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mimic AI Art & Prompts

Explore the trending 531 mimic artworks

AI artwork
Avatar image of 鶏肉侍焼き斬られて焼き鳥へいお待ち
character: fern_(sousou_no_frieren), frieren, copyright: sousou_no_frieren frieren, fern (sousou no frieren), sousou no frieren, long hair, simple background, long sleeves, multiple girls, closed mouth, jewelry, jacket, 2girls, green eyes, upper body, white hair, earrings, alternate costume, pointy ears, tongue, solo focus, blunt bangs, looking at another, tongue out, parted bangs, blue background, white jacket, expressionless, thick eyebrows, light blush, elf, outline, gold trim, white outline, hands in pockets, contemporary, mimic, mimic chest, aegyo_manga_mung, aegyo_sal under eyes, beautiful eyes, painterly, sketch, rough sketch, expressive lineart, messy brush strokes, delicate rendering, soft shading, muted colors, airy atmosphere, subtle lighting, anime illustration, flat color, pastel colors, cotton colors, pale color, low saturation, soft light, soft color, soft shading, sharpness
鶏肉侍焼き斬られて焼き鳥へいお待ち
#Frieren - Oltre la fine del viaggio#Frieren#Fern
AI artwork
er
1boy, solo, man, short black hair, spiky hair at the front, green eyes, red flicker in the eyes, heterochromia glint, dark red tribal tattoo, tattoo on neck, facial tattoo, thick tattered black duster, long coat, tarnished white steel armour, plate armour, serrated black swords, two swords, holding sword between legs, sitting, sitting on stone chest, apathetic expression, expressionless, half-closed eyes, looking to the side, dark dungeon, stone walls, low light, from below, dutch angle, cowboy shot, watercolor_(medium), paper_texture The view is a low dutch angle from the flagstone floor, tilted a few degrees so the dungeon's vertical seams lean, framing the man in a cowboy shot from mid-thigh to above his head. He sits on a squat iron-banded stone chest in the middle of a lightless dungeon, weight settled onto his left hip, right boot planted flat and left boot's heel hooked on the chest's lower edge, torso slumped a half-degree off vertical with his chin dropped slightly toward his right shoulder. His duster is thick, tattered black canvas bunched under him and spilling down past the chest's lid to the floor, sleeves shoved back off his forearms so the tarnished white steel rerebraces and vambraces show, the plate scratched and dull where the tarnish eats the white, the cuirass riding beneath the open coat. Two serrated black swords rest together, blade-flats leaning against his inner thighs and pommels knocked together between his legs; his right hand hangs over the mouth of the chest, knuckles brushing the stone, and his left forearm lies across the swords' grips, fingers slack and open. The dark red tribal tattoo climbs the left side of his neck, hooks over the jaw and breaks across the cheekbone and temple in a hooked, angular stroke, its deepest pigment sitting where the collar of the duster rubs it. Green irises catch the light with a thin red glint sliding off one pupil like a coal's last flare; his lids are heavy, brows flat and unbunched, lips closed without a curve, gaze drifted off-frame to the low right of the composition, toward nothing. The dungeon closes in around him: rough-hewn stone blocks, an iron ring bolted to the wall, a shallow puddle on the floor behind the chest holding a flat, dark reflection of the swords. A single stub of tallow lamp on the floor to his left is the only light source, striking his left cheek, the tattoo, the steel and the sword bevels from below and leaving the right side of his face and the far wall in absolute darkness; his thrown shadow climbs the wall in a long deformed shape behind him, and the puddle carries the reflection darker and softer than its source. Palette stays black, charcoal grey, tarnished bone-white steel and one rust-dark red for the tattoo and the eye flicker, nothing else admitted. Loose ink linework dissolves into translucent black and grey washes; the paper's tooth shows through the shadows, colour bleeding softly at the coat's ragged hem while the steel keeps a dry, scuffed edge. Quiet, utterly unbothered.
Ed Ryan
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