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Sarah Smith
Arte IA di Sarah Smith su PixAI. Creato con Tsubaki.2.
Su PixAI i prompt sono pubblici per impostazione predefinita, ma i creator possono nasconderli in qualsiasi opera pubblicano. Chi ha creato quest'opera ha scelto di farlo, quindi le parole usate per generare l'immagine restano private e puรฒ vederle solo lui. Nascondere il prompt non cambia nient'altro: l'opera resta pubblica e puoi metterle mi piace, commentarla e condividerla come sempre.
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Modello e LoRA utilizzati
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Mostra di piรนmm
Mason Meister
df
Veteran from the marshes
Dreon F
1 man, solo, old ragged knight, middle-aged handsome man, short salt-and-pepper hair, salt-and-pepper beard, weathered face, scarred cheek, pulp-inspired armor, black metal armor, scuffed leather armor, black-and-white checkered tabard, two-handed longsword, gauntleted hands, holding sword, sword point resting on stone floor, both hands on the grip, from below, low angle, full body, cowboy shot, subterranean fort background, stone vault, torchlight, warm firelight, cool shadow, looking down at the viewer, tired eyes, half-closed eyes, dust motes, cracked flagstones, dark fantasy, gritty
The view is from below, low to the flagstones, tilted slightly up so the knight towers: a middle-aged handsome man seen at the low three-quarter angle, his weight settled on his back right leg with the left foot planted forward and the hip cocked, the whole long line of him tilting a few degrees off vertical. His short salt-and-pepper hair is pushed back off a lined brow and his matching cropped beard is unkempt at the jaw; his eyes are half-lidded and tired, and they look straight down into the lens with the flat patience of a man who has held this ground too long, one brow slightly raised. His armor is pulp-inspired and old: black metal plates gone dull and pitted at the shoulders and knees, straps of scuffed leather, split and whitened at the flex points, buckling it together, and over the chest and hanging to mid-thigh falls the black-and-white checkered tabard, its squares faded, its hem raveled, one corner torn. Both gauntleted hands grip the crossguard of the two-handed longsword, planted point-down between his boots; the blade catches a hard vertical streak of torchlight and the point sinks into the joint between two cracked flagstones, a shallow chip of stone dust piled around it. His left shoulder leans a fraction toward the sword, and the loose leather strap there hangs straight down, unstirred. The background is the interior of the subterranean fort: rough-cut stone block walls behind him, drum-vaulted ceiling lost in darkness above, a dark arched passage to his right, one iron torch bracket on the wall at the left edge of frame, and its flame is the only light source -- warm orange from the lower left raking up the flat of the black metal, the near side of the checkered tabard lit while the far half of him and the vault behind fall into absolute cool blackness; a single long shadow of the knight and sword stretches away up the wall behind him. Palette locked to black, scuffed leather brown, warm torch orange and the bone-white squares of the tabard, nothing else admitted. Dust drifts in the beam, and every upward-facing edge -- the pauldron tops, the crossguard, the crown of his head -- carries a fine grey layer of settled stone dust that the vertical surfaces do not. Gritty, watchful.
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