Sign up free, get 10,000 credits
Starter credits added when you sign up.
Sign up and create 8 images for free
Starter credits added when you sign up.
Dagger 105
Arte IA di Dagger 105 su PixAI. Creato con Tsubaki.3 Flash.
Mostra parametri
- Immissione richiesta originale
- ในใซใผใใๅฑฅใใๅฅณๆง้ง ๅกใใใใใใใฟ่พผใใงๅพฎ็ฌใ
- Modalitร
- flash
- Dimensione
- 1104 x 1824
Helper di Prompt
Modello e LoRA utilizzati
Immagini simili
Mostra di piรน
1girl, solo, station attendant, uniform, skirt, pencil skirt, blazer, collared shirt, necktie, name tag, peaked cap, crouching, squatting, knees together, arms resting on knees, leaning forward, head tilt, light smile, closed mouth, looking at viewer, from above, close-up, cowboy shot, indoor, train station, platform, daytime, soft light, depth of field, warm palette
A high-angle medium shot looking down on a single female station attendant crouched low on a station platform, the camera tilted down so the platform's tiled edge runs diagonally across the lower third of the frame. She is the only figure in the shot: a young woman in a pressed dark navy uniform blazer buttoned once at the waist, a white collared shirt closed to the throat under a narrow navy necktie, a small rectangular name tag pinned flat on her left chest, and a matching navy pencil skirt falling over her bent knees to just above mid-calf; a peaked uniform cap sits tilted on her dark brown hair, which is gathered in a low bun with a few loose strands brushing her cheek. She crouches with her weight sunk into her heels, both knees together and angled slightly to her right, back rounded forward, forearms resting across the tops of her thighs with both hands loosely clasped at one another, fingers interlaced, the hem of her skirt drawn taut over the knee by the bend and creasing into a shallow fan at her lap. Her face is lifted toward the lens, chin tipped up a touch, eyes open and meeting the viewer with a soft closed-lip smile that pushes the apples of her cheeks up and warms the corners of her mouth; one brow sits a hair higher than the other. Behind her the platform recedes in soft focus: the yellow tactile strip, two distant pillars, an out-of-focus departure board on the far wall, and a dark train carriage edge at the right margin, all rendered with shallow depth of field so the crouching figure stays sharp. Light comes from a broad overhead platform luminaire behind and slightly left of camera, falling on her cap brim, the crown of her shoulders, and the tops of her knees, casting her eyes into gentle shade under the cap and dropping a soft compact shadow beneath her crouching hips on the tile; the far platform falls into cool shadow. The palette is anchored in navy, warm skin, and the bright yellow tactile strip, with everything else muted to gray-green and pale stone. The skirt's fabric bunches and glints faintly where the overhead light catches the crease over her knee, quieter than the shine on her shoes; a single strand of loose hair hangs still and undisturbed in the air. Calm, quietly warm.
Dagger 105
1
1girl, solo, station attendant, uniform, skirt, pencil skirt, blazer, collared shirt, necktie, name tag, peaked cap, crouching, squatting, knees together, arms resting on knees, leaning forward, head tilt, light smile, closed mouth, looking at viewer, from above, close-up, cowboy shot, indoor, train station, platform, daytime, soft light, depth of field, warm palette
A high-angle medium shot looking down on a single female station attendant crouched low on a station platform, the camera tilted down so the platform's tiled edge runs diagonally across the lower third of the frame. She is the only figure in the shot: a young woman in a pressed dark navy uniform blazer buttoned once at the waist, a white collared shirt closed to the throat under a narrow navy necktie, a small rectangular name tag pinned flat on her left chest, and a matching navy pencil skirt falling over her bent knees to just above mid-calf; a peaked uniform cap sits tilted on her dark brown hair, which is gathered in a low bun with a few loose strands brushing her cheek. She crouches with her weight sunk into her heels, both knees together and angled slightly to her right, back rounded forward, forearms resting across the tops of her thighs with both hands loosely clasped at one another, fingers interlaced, the hem of her skirt drawn taut over the knee by the bend and creasing into a shallow fan at her lap. Her face is lifted toward the lens, chin tipped up a touch, eyes open and meeting the viewer with a soft closed-lip smile that pushes the apples of her cheeks up and warms the corners of her mouth; one brow sits a hair higher than the other. Behind her the platform recedes in soft focus: the yellow tactile strip, two distant pillars, an out-of-focus departure board on the far wall, and a dark train carriage edge at the right margin, all rendered with shallow depth of field so the crouching figure stays sharp. Light comes from a broad overhead platform luminaire behind and slightly left of camera, falling on her cap brim, the crown of her shoulders, and the tops of her knees, casting her eyes into gentle shade under the cap and dropping a soft compact shadow beneath her crouching hips on the tile; the far platform falls into cool shadow. The palette is anchored in navy, warm skin, and the bright yellow tactile strip, with everything else muted to gray-green and pale stone. The skirt's fabric bunches and glints faintly where the overhead light catches the crease over her knee, quieter than the shine on her shoes; a single strand of loose hair hangs still and undisturbed in the air. Calm, quietly warm.
Dagger 105
1girl, solo, station attendant, uniform, skirt, pencil skirt, blazer, collared shirt, necktie, name tag, peaked cap, crouching, squatting, knees together, arms resting on knees, leaning forward, head tilt, light smile, closed mouth, looking at viewer, from above, close-up, cowboy shot, indoor, train station, platform, daytime, soft light, depth of field, warm palette
A high-angle medium shot looking down on a single female station attendant crouched low on a station platform, the camera tilted down so the platform's tiled edge runs diagonally across the lower third of the frame. She is the only figure in the shot: a young woman in a pressed dark navy uniform blazer buttoned once at the waist, a white collared shirt closed to the throat under a narrow navy necktie, a small rectangular name tag pinned flat on her left chest, and a matching navy pencil skirt falling over her bent knees to just above mid-calf; a peaked uniform cap sits tilted on her dark brown hair, which is gathered in a low bun with a few loose strands brushing her cheek. She crouches with her weight sunk into her heels, both knees together and angled slightly to her right, back rounded forward, forearms resting across the tops of her thighs with both hands loosely clasped at one another, fingers interlaced, the hem of her skirt drawn taut over the knee by the bend and creasing into a shallow fan at her lap. Her face is lifted toward the lens, chin tipped up a touch, eyes open and meeting the viewer with a soft closed-lip smile that pushes the apples of her cheeks up and warms the corners of her mouth; one brow sits a hair higher than the other. Behind her the platform recedes in soft focus: the yellow tactile strip, two distant pillars, an out-of-focus departure board on the far wall, and a dark train carriage edge at the right margin, all rendered with shallow depth of field so the crouching figure stays sharp. Light comes from a broad overhead platform luminaire behind and slightly left of camera, falling on her cap brim, the crown of her shoulders, and the tops of her knees, casting her eyes into gentle shade under the cap and dropping a soft compact shadow beneath her crouching hips on the tile; the far platform falls into cool shadow. The palette is anchored in navy, warm skin, and the bright yellow tactile strip, with everything else muted to gray-green and pale stone. The skirt's fabric bunches and glints faintly where the overhead light catches the crease over her knee, quieter than the shine on her shoes; a single strand of loose hair hangs still and undisturbed in the air. Calm, quietly warm.
Dagger 105
dutch angle,
semi-realistic illustration with strong anime-style elements. Please make the body proportions close to a realistic model. A mature-looking Japanese bus guide is standing in front of the open door of a white tour bus. She has dark brown short hair and a warm smile, giving a professional and cheerful bow while elegantly pointing one hand in white gloves toward the camera outside the bus. Her attire consists of a clean light grey uniform blazer with gold buttons, a white blouse, a navy blue scarf, a pillbox hat with a small gold emblem, and a tight knee-length pencil skirt. She is wearing sheer dark-colored tights, and a small name tag shines on her collar. The angle is from the knees up, and the details of the costume are clearly depicted. The overall style is anime-leaning semi-realism, centered on clean, sharp line art and the neat facial features characteristic of anime. Sharp line art is combined with soft painterly shading, delicate skin texture, and smooth cel-shaded coloring, featuring vivid and beautiful colors. Bright morning light shines in, and there is a soft depth of field (bokeh) on the bus and streetscape in the background. A high-quality and detailed anime-style illustration that conveys a cheerful and welcoming atmosphere.
crot225
Scopri altro
Utenti consigliati
Potrebbe piacerti
แฏโ
โก โก แฏโ
(mai)
Winter joy in the snow
FriddaTiss
kyramisu
8
logos
แฏแฏ ๐๐ค๐๐ค๐๐ก๐ช๐๐๐
Hu Tao
KanKan Matcha
Tilith, the Goddess of Magical Star
entrophee_E:
ํธ๋ฅธ ๋ฌผ๊ฒฐ ์์ ์ ๋น๋ก์ด ์๋
์กฐ๊ฐ
anime
๐๐๐๐๐๐๐๐
miku
๐๐๐๐๐๐๐๐
๐งฃ๐ ๐ช โงโห โก หโโง
(mai)
โ๏ธLoliciaโ๏ธ
weirdcore...
แฏแฏ ๐๐ค๐๐ค๐๐ก๐ช๐๐๐
reunited at last
แฏแฏ ๐๐ค๐๐ค๐๐ก๐ช๐๐๐
โหโนโก ๐ฏ๐๐ป๐ป๐ ๐ด๐ถ๐ฟ๐น โกโนหโ
โโกโ ๐๐พ๐ฝ๐ฝ๐ฎ๐ป๐ฏ๐ต๐โขสัษ.๐๐
...
Tofu
5
...
Tofu
2
โห ๊ฐแข. .แข๊ฑ ๐๐ โง
(mai)
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica
Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
ใชใช
Sg75
1
...
Tofu
1
์ด๋ฆ
์ด๋ฆ
2
...
Tofu
1
...
Tofu
3
the ballerina
แฏแฏ ๐๐ค๐๐ค๐๐ก๐ช๐๐๐
Commenti