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Anna Mary
Arte IA di Anna Mary su PixAI. Creato con Tsubaki.3.
Mostra parametri
- Immissione richiesta originale
- Artist: redjuice, masterpiece, best quality, absurdres, redjuice style, 1girl, 1boy, duo, sci-fi archangels, back-to-back floating pose, full body, simple white background, high contrast, sharp studio lighting, (girl on the left: long raven black hair, burgundy highlights, emerald eyes, sleek obsidian black and deep crimson cybernetic bodysuit, sculpted matte black armor plates, champagne gold trim, graceful mid-air pose, one hand raised, looking toward viewer), (boy on the right: tousled dark chestnut hair, emerald eyes, tailored charcoal black and deep crimson cybernetic tactical coat, angular matte black shoulder pauldrons, copper gold trim, confident floating stance, arms crossed, looking over shoulder), six black and gold mechanical wings each, translucent amber glass feathers, floating brushed gold geometric halos, clean composition
- Modalità
- pro
- Dimensione
- 1104 x 1824
- Metodo di campionamento
- Euler
- Negativo
- lowres, worst quality, low quality, bad anatomy, explicit
Helper di Prompt
Modello e LoRA utilizzati
Immagini simili
Mostra di piùam
artist: redjuice
1girl, 1boy, duo, 2girls? no, 1girl 1boy only, back-to-back, floating, full body, simple white background, high contrast, sharp studio lighting, girl on left, boy on right, mechanical wings, six wings each, black and gold wings, translucent amber glass feathers, floating halo, geometric halo, brushed gold halo, cybernetic bodysuit, black bodysuit, crimson accents, matte black armor plates, gold trim, long raven black hair, burgundy highlights, emerald eyes, one hand raised, looking at viewer, mid-air pose, cybernetic tactical coat, charcoal black coat, crimson accents, shoulder pauldrons, copper gold trim, tousled dark chestnut hair, emerald eyes, arms crossed, looking over shoulder, confident stance, mechanical wings on back, glass feathers, clean composition, sci-fi, archangel, glowing particles, glossy eyes, intricate hair detail, from below, cowboy shot, sharp focus, studio lighting
The view is a low angle looking up at the pair from slightly below, both figures held full-body in frame against a seamless pure white studio void, floating clear of any ground so no floor line or horizon cuts into the composition. The girl occupies the left half of the frame and the boy the right, their backs pressed flush together along the spine — her shoulder blades and the ridge of her suit's back plates touching the flat of his coat between the pauldrons — and both bodies angle out from that contact line so the back-to-back pose reads as a flight formation rather than a clump. She rises a half-head higher than him, back arched, weight floating freely; her long raven-black hair with burgundy highlights lifts and drifts upward and to the left in loose weightless strands, several locks crossing in front of the joint of one black-and-gold mechanical wing. Her near arm sweeps up and outward, elbow soft, fingers open and relaxed as though feeling the airflow, while her far arm trails low behind the contact line with the hand half-curled. Her chin is turned toward the lens over her raised shoulder, emerald eyes catching the key light, lips faintly parted in calm grace; her suit's obsidian shell and deep crimson side panels run down her torso and legs, champagne gold trim catching a bright edge along every seam and hip plate, the sculpted matte black armor swallowing highlights.
The boy floats on the right with heels dropped and shoulders proud, coat tails and hem trailing upward as though in slow freefall; his arms are folded tight across his chest, each forearm braced against the opposite bicep with fingers curled around his own sleeve, pauldrons sitting square and angular. His head is turned over his right shoulder toward the viewer, chin low, one brow carrying lazy confidence, emerald eyes half-hooded but bright, a half-smirk at the corner of his mouth; his tousled dark chestnut hair lifts in scattered tufts off his forehead. Charcoal-black tactical coat panels and deep crimson inner layers run under copper-gold trim, seam lines glowing faint along the placket.
From behind each pair of backs, six black-and-gold mechanical wings fan out — three per side per figure — the black metal bones segmented and articulated, the translucent amber glass feathers layered over them so the white studio light passes through and stains the edges of each feather with honeyed warmth, wingtip to wingtip spanning wider than both bodies. A floating brushed-gold geometric halo hangs above each head, a thin open ring of angular facets, tilted at a slight different angle over each figure. The white background is a seamless even sweep, unmarked and empty, the high-contrast sharp studio key raking from upper left so bright specular paths run along the gold trim, glass feathers and glossy hair on the left-facing planes while the opposite sides fall into deep clean shadow; a soft cool fill lifts the right side just enough to keep detail, and small translucent amber particles drift and catch the light between the two figures. The palette is strictly raven black, obsidian, charcoal, deep crimson, champagne and copper gold, and translucent amber against the white — nothing else. Everything crisp and glossy, sharp-edged, effortless cool.
Anna Mary
am
artist: redjuice
1girl, 1boy, duo, 2girls? no, 1girl 1boy only, back-to-back, floating, full body, simple white background, high contrast, sharp studio lighting, girl on left, boy on right, mechanical wings, six wings each, black and gold wings, translucent amber glass feathers, floating halo, geometric halo, brushed gold halo, cybernetic bodysuit, black bodysuit, crimson accents, matte black armor plates, gold trim, long raven black hair, burgundy highlights, emerald eyes, one hand raised, looking at viewer, mid-air pose, cybernetic tactical coat, charcoal black coat, crimson accents, shoulder pauldrons, copper gold trim, tousled dark chestnut hair, emerald eyes, arms crossed, looking over shoulder, confident stance, mechanical wings on back, glass feathers, clean composition, sci-fi, archangel, glowing particles, glossy eyes, intricate hair detail, from below, cowboy shot, sharp focus, studio lighting
The view is a low angle looking up at the pair from slightly below, both figures held full-body in frame against a seamless pure white studio void, floating clear of any ground so no floor line or horizon cuts into the composition. The girl occupies the left half of the frame and the boy the right, their backs pressed flush together along the spine — her shoulder blades and the ridge of her suit's back plates touching the flat of his coat between the pauldrons — and both bodies angle out from that contact line so the back-to-back pose reads as a flight formation rather than a clump. She rises a half-head higher than him, back arched, weight floating freely; her long raven-black hair with burgundy highlights lifts and drifts upward and to the left in loose weightless strands, several locks crossing in front of the joint of one black-and-gold mechanical wing. Her near arm sweeps up and outward, elbow soft, fingers open and relaxed as though feeling the airflow, while her far arm trails low behind the contact line with the hand half-curled. Her chin is turned toward the lens over her raised shoulder, emerald eyes catching the key light, lips faintly parted in calm grace; her suit's obsidian shell and deep crimson side panels run down her torso and legs, champagne gold trim catching a bright edge along every seam and hip plate, the sculpted matte black armor swallowing highlights.
The boy floats on the right with heels dropped and shoulders proud, coat tails and hem trailing upward as though in slow freefall; his arms are folded tight across his chest, each forearm braced against the opposite bicep with fingers curled around his own sleeve, pauldrons sitting square and angular. His head is turned over his right shoulder toward the viewer, chin low, one brow carrying lazy confidence, emerald eyes half-hooded but bright, a half-smirk at the corner of his mouth; his tousled dark chestnut hair lifts in scattered tufts off his forehead. Charcoal-black tactical coat panels and deep crimson inner layers run under copper-gold trim, seam lines glowing faint along the placket.
From behind each pair of backs, six black-and-gold mechanical wings fan out — three per side per figure — the black metal bones segmented and articulated, the translucent amber glass feathers layered over them so the white studio light passes through and stains the edges of each feather with honeyed warmth, wingtip to wingtip spanning wider than both bodies. A floating brushed-gold geometric halo hangs above each head, a thin open ring of angular facets, tilted at a slight different angle over each figure. The white background is a seamless even sweep, unmarked and empty, the high-contrast sharp studio key raking from upper left so bright specular paths run along the gold trim, glass feathers and glossy hair on the left-facing planes while the opposite sides fall into deep clean shadow; a soft cool fill lifts the right side just enough to keep detail, and small translucent amber particles drift and catch the light between the two figures. The palette is strictly raven black, obsidian, charcoal, deep crimson, champagne and copper gold, and translucent amber against the white — nothing else. Everything crisp and glossy, sharp-edged, effortless cool.
Anna Mary
am
artist: redjuice
1girl, 1boy, duo, 2girls? no, 1girl 1boy only, back-to-back, floating, full body, simple white background, high contrast, sharp studio lighting, girl on left, boy on right, mechanical wings, six wings each, black and gold wings, translucent amber glass feathers, floating halo, geometric halo, brushed gold halo, cybernetic bodysuit, black bodysuit, crimson accents, matte black armor plates, gold trim, long raven black hair, burgundy highlights, emerald eyes, one hand raised, looking at viewer, mid-air pose, cybernetic tactical coat, charcoal black coat, crimson accents, shoulder pauldrons, copper gold trim, tousled dark chestnut hair, emerald eyes, arms crossed, looking over shoulder, confident stance, mechanical wings on back, glass feathers, clean composition, sci-fi, archangel, glowing particles, glossy eyes, intricate hair detail, from below, cowboy shot, sharp focus, studio lighting
The view is a low angle looking up at the pair from slightly below, both figures held full-body in frame against a seamless pure white studio void, floating clear of any ground so no floor line or horizon cuts into the composition. The girl occupies the left half of the frame and the boy the right, their backs pressed flush together along the spine — her shoulder blades and the ridge of her suit's back plates touching the flat of his coat between the pauldrons — and both bodies angle out from that contact line so the back-to-back pose reads as a flight formation rather than a clump. She rises a half-head higher than him, back arched, weight floating freely; her long raven-black hair with burgundy highlights lifts and drifts upward and to the left in loose weightless strands, several locks crossing in front of the joint of one black-and-gold mechanical wing. Her near arm sweeps up and outward, elbow soft, fingers open and relaxed as though feeling the airflow, while her far arm trails low behind the contact line with the hand half-curled. Her chin is turned toward the lens over her raised shoulder, emerald eyes catching the key light, lips faintly parted in calm grace; her suit's obsidian shell and deep crimson side panels run down her torso and legs, champagne gold trim catching a bright edge along every seam and hip plate, the sculpted matte black armor swallowing highlights.
The boy floats on the right with heels dropped and shoulders proud, coat tails and hem trailing upward as though in slow freefall; his arms are folded tight across his chest, each forearm braced against the opposite bicep with fingers curled around his own sleeve, pauldrons sitting square and angular. His head is turned over his right shoulder toward the viewer, chin low, one brow carrying lazy confidence, emerald eyes half-hooded but bright, a half-smirk at the corner of his mouth; his tousled dark chestnut hair lifts in scattered tufts off his forehead. Charcoal-black tactical coat panels and deep crimson inner layers run under copper-gold trim, seam lines glowing faint along the placket.
From behind each pair of backs, six black-and-gold mechanical wings fan out — three per side per figure — the black metal bones segmented and articulated, the translucent amber glass feathers layered over them so the white studio light passes through and stains the edges of each feather with honeyed warmth, wingtip to wingtip spanning wider than both bodies. A floating brushed-gold geometric halo hangs above each head, a thin open ring of angular facets, tilted at a slight different angle over each figure. The white background is a seamless even sweep, unmarked and empty, the high-contrast sharp studio key raking from upper left so bright specular paths run along the gold trim, glass feathers and glossy hair on the left-facing planes while the opposite sides fall into deep clean shadow; a soft cool fill lifts the right side just enough to keep detail, and small translucent amber particles drift and catch the light between the two figures. The palette is strictly raven black, obsidian, charcoal, deep crimson, champagne and copper gold, and translucent amber against the white — nothing else. Everything crisp and glossy, sharp-edged, effortless cool.
Anna Mary
g
full body, white background, stern expression, tall boy, center parted hair, black semi-long hair, black eyes, white cape, white cape, white combat protectors, pose holding guns in both hands, futuristic design pure white dual pistols with long blades attached to the grips held in reverse grip, aaa gacha game official splash art style, glossy cel shading with soft airbrushed gradients, crisp lineart, luminous gradient eyes, detailed hair with highlights, cinematic lighting, vibrant saturated palette, high detail, polished digital anime art, 1person, anime style, illustration, comic style, 2D, bold lines, fine linework, sharp outlines, highly detailed, realistic color palette, detailed background, detailed hair, flat color, cel shading,
GGG
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Utenti consigliati
Potrebbe piacerti
ᯓ★ ⚡ ♡ ᯓ★
(mai)
Winter joy in the snow
FriddaTiss
kyramisu
8
logos
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
Hu Tao
KanKan Matcha
Tilith, the Goddess of Magical Star
entrophee_E:
푸른 물결 속의 신비로운 소녀
조개
anime
𝚖𝚎𝚛𝚒𝚖𝚎𝚛𝚒
miku
𝚖𝚎𝚛𝚒𝚖𝚎𝚛𝚒
🧣🚉 🪐 ‧₊˚ ♡ ˚₊‧
(mai)
❄️Lolicia❄️
weirdcore...
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
reunited at last
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
₊˚⊹♡ 𝗯𝘂𝗻𝗻𝘆 𝗴𝗶𝗿𝗹 ♡⊹˚₊
●♡⃝ 𝓑𝓾𝓽𝓽𝓮𝓻𝓯𝓵𝔂•ʚїɞ.𝕏𝕠
...
Tofu
6
...
Tofu
2
₊˚ ꒰ᐢ. .ᐢ꒱ 🍓🍞 ✧
(mai)
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica
Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
Sg75
1
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Tofu
1
이름
이름
2
...
Tofu
1
...
Tofu
3
the ballerina
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
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