones, dim vaulted hall, drifting embers.
The camera sits low and tilted a few degrees off level, looking up: the tall man fills the upper center of the frame, seen from below so the throne's high back rises behind his shoulders and his crossed legs lead toward the lens in steep foreshortening. He is seated deep in a throne built of solid, curling shadow -- a jagged obsidian seat whose spines rise past his head like frozen smoke, its armrests heavy and uneven under his forearms. His left leg is crossed over his right at the knee, the ankle resting on the opposite thigh, one boot hanging free in the air with the toe pointed down; his torso leans back and slightly to his right, weight sunk into the shadow seat, one shoulder dropped lower than the other. His right elbow rests on the throne's armrest, forearm angled up, and the knuckles of that hand are curled loosely beneath his chin so the jaw presses gently into the fingers, the index finger laid along the line of his cheek. His left hand drapes over the far armrest, fingers slack and hanging.
His long blood red hair falls past his shoulders and over the throne's back in heavy loose strands, a few of them sliding forward across the high black collar of his coat; the ends of the hair catch the rim light and glow dull crimson. His long black coat hangs open down his chest, its hem spilling over the edge of the seat and disappearing into the dark beneath his crossed leg; the coat's fabric folds in long vertical creases over his thighs, and the collar stands up around his neck. His head is tipped a fraction to one side and slightly down, so his eyes look down the line of his nose at the viewer: lids half lowered, one brow arched higher than the other, mouth curved into a slow lopsided smirk on one side, the other corner flat.
A cold violet rim light comes from high behind and to the left of the throne, edging his hair, his shoulder, and the spines of the seat in magenta-violet; a dim blue fill rises from the floor in front of him, so the undersides of his jaw, his hands and the folds of the coat are lit faintly while the hollows of his eye sockets and the gap beneath the armrests stay pure black. His shadow is thrown long and hard across the cracked stone floor toward the bottom of the frame, and the floor's seams converge on the throne as the only leading lines. The hall beyond him dissolves into absolute darkness -- no windows, no torches, no other figures -- with a thin volumetric haze drifting through the violet edge light, and a few faint embers hanging in the air near the base of the throne. Palette limited to deep black, blood red and violet with a cold blue floor bounce. Quiet, coiled menace.
Stoner-Man
sm
1boy, solo, tall man, long blood red hair, long black coat, sitting, crossed legs, hand on chin, smug, shadow throne, throne room, dark background, from below, wide shot, dutch angle, looking down at viewer, half-closed eyes, lopsided smirk, raised eyebrow, fingers curled under chin, elbow propped on throne armrest, black boots, black gloves, high collar, loose strands of red hair falling over shoulder, violet rim light, cold blue fill, volumetric haze, floor-to-throne perspective lines, ink-dark shadows, pale grey skin, sharp cheekbones, dim vaulted hall, drifting embers.
The camera sits low and tilted a few degrees off level, looking up: the tall man fills the upper center of the frame, seen from below so the throne's high back rises behind his shoulders and his crossed legs lead toward the lens in steep foreshortening. He is seated deep in a throne built of solid, curling shadow -- a jagged obsidian seat whose spines rise past his head like frozen smoke, its armrests heavy and uneven under his forearms. His left leg is crossed over his right at the knee, the ankle resting on the opposite thigh, one boot hanging free in the air with the toe pointed down; his torso leans back and slightly to his right, weight sunk into the shadow seat, one shoulder dropped lower than the other. His right elbow rests on the throne's armrest, forearm angled up, and the knuckles of that hand are curled loosely beneath his chin so the jaw presses gently into the fingers, the index finger laid along the line of his cheek. His left hand drapes over the far armrest, fingers slack and hanging.
His long blood red hair falls past his shoulders and over the throne's back in heavy loose strands, a few of them sliding forward across the high black collar of his coat; the ends of the hair catch the rim light and glow dull crimson. His long black coat hangs open down his chest, its hem spilling over the edge of the seat and disappearing into the dark beneath his crossed leg; the coat's fabric folds in long vertical creases over his thighs, and the collar stands up around his neck. His head is tipped a fraction to one side and slightly down, so his eyes look down the line of his nose at the viewer: lids half lowered, one brow arched higher than the other, mouth curved into a slow lopsided smirk on one side, the other corner flat.
A cold violet rim light comes from high behind and to the left of the throne, edging his hair, his shoulder, and the spines of the seat in magenta-violet; a dim blue fill rises from the floor in front of him, so the undersides of his jaw, his hands and the folds of the coat are lit faintly while the hollows of his eye sockets and the gap beneath the armrests stay pure black. His shadow is thrown long and hard across the cracked stone floor toward the bottom of the frame, and the floor's seams converge on the throne as the only leading lines. The hall beyond him dissolves into absolute darkness -- no windows, no torches, no other figures -- with a thin volumetric haze drifting through the violet edge light, and a few faint embers hanging in the air near the base of the throne. Palette limited to deep black, blood red and violet with a cold blue floor bounce. Quiet, coiled menace.
Stoner-Man
o
Ainz Ooal Gown (OVERLORD)
OKC
1girl, large breasts, silver-white long hair, loose wavy hair, fluffy hair texture, bangs, long back hair, golden eyes, tareme, calm eyes, thin eyebrows, well-proportioned face, neutral beauty, pale skin, soft smile, calm expression, slender build, white kimono, black collar, black obi, golden obi, golden ornaments, earrings, narrow waist, secai, semi-realistic, manhwa style, detailed face, chiseled features, soft shading, smooth skin texture, high-contrast, dramatic lighting, decadent, melancholic, moody, dark atmosphere, seductive, sensual, semi-realistic style, muted soft colors, sketchy details, sharp lineart, subtle shading, expressive eyes, My LoRa
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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica
Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
Sg75
1
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Tofu
1
이름
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2
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the ballerina
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
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