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Arte IA di ใใใกใ su PixAI. Creato con Tsubaki.3 Flash.
Mostra parametri
- Immissione richiesta originale
- Several women in suits lying down, arranged in a heart shape; full-body view; they have black hair and eyes that slant slightly downward; they are wearing suits, tight skirts, black tights, and pumps.
- Modalitร
- flash
- Dimensione
- 1104 x 1824
Helper di Prompt
Modello e LoRA utilizzati
Immagini simili
Mostra di piรน
multiple girls, 8 girls, full body, from above, top-down, lying down, arranged in heart shape, black hair, long black hair, straight hair, tareme, downturned eyes, eyes slanting slightly downward, business suit, suit jacket, white dress shirt, necktie, tight skirt, pencil skirt, black tights, pantyhose, pumps, high heels, black leather pumps, eyes closed, arms at sides, head tilt, hair spread out, overlapping bodies, heart formation, polished floor, dark polished stone floor, soft overhead light, cool palette, glossy detailed
Seen from directly above, eight women in dark business suits lie on their backs on a dark polished stone floor, their bodies laid end to end and shoulder to shoulder to trace the outline of a single large heart filling the frame edge to edge. The outline closes at the bottom point, where two women lie heel to heel along converging diagonals, and dips at the top center into the cleft, where two more angle their shoulders inward and turn slightly toward each other. Along the left lobe, one woman lies on her side with her knees bent so her pencil skirt follows the curve; along the right lobe, another arcs the other way, one arm folded under her head, the other stretched along her thigh. Each wears a tailored dark navy suit jacket buttoned over a white dress shirt, a slim necktie, a tight knee-length pencil skirt, opaque black tights and black leather pumps with modest heels โ the heels of the two bottom-point women click flat against the stone, soles turned outward. Their long black hair spills across the floor in loose fans beyond their shoulders, the strands interleaving faintly. All eight have downturned tareme eyes and lie with lids mostly lowered, a few glancing at the woman beside them, most looking up at nothing. Jacket hems ride up at the waist, skirt seams pull taut across the hips, and the tights catch a soft sheen along the shins. A single large soft overhead light from above makes the heart read as one bright shape against the darker floor, each body casting only a thin shadow tucked under its own contour, and the polished stone returns a dim softened mirror of the eight figures. Palette is restricted to dark navy, black, white shirt, warm skin and the gray-black stone, nothing else admitted. Cool, composed, quietly elegant.
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multiple girls, 8 girls, full body, from above, top-down, lying down, arranged in heart shape, black hair, long black hair, straight hair, tareme, downturned eyes, eyes slanting slightly downward, business suit, suit jacket, white dress shirt, necktie, tight skirt, pencil skirt, black tights, pantyhose, pumps, high heels, black leather pumps, eyes closed, arms at sides, head tilt, hair spread out, overlapping bodies, heart formation, polished floor, dark polished stone floor, soft overhead light, cool palette, glossy detailed
Seen from directly above, eight women in dark business suits lie on their backs on a dark polished stone floor, their bodies laid end to end and shoulder to shoulder to trace the outline of a single large heart filling the frame edge to edge. The outline closes at the bottom point, where two women lie heel to heel along converging diagonals, and dips at the top center into the cleft, where two more angle their shoulders inward and turn slightly toward each other. Along the left lobe, one woman lies on her side with her knees bent so her pencil skirt follows the curve; along the right lobe, another arcs the other way, one arm folded under her head, the other stretched along her thigh. Each wears a tailored dark navy suit jacket buttoned over a white dress shirt, a slim necktie, a tight knee-length pencil skirt, opaque black tights and black leather pumps with modest heels โ the heels of the two bottom-point women click flat against the stone, soles turned outward. Their long black hair spills across the floor in loose fans beyond their shoulders, the strands interleaving faintly. All eight have downturned tareme eyes and lie with lids mostly lowered, a few glancing at the woman beside them, most looking up at nothing. Jacket hems ride up at the waist, skirt seams pull taut across the hips, and the tights catch a soft sheen along the shins. A single large soft overhead light from above makes the heart read as one bright shape against the darker floor, each body casting only a thin shadow tucked under its own contour, and the polished stone returns a dim softened mirror of the eight figures. Palette is restricted to dark navy, black, white shirt, warm skin and the gray-black stone, nothing else admitted. Cool, composed, quietly elegant.
ใใใกใ
multiple girls, 8 girls, full body, from above, top-down, lying down, arranged in heart shape, black hair, long black hair, straight hair, tareme, downturned eyes, eyes slanting slightly downward, business suit, suit jacket, white dress shirt, necktie, tight skirt, pencil skirt, black tights, pantyhose, pumps, high heels, black leather pumps, eyes closed, arms at sides, head tilt, hair spread out, overlapping bodies, heart formation, polished floor, dark polished stone floor, soft overhead light, cool palette, glossy detailed
Seen from directly above, eight women in dark business suits lie on their backs on a dark polished stone floor, their bodies laid end to end and shoulder to shoulder to trace the outline of a single large heart filling the frame edge to edge. The outline closes at the bottom point, where two women lie heel to heel along converging diagonals, and dips at the top center into the cleft, where two more angle their shoulders inward and turn slightly toward each other. Along the left lobe, one woman lies on her side with her knees bent so her pencil skirt follows the curve; along the right lobe, another arcs the other way, one arm folded under her head, the other stretched along her thigh. Each wears a tailored dark navy suit jacket buttoned over a white dress shirt, a slim necktie, a tight knee-length pencil skirt, opaque black tights and black leather pumps with modest heels โ the heels of the two bottom-point women click flat against the stone, soles turned outward. Their long black hair spills across the floor in loose fans beyond their shoulders, the strands interleaving faintly. All eight have downturned tareme eyes and lie with lids mostly lowered, a few glancing at the woman beside them, most looking up at nothing. Jacket hems ride up at the waist, skirt seams pull taut across the hips, and the tights catch a soft sheen along the shins. A single large soft overhead light from above makes the heart read as one bright shape against the darker floor, each body casting only a thin shadow tucked under its own contour, and the polished stone returns a dim softened mirror of the eight figures. Palette is restricted to dark navy, black, white shirt, warm skin and the gray-black stone, nothing else admitted. Cool, composed, quietly elegant.
ใใใกใ
full body, multiple girls, 5 girls, black hair, long black hair, straight hair, droopy eyes, tareme, half-closed eyes, business suit, black suit, suit jacket, white dress shirt, open collar, tight skirt, pencil skirt, black tights, pantyhose, pumps, high heels, black pumps, sitting, seiza, heart formation, arranged in a heart shape, hands joined, holding hands, looking at viewer, light smile, closed mouth, head tilt, from above, high angle, wide shot, symmetrical composition, seamless studio backdrop, empty pale grey ground, soft studio lighting
Seen from a high angle looking down, five women in dark business suits sit on a bare seamless pale-grey studio floor, arranged so that their seated bodies draw one clean heart shape, the two at the front angled inward as the point, the two at the sides bowing outward as the lobes, and the fifth set back at the notch between them. All five are in the same office uniform: black single-breasted suit jackets buttoned once at the waist over white dress shirts with the collar open at the throat, black pencil skirts ending above the knee and stretched taut across the thighs of the seated figures, matte black tights running unbroken from hem to instep, and low-cut black pumps whose heels are tucked under them or set flat where they kneel, each shoe's vamp cutting across the top of the foot. Their long black hair falls straight past their shoulders, and where two of them angle inward the hair slides forward over the lapels in a dark unbroken sheet. Every face turns up toward the lens with the same heavy, drooping upper eyelids, the outer corners tilted down, giving each a slow, sleepy, faintly amused look; lips closed in a light smile, chins lifted a fraction as they look up. Their hands join โ the front-left woman's right hand laced with the front-right woman's left, the side pair's inner hands resting palm-down on the floor to brace and define the outer curve of the heart, the rear woman's hands folded in her own lap at the notch. Weight is settled on hips and folded legs, shoulders sloping inward; the studio's cool soft light comes from high and slightly frontal, so each upturned face catches a clean highlight on brow and cheekbone while short soft shadows pool beneath the chins and in the folds of the skirts, and the shadow of the whole group falls small and compact directly below them, tightening the heart silhouette. The palette stays strictly black, white, pale grey and the muted warm tone of their skin, no other colour admitted; fabric sheen on the tights and the polished toe caps of the pumps is the only variation in value. Calm, precise, quietly chic.
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