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Stoner-Man

Arte IA di Stoner-Man su PixAI. Creato con Tsubaki.3 Flash.

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Stoner-Man

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character: uchiha_madara 2girls, 1boy, 2boys? no โ€” 1boy, 1girl, tall male, long hair, blood red hair, blue eyes, black line under each eye, long black coat, smirk, smug, shrug, walking away, from behind, looking back, female, long black hair, red hair underlight, blue eyes, black ninja outfit, bodysuit, sleeveless, long hair, black void, dark background, shadow, black mist, floating black tendrils, ambient darkness, dramatic lighting, rim light, red glow, two figures, medium shot, cowboy shot, dutch angle, Seen from behind and slightly below, the tall man has already turned his back on the viewer and is striding away into the black mass of the void, mid-step with his left boot planted and the right just lifting, toes pointed, weight rocking back on the left heel. Both his shoulders are hunched up high toward his ears in a shrug, arms lifted only a little away from his body with palms turned loosely outward, fingers slack, in a gesture that says he has done all he intends to do. His long blood-red hair swings out behind him from the turn of his head; his chin is swivelled back over his right shoulder, and under the dark red fringe one blue eye is visible, narrow, looking back at the woman he is leaving, and the single thin black line beneath that eye is visible against his cheekbone. His smirk is visible in profile โ€” one corner of the mouth pulled up, a hard, satisfied tilt to the head. His long black coat hangs heavy from his back and flares out behind his calves with the walk, the hem stretched and lifted by the movement, its collar high behind his skull; below it his black boots break the mist at the ankle. The woman with long black hair stands in the foreground three-quarter-turned towards him, framed from beneath the hip the coat passes. Her long black hair has a red underglow where the light strikes it low, and the red underhighlight beneath her eyes glows on her cheekbones as she turns away from the lens. In a black sleeveless shinobi bodysuit strapped at the thigh with blue eyes narrowed and fixed on his back, her lips are pressed tight; she is not moving, and the fog drifts around her knees. Behind him a void of total blackness with no horizon, a suspended mass of black mist that curls slowly upward, dark tendrils of shadow stretching out of the darkness at the edges of the frame. The only light is a cold blue-white rim from behind the camera, the only other light is deep red glow from the lower left below, the only warm light: the red underglow in her hair and in the line under her eyes, and the red seam along the backs of his shoulders. The rest is absolute darkness. The black line under his eye is painted thin and straight rather than darkeyed. Palette locked to black, blood red and cold blue, with cold blue-white only on the lifted edges of coats and faces and the red glow seated along his hair and her underhighlight; nothing else admitted. The camera looks down and up: low and off-centre, tilted a few degrees so that the height difference reads as a slow diagonal. His coat still moves from the walk, the hem hangs in the air behind him. Quietly contemptuous.
Mostra parametri
Immissione richiesta originale
In the shadow void A tall man with long blood red hair blues and a single black line under each eye long black coat looking smug and female madara with blue eyes black hair and red underhighlight in a black ninja outfit hes shrugging and walking away
Modalitร 
flash
Dimensione
1104 x 1824
Helper di Prompt

Modello e LoRA utilizzati

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
2.29k

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AI artwork
sm
character: uchiha_madara 2girls, 1boy, 2boys? no โ€” 1boy, 1girl, tall male, long hair, blood red hair, blue eyes, black line under each eye, long black coat, smirk, smug, shrug, walking away, from behind, looking back, female, long black hair, red hair underlight, blue eyes, black ninja outfit, bodysuit, sleeveless, long hair, black void, dark background, shadow, black mist, floating black tendrils, ambient darkness, dramatic lighting, rim light, red glow, two figures, medium shot, cowboy shot, dutch angle, Seen from behind and slightly below, the tall man has already turned his back on the viewer and is striding away into the black mass of the void, mid-step with his left boot planted and the right just lifting, toes pointed, weight rocking back on the left heel. Both his shoulders are hunched up high toward his ears in a shrug, arms lifted only a little away from his body with palms turned loosely outward, fingers slack, in a gesture that says he has done all he intends to do. His long blood-red hair swings out behind him from the turn of his head; his chin is swivelled back over his right shoulder, and under the dark red fringe one blue eye is visible, narrow, looking back at the woman he is leaving, and the single thin black line beneath that eye is visible against his cheekbone. His smirk is visible in profile โ€” one corner of the mouth pulled up, a hard, satisfied tilt to the head. His long black coat hangs heavy from his back and flares out behind his calves with the walk, the hem stretched and lifted by the movement, its collar high behind his skull; below it his black boots break the mist at the ankle. The woman with long black hair stands in the foreground three-quarter-turned towards him, framed from beneath the hip the coat passes. Her long black hair has a red underglow where the light strikes it low, and the red underhighlight beneath her eyes glows on her cheekbones as she turns away from the lens. In a black sleeveless shinobi bodysuit strapped at the thigh with blue eyes narrowed and fixed on his back, her lips are pressed tight; she is not moving, and the fog drifts around her knees. Behind him a void of total blackness with no horizon, a suspended mass of black mist that curls slowly upward, dark tendrils of shadow stretching out of the darkness at the edges of the frame. The only light is a cold blue-white rim from behind the camera, the only other light is deep red glow from the lower left below, the only warm light: the red underglow in her hair and in the line under her eyes, and the red seam along the backs of his shoulders. The rest is absolute darkness. The black line under his eye is painted thin and straight rather than darkeyed. Palette locked to black, blood red and cold blue, with cold blue-white only on the lifted edges of coats and faces and the red glow seated along his hair and her underhighlight; nothing else admitted. The camera looks down and up: low and off-centre, tilted a few degrees so that the height difference reads as a slow diagonal. His coat still moves from the walk, the hem hangs in the air behind him. Quietly contemptuous.
Stoner-Man
AI artwork
sm
character: uchiha_madara 2girls, 1boy, 2boys? no โ€” 1boy, 1girl, tall male, long hair, blood red hair, blue eyes, black line under each eye, long black coat, smirk, smug, shrug, walking away, from behind, looking back, female, long black hair, red hair underlight, blue eyes, black ninja outfit, bodysuit, sleeveless, long hair, black void, dark background, shadow, black mist, floating black tendrils, ambient darkness, dramatic lighting, rim light, red glow, two figures, medium shot, cowboy shot, dutch angle, Seen from behind and slightly below, the tall man has already turned his back on the viewer and is striding away into the black mass of the void, mid-step with his left boot planted and the right just lifting, toes pointed, weight rocking back on the left heel. Both his shoulders are hunched up high toward his ears in a shrug, arms lifted only a little away from his body with palms turned loosely outward, fingers slack, in a gesture that says he has done all he intends to do. His long blood-red hair swings out behind him from the turn of his head; his chin is swivelled back over his right shoulder, and under the dark red fringe one blue eye is visible, narrow, looking back at the woman he is leaving, and the single thin black line beneath that eye is visible against his cheekbone. His smirk is visible in profile โ€” one corner of the mouth pulled up, a hard, satisfied tilt to the head. His long black coat hangs heavy from his back and flares out behind his calves with the walk, the hem stretched and lifted by the movement, its collar high behind his skull; below it his black boots break the mist at the ankle. The woman with long black hair stands in the foreground three-quarter-turned towards him, framed from beneath the hip the coat passes. Her long black hair has a red underglow where the light strikes it low, and the red underhighlight beneath her eyes glows on her cheekbones as she turns away from the lens. In a black sleeveless shinobi bodysuit strapped at the thigh with blue eyes narrowed and fixed on his back, her lips are pressed tight; she is not moving, and the fog drifts around her knees. Behind him a void of total blackness with no horizon, a suspended mass of black mist that curls slowly upward, dark tendrils of shadow stretching out of the darkness at the edges of the frame. The only light is a cold blue-white rim from behind the camera, the only other light is deep red glow from the lower left below, the only warm light: the red underglow in her hair and in the line under her eyes, and the red seam along the backs of his shoulders. The rest is absolute darkness. The black line under his eye is painted thin and straight rather than darkeyed. Palette locked to black, blood red and cold blue, with cold blue-white only on the lifted edges of coats and faces and the red glow seated along his hair and her underhighlight; nothing else admitted. The camera looks down and up: low and off-centre, tilted a few degrees so that the height difference reads as a slow diagonal. His coat still moves from the walk, the hem hangs in the air behind him. Quietly contemptuous.
Stoner-Man
AI artwork
sm
character: uchiha_madara 2girls, 1boy, 2boys? no โ€” 1boy, 1girl, tall male, long hair, blood red hair, blue eyes, black line under each eye, long black coat, smirk, smug, shrug, walking away, from behind, looking back, female, long black hair, red hair underlight, blue eyes, black ninja outfit, bodysuit, sleeveless, long hair, black void, dark background, shadow, black mist, floating black tendrils, ambient darkness, dramatic lighting, rim light, red glow, two figures, medium shot, cowboy shot, dutch angle, Seen from behind and slightly below, the tall man has already turned his back on the viewer and is striding away into the black mass of the void, mid-step with his left boot planted and the right just lifting, toes pointed, weight rocking back on the left heel. Both his shoulders are hunched up high toward his ears in a shrug, arms lifted only a little away from his body with palms turned loosely outward, fingers slack, in a gesture that says he has done all he intends to do. His long blood-red hair swings out behind him from the turn of his head; his chin is swivelled back over his right shoulder, and under the dark red fringe one blue eye is visible, narrow, looking back at the woman he is leaving, and the single thin black line beneath that eye is visible against his cheekbone. His smirk is visible in profile โ€” one corner of the mouth pulled up, a hard, satisfied tilt to the head. His long black coat hangs heavy from his back and flares out behind his calves with the walk, the hem stretched and lifted by the movement, its collar high behind his skull; below it his black boots break the mist at the ankle. The woman with long black hair stands in the foreground three-quarter-turned towards him, framed from beneath the hip the coat passes. Her long black hair has a red underglow where the light strikes it low, and the red underhighlight beneath her eyes glows on her cheekbones as she turns away from the lens. In a black sleeveless shinobi bodysuit strapped at the thigh with blue eyes narrowed and fixed on his back, her lips are pressed tight; she is not moving, and the fog drifts around her knees. Behind him a void of total blackness with no horizon, a suspended mass of black mist that curls slowly upward, dark tendrils of shadow stretching out of the darkness at the edges of the frame. The only light is a cold blue-white rim from behind the camera, the only other light is deep red glow from the lower left below, the only warm light: the red underglow in her hair and in the line under her eyes, and the red seam along the backs of his shoulders. The rest is absolute darkness. The black line under his eye is painted thin and straight rather than darkeyed. Palette locked to black, blood red and cold blue, with cold blue-white only on the lifted edges of coats and faces and the red glow seated along his hair and her underhighlight; nothing else admitted. The camera looks down and up: low and off-centre, tilted a few degrees so that the height difference reads as a slow diagonal. His coat still moves from the walk, the hem hangs in the air behind him. Quietly contemptuous.
Stoner-Man

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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
ใƒชใ‚ช
4#Puella Magi Madoka Magica#Madoka Kaname#Puella Magi Madoka Magica
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