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Surreal Photography - Neil Krug Style - SDXL 1.0
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a photo of, in the style of neil-krug
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Artwork made by Surreal Photography - Neil Krug Style - SDXL 1.0
1
Alice 2
Simon Kennedy
Alice 1
Simon Kennedy
Riley 2
Simon Kennedy
Riley 4
Simon Kennedy
Riley 3
Simon Kennedy
Radiant
Vanessa Woods (Nessa W)
Riley 1
Simon Kennedy
an unearthly beautiful white gothic witch having dinner on the Eiffel Tower with Frankenstein and Count Vlad, all three very elegant and very alluring, style of Walter Crane, lowbrow art style, surreal, lineAnime, a photo of, in the style of neil-krug
Lilian Mary
Untitled
Vanessa Woods (Nessa W)
🐛
THE MASS
Imagine an elegant and sumptuous ballroom, illuminated by large crystal chandeliers. In the center, a beautiful woman wears a detailed evening dress and a mysterious mask that partially covers her face. Around her, exotic and domestic animals participate in the dance in fascinating and unusual ways: an elegant lion with a decorated collar, a peacock showing off her colorful feathers, small foxes and cats wandering curiously between the dancers' feet. Some exotic birds, such as parrots and flamingos, are perched on arches and columns, adding a touch of color to the scene., chun-li, cartoon artstyle, style of jean fouquet, @mybrolovestables, Priscilla the crossbreed, (large s:1.2), mechanical wings, alya_imoto, a photo of, in the style of neil-krug, kpop
Lilian Mary
In the dimly lit old theater, the air was thick with the smell of aged wood and musty velvet. The seats were empty, except for one lone figure sitting in the shadows. Her name was Hannya, a beautiful young woman with a haunting air about her.
Hannya was transfixed by the scene playing out on the stage before her. It was a moment of intimacy between two figures, one a woman with the grace and beauty of a goddess, the other a deer with eyes full of fear and longing. Hannya’s heart ached as she watched, feeling a strange sense of connection to the deer.
As the scene unfolded, a sudden flash of light illuminated the stage, revealing the woman as Diana, the goddess of the hunt. Hannya’s breath caught in her throat as she realized the truth of what she was witnessing. She had stumbled upon a sacred moment, a glimpse into the mystical world of gods and beasts.
But as quickly as the light had come, it faded, plunging the theater back into darkness. Hannya felt a surge of panic grip her heart as she heard the sound of dogs barking in the distance. And then, in a flash of silver moonlight, the transformation began.
Hannya’s body contorted and twisted, her skin rippling and shifting until she stood before the stage as a deer, her eyes wide with terror. And then, with a sudden rush of movement, her own dogs leaped from the shadows, their jaws snapping and teeth gleaming in the darkness.
In that moment, Hannya knew the truth of her fate. She had been too bold, too curious, in seeking out the gods. And now, she would pay the ultimate price for her audacity.
As the dogs closed in, their growls echoing through the theater, Hannya closed her eyes and let out a silent scream of anguish. And then, in a flurry of fur and teeth, the deed was done.
The old theater fell silent once more, the stage empty save for a lone deer lying motionless on the boards. And as the moonlight filtered through the dusty windows, casting a cold glow over the scene, a single tear fell from Hannya’s lifeless eye.
For in that moment, she had become a symbol of the dangers of curiosity, a cautionary tale for all who dared to trespass into the realm of the gods. And her tragic fate would forever haunt the old theater, a mystery shrouded in darkness and despair., Milo, Manara, Comic, Fumetti, Drawing, Disegno, Dibujo, Arte, d, e, by Bruno Ferreira vintage, a photo of, in the style of neil-krug
Lilian Mary
In the dimly lit old theater, the air was thick with the smell of aged wood and musty velvet. The seats were empty, except for one lone figure sitting in the shadows. Her name was Hannya, a beautiful young woman with a haunting air about her.
Hannya was transfixed by the scene playing out on the stage before her. It was a moment of intimacy between two figures, one a woman with the grace and beauty of a goddess, the other a deer with eyes full of fear and longing. Hannya’s heart ached as she watched, feeling a strange sense of connection to the deer.
As the scene unfolded, a sudden flash of light illuminated the stage, revealing the woman as Diana, the goddess of the hunt. Hannya’s breath caught in her throat as she realized the truth of what she was witnessing. She had stumbled upon a sacred moment, a glimpse into the mystical world of gods and beasts.
But as quickly as the light had come, it faded, plunging the theater back into darkness. Hannya felt a surge of panic grip her heart as she heard the sound of dogs barking in the distance. And then, in a flash of silver moonlight, the transformation began.
Hannya’s body contorted and twisted, her skin rippling and shifting until she stood before the stage as a deer, her eyes wide with terror. And then, with a sudden rush of movement, her own dogs leaped from the shadows, their jaws snapping and teeth gleaming in the darkness.
In that moment, Hannya knew the truth of her fate. She had been too bold, too curious, in seeking out the gods. And now, she would pay the ultimate price for her audacity.
As the dogs closed in, their growls echoing through the theater, Hannya closed her eyes and let out a silent scream of anguish. And then, in a flurry of fur and teeth, the deed was done.
The old theater fell silent once more, the stage empty save for a lone deer lying motionless on the boards. And as the moonlight filtered through the dusty windows, casting a cold glow over the scene, a single tear fell from Hannya’s lifeless eye.
For in that moment, she had become a symbol of the dangers of curiosity, a cautionary tale for all who dared to trespass into the realm of the gods. And her tragic fate would forever haunt the old theater, a mystery shrouded in darkness and despair., Milo, Manara, Comic, Fumetti, Drawing, Disegno, Dibujo, Arte, d, e, by Bruno Ferreira vintage, a photo of, in the style of neil-krug
Lilian Mary
Around this woman of ethereal beauty gathered: crocodiles, eels, komodo dragons, ocelots, dragonflies, bumblebees, lizards, toads and rabbits the beautiful woman was sitting in her jacuzzi.In the middle, not only in the middle of the path, But all along the path, through a dark forest, In the brambles, on the slippery bank
Of a swamp, among menacing monsters, Ghostly lights, enchanted risks. virgin destroyer sweate, Latex, vintage, creepy cute, sketchy, traditional colored pencil style, designed by Stefano Gabbana, ayami_style, a photo of, in the style of neil-krug
Lilian Mary
Glitched, corrupted, heavy glitches, masterpiece, best quality
aiuser42069
In the dimly lit old theater, the air was thick with the smell of aged wood and musty velvet. The seats were empty, except for one lone figure sitting in the shadows. Her name was Hannya, a beautiful young woman with a haunting air about her.
Hannya was transfixed by the scene playing out on the stage before her. It was a moment of intimacy between two figures, one a woman with the grace and beauty of a goddess, the other a deer with eyes full of fear and longing. Hannya’s heart ached as she watched, feeling a strange sense of connection to the deer.
As the scene unfolded, a sudden flash of light illuminated the stage, revealing the woman as Diana, the goddess of the hunt. Hannya’s breath caught in her throat as she realized the truth of what she was witnessing. She had stumbled upon a sacred moment, a glimpse into the mystical world of gods and beasts.
But as quickly as the light had come, it faded, plunging the theater back into darkness. Hannya felt a surge of panic grip her heart as she heard the sound of dogs barking in the distance. And then, in a flash of silver moonlight, the transformation began.
Hannya’s body contorted and twisted, her skin rippling and shifting until she stood before the stage as a deer, her eyes wide with terror. And then, with a sudden rush of movement, her own dogs leaped from the shadows, their jaws snapping and teeth gleaming in the darkness.
In that moment, Hannya knew the truth of her fate. She had been too bold, too curious, in seeking out the gods. And now, she would pay the ultimate price for her audacity.
As the dogs closed in, their growls echoing through the theater, Hannya closed her eyes and let out a silent scream of anguish. And then, in a flurry of fur and teeth, the deed was done.
The old theater fell silent once more, the stage empty save for a lone deer lying motionless on the boards. And as the moonlight filtered through the dusty windows, casting a cold glow over the scene, a single tear fell from Hannya’s lifeless eye.
For in that moment, she had become a symbol of the dangers of curiosity, a cautionary tale for all who dared to trespass into the realm of the gods. And her tragic fate would forever haunt the old theater, a mystery shrouded in darkness and despair., Milo, Manara, Comic, Fumetti, Drawing, Disegno, Dibujo, Arte, d, e, by Bruno Ferreira vintage, a photo of, in the style of neil-krug
Lilian Mary
Untitled
Vanessa Woods (Nessa W)
🩸
THE MASS
901
Vanessa Woods (Nessa W)
903
Vanessa Woods (Nessa W)
904
Vanessa Woods (Nessa W)
Alice 3
Simon Kennedy
Aurelio, having witnessed one day the fearlessness and serenity of Giovanni, confessor of Christ in the midst of insults and torments, was so struck by it that he proposed, together with Sabigoto, to live in constant prayer and penance. The visits they made in prison to the future penitens Giovanni, Eulogio, Flora and Maria, kindled in them the desire for departed for another life, which grew stronger every day. There was only one impediment: their daughters, would become Muslims, like all their relatives. Following the advice of St. Eulogio, they took their daughters to the nearby Tabanense monastery, placing them under the care of Isabella, widow of the penitent Geremia, to whom they left enough money for their maintenance. Another Christian couple, Felice and Liliosa, shared the same ideals of penitens. The group was soon joined by a deacon, George, a monk from St. Saba (Jerusalem), who had gone from Africa, where he had sought alms for his monastery, to Spain; before leaving for France he went to Sabigoto who, as soon as he saw him, told him that he was the monk who in a vision had been promised to her as a companion in penitens. Upon hearing this, George was seized by the desire to give his life for the faith. To obtain the sentence, the five decided that the two women should go to church with their faces uncovered, thus making themselves recognized as Christians. Denounced to the judge, while Aurelius, Sabigoto, Felix and Liliosa were condemned to death as renegades, George was released, because he was a foreigner, but not wanting to lose the crown of penitent, he insulted Mohammed and was beheaded together with his four friends on 27 July 852. The Christians took their bodies to various churches and monasteries: the ss. George and Aurelius were buried in the monastery of la Pena de Meil; Felix, in that of St. Christopher; Sabigotus, in the church of SS. Faustus, Gennaro and Martial, later called St. Peter; Liliosa, in the church of St. Genesius.
Usuard, on his journey to Spain (858), took with him the relics of Saints Aurelius and George, which he brought to the Parisian monastery of Saint-Germain-des-Prés, and the commemoration of this translation is celebrated on October 20.
They are celebrated on July 27.
photo of, in the style of neil-krug, illustration, neo traditional, evil, creepy, horror, a painting of, in the style of gabriel-pacheco
Lilian Mary