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AI art "電気グルーヴ - なんとも言えないわびしい気持ちになったことがあるかい? 1" featuring #da dietro, #Bambino, #taglio a caschetto, #Edificio, #Peluche and #Tetto
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電気グルーヴ - なんとも言えないわびしい気持ちになったことがあるかい? 1

Arte IA «電気グルーヴ - なんとも言えないわびしい気持ちになったことがあるかい? 1» di うざぴょい su PixAI. Tag: da dietro, Bambino, taglio a caschetto, Edificio, Peluche. Creato con Tsubaki.3.

ドラエモン風の乗り物、というか乗れすらしない!w 作詞作曲:石野卓球 なんとも言えないわびしい気持ちになったコトはあるかい? なんとも言えないわびしい気持ちになったコトはあるかい? なんとも言えないわびしい気持ちになったコトはあるかい? なんとも説明できないわびしい気持ちになったことはあるかい? なんとも説明できないわびしい気持ちになったことはあるかい? なんとも説明できないわびしい気持ちになったことはあるかい? なんとも説明できないわびしい気持ちになったことはあるかい? なんとも言えないわびしい気持ちになったコトはあるかい? 知らないウチの夕飯の支度のにおいとTVから流れる大相撲中継の音、 白く粉を吹いた足でペダルを踏み、ケツを上げ自転車をこぎ 人さらいに怯え家路を急ぐ 平日、閉店間際のデパートの屋上 耳の付いたドラエモン風の乗り物に母親と二人 他の乗り物にはすでにビニールシート 買ってもらったアニメの主題歌のカセットテープ 歌っているのはTVとは違う全然知らないヤツ なんとも言えないわびしい気持ちになったコトはあるかい? なんとも言えないわびしい気持ちになったコトはあるかい? なんとも言えないわびしい気持ちになったコトはあるかい? なんとも説明できないわびしい気持ちになったことはあるかい?

#da dietro#Bambino#taglio a caschetto#Edificio#Peluche#Tetto
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2girls, no humans, from above, from behind, rooftop, department store rooftop, amusement park, amusement ride, elephant slide, vinyl sheet, plastic sheeting, cassette tape, child, mother, short hair, bob cut, dress, sandals, bare feet, dust, evening, sunset, closing time, dusk, overhead lines, distant city skyline, wide shot, dutch angle, looking at another, pointing, wistful, lonely, melancholic, nostalgic The view is from above and slightly behind, looking down across the flat concrete rooftop of a shuttered Japanese department store at closing time, the two figures seen mostly from the back and three-quarter rear. In the foreground the rooftop floor is bare grey concrete swept in long arcs, its seams dark and its near edge catching the last light. Two people stand at the far left of the frame, small against the roof: a mother and her small child, their two shadows stretching backwards toward the camera along the concrete. The child, a girl of about six with a short blunt bob of dark hair and a pale blue cotton dress with a dirt-grey smudge at one knee, stands closest to a coin-operated ride; her bare feet are white with dust and powder from the concrete, and she has climbed half onto the ride's step so her weight tips forward onto her front foot while her hands grip the ride's metal ear-shape handle at chest height. The mother stands just behind her left shoulder, feet in flat sandals, one hand resting lightly on the back of the child's head, her body angled forward and down, her face in three-quarter rear so only her cheek and lowered lashes show; both of them look at the ride in front of them, not at each other. The ride is a small battered carriage shaped like a round-headed cartoon cat with a wide face and two protruding oval ears, painted faded blue and white, scuffed at the hips, its paint chipped to bare metal at the corners, one eye repainted slightly off center; it sits on a short steel post in the center-left of the roof field. Further back and to the right, a cluster of other rides stands abandoned under taut translucent-white plastic sheeting tied down with rope at each corner, the vinyl sagging between its ties so the shapes beneath read as lumps, the sheeting catching a dull specular sheen and wrinkling where wind has worried at it; one sheet has slipped half off a ride's shoulder. In the child's right hand, held flat against her dress, a clear plastic cassette case with a printed paper liner, its tape visible through the window. The rooftop is enclosed by a low chain-link fence at the far edge, beyond which the city falls away into a hazy low-rise skyline, its windows already dark, a scatter of first lights not yet on. The sky occupies the upper third of the frame: a flat drained apricot-to-slate gradient with the sun already below the buildings, so the light is low and raking, coming from the far left behind the figures, striking the top of the vinyl sheeting, the ride's round head and the child's hair, while the near concrete falls into long cool shadow. No other people anywhere on the roof. The palette is dust grey, faded blue, milky vinyl white, apricot and slate, nothing saturated, the whole roof desaturated by distance and dusk. Everything soft-edged and still except the slight lifted corner of the vinyl sheet and the fine dust scuffed up around the child's bare feet, the only thing moving at all.
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なんとも言えないわびしい気持ちになったコトはあるかい? なんとも言えないわびしい気持ちになったコトはあるかい? なんとも言えないわびしい気持ちになったコトはあるかい? なんとも説明できないわびしい気持ちになったことはあるかい? なんとも説明できないわびしい気持ちになったことはあるかい? なんとも説明できないわびしい気持ちになったことはあるかい? なんとも説明できないわびしい気持ちになったことはあるかい? なんとも言えないわびしい気持ちになったコトはあるかい? 知らないウチの夕飯の支度のにおいとTVから流れる大相撲中継の音、 白く粉を吹いた足でペダルを踏み、ケツを上げ自転車をこぎ 人さらいに怯え家路を急ぐ 平日、閉店間際のデパートの屋上 耳の付いたドラエモン風の乗り物に母親と二人 他の乗り物にはすでにビニールシート 買ってもらったアニメの主題歌のカセットテープ 歌っているのはTVとは違う全然知らないヤツ なんとも言えないわびしい気持ちになったコトはあるかい? なんとも言えないわびしい気持ちになったコトはあるかい? なんとも言えないわびしい気持ちになったコトはあるかい? なんとも説明できないわびしい気持ちになったことはあるかい?
Modalità
pro
Tag qualità
﹝Prompt﹞
Dimensione
1232 x 1232
Metodo di campionamento
Euler
Negativo
lowres, worst quality, low quality, bad anatomy, explicit
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1girl, solo, long black hair, straight hair, blunt bangs, dark brown eyes, pale skin, slender build, black sailor school uniform, navy blue sailor collar with two white stripes, short black neckerchief tied at the collar, black pleated skirt, white socks, brown loafers, reaching up, tiptoes, outstretched arm, arm up, leaning forward, three-quarter view, from above, tilted head, looking up, wide-eyed, open mouth, blush, wind, school roof, chain-link fence, water tank, blue sky, white clouds, golden afternoon light Seen from above and slightly behind her right shoulder, a pale slender teenage girl with long straight black hair cut into blunt bangs stands on tiptoe near a chain-link fence on a school rooftop, both heels lifted clear of the concrete as her body stretches upward, the black pleated skirt swinging back against the wind, its hem flicking to one side. Her near hand reaches high overhead, fingers spread and just catching the edge of a white bedsheet pegged to a laundry line, tugging it so it bellies out and snaps; her far arm is bent at the elbow, palm open and low by her hip. A short black neckerchief at the navy blue sailor collar with its two white stripes lifts and flutters sideways toward the fence. Her chin is tilted up and back so her face shows in three-quarter profile from above -- dark brown eyes wide and fixed on the sheet's fluttering corner, lips parted in a small breathless open-mouthed laugh, a flush of pink high on both cheeks from the effort. Light comes in low from the right and behind her, a warm golden late-afternoon sun that rims the top of her hair and the leading edge of the billowing sheet in pale gold while her face, the front of her uniform and the pleats of her skirt fall into cool blue-grey shadow. Her shadow stretches away across the rooftop concrete toward the lower left and is broken into stripes by the chain-link fence, and the sheet casts a second, softer moving shadow across the ground at her feet. Beyond the chain-link, the city drops away in hazy blocks of pale blue and grey, the fence and its wire diamonds crisply in the foreground crossing in front of the distant skyline. The palette is held to black uniform, warm white sheet, cool steel-grey concrete, and a wide pale sky, with gold only where the sun touches. Wind is the whole picture: the sheet, the neckerchief, the skirt hem and the loose hair ends all pull the same direction at once. Bright, buoyant.
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