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Shi Ying

Arte IA «Shi Ying» di Наталья Шляпина su PixAI. Creato con Tsubaki.3 Flash.

Pubblicato il Nov 15, 2026

Наталья Шляпина

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1girl, solo, green hair, shoulder-length hair, ponytail, high ponytail, amber eyes, cat ears, animal ears, paw pose, both hands up, closed fists near face, bent elbows, looking at viewer, light smile, open mouth, indoors, sweater, white tank top, black bra, black bra strap visible, leopard print coat, fur coat, coat off shoulders, short shorts, studded belt, choker, layered necklaces, black handbag, fantasy, cowboy shot, from below, dutch angle, depth of field, warm interior light, ceiling beams, wooden floor. The view is a low, slightly tilted cowboy shot from below, the lens near the floorboards so the girl rises into the frame against the shadowed beams of a timber ceiling. She is the only figure, centred but off-axis by the dutch tilt, her weight settled on her back right hip and her left knee bent forward, one boot toe turned in. Both arms are lifted to chest height with elbows flared wide and wrists bent inward, fists closed and knuckles facing the camera so the pose reads unmistakably as paws; her chin dips a little toward the left fist, and her amber eyes look straight into the lens beneath one arched brow, her lips parted in a small lopsided grin with a hint of one eyetooth. Above her the green ponytail is gathered high at the crown and swings to her right shoulder, its tail heavy enough to drift against the choker; the shoulder-length green locks fall loose around her jaw and the cat ears sit pricked up through them, only the right ear tipped slightly forward. The outfit layers from the skin outward. The white tank top is thin and stretched across her chest, the black bra's band and one strap showing at the neckline and shoulder; the short shorts sit low on her hips with the studded belt cinched through the loops, its metal studs catching highlights. The choker hugs the base of her throat beneath a cluster of layered necklaces that hang in three different lengths and clink against the tank top. The leopard print fur coat is not worn but slung over her shoulders like a cape, its sleeves empty and hanging behind her arms so the dense fur — black rosettes on a tawny ground — frames her silhouette on both sides and brushes the top of her bare shoulders. A black sweater lies crumpled across a low chair behind her left hip, the sleeves spilling to the floor, and the black handbag hangs from the crook of that same elbow by its strap, the bag's weight dragging the fur aside. The light is a single warm source: a hanging paper lantern off-frame to the upper left throws a soft oval onto the left side of her face, the top of her fists and the leopard fur's outer edge, leaving the right side of her jaw and the space under the coat in cool shadow; a faint cast shadow of her raised arms falls across the tank top. Dust hangs in the lantern beam. The palette is fixed — green hair, amber eyes, tawny and black leopard fur, white cotton, black leather and metal, warm honey lantern light, deep umber shadows — and nothing else is admitted. The room reads as a fantasy interior only through its scale and detail: carved timber posts, a window of leaded panes behind her at the far right showing blue night, and a single strand of dried herbs hanging from a beam. Fur fibres nearest the lens are individually resolved while the ceiling beams soften into the dark. Playful, effortlessly sultry.

Shi Ying

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