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Pappagallo AI Art & Prompts

Explore the trending 421 Pappagallo artworks

AI artwork
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character: vladilena_millize 1girl, solo, owl, perched on shoulder, bird on shoulder, very long hair, silver hair, bangs, hair between eyes, violet-blue eyes, looking at animal, head tilt, gentle smile, closed mouth, military uniform, prussian blue jacket, epaulets, aiguillette, high collar, gold trim, black gloves, brown owl, mottled feathers, yellow eyes, talons, cowboy shot, three-quarter view, slightly from below, arched stone window, soft morning light, depth of field Viewed from a slightly low angle in a cowboy shot, a young woman with voluminous, waist-length silver-white hair stands poised beside an arched stone window, turned three-quarters toward the soft incoming light. Perched firmly atop the gold-braided epaulet of her left shoulder sits a mottled tawny owl, its dark curved talons securely gripping the reinforced wool of the uniform shoulder. Her left shoulder dips slightly under the bird's physical weight as she tilts her head toward it, her deep violet-blue eyes softening in a quiet, affectionate gaze with a faint closed-lip smile. Her right hand, clad in a sleek black dress glove, rises to mid-chest with loosely curled fingers hovering inches from the bird's downy chest. The owl turns its rounded head forward with wide, luminous amber eyes, its barred cream-and-brown plumage fluffed against the cool air. She wears a tailored Prussian blue military officer coat buttoned cleanly to the throat with polished brass fasteners, accented by a white standing collar and dark neck ribbon; her cascading silver locks spill down her back, naturally parting around the bird so its body remains fully visible. Crisp, cool daylight streams through the high casement to cast a bright silver halo along the edge of her hair and cheek, while the owl's feathers catch a warm secondary bounce from the room's interior. A subtle draft from the casement lifts the fine outer filaments of her hair, brushing a single silver strand across the barbules of the owl's folded wing. Dignified tenderness.
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AI artwork
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3girls, no humans, anthropomorphic, bird child, two bird children, robber costume, black and white horizontal striped shirt, black domino eye mask, small beanie, holding colorful plastic toy telephone to ear, open mouth play-talking, second bird child mid-tiptoe reaching for a toy, crouching sneak, mother, macaw woman, anthro, long fluffy voluminous hair, feather crest, large curved beak, thin evening gown dress, slit skirt, spaghetti straps, bare shoulders, sitting inside open car trunk, car trunk lid raised, wrists tied behind back, bound wrists, rope around ankles, legs tied together, ball gag, ball in beak, ribbon gag straps behind head, ribbon bows at back of head, wings bound with ribbons, ribbon bows on folded wings, garage interior, home garage, concrete floor, scattered stuffed animals, scattered children's toys, toy blocks, toy cars, plush rabbit, open car, dark sedan, from below, low angle, wide shot, dutch angle, looking at another, playful, warm garage light, single hanging bulb, cute cel-shaded anime style Low-angle wide shot from just above the concrete floor, tilted a few degrees so the raised trunk lid cuts a diagonal across the upper frame. In the midground the family's dark sedan sits in a home garage, its trunk lid swung fully up, red taillights catching the light. Inside the open trunk the mother macaw sits upright against the trunk's back wall: a tall anthro macaw woman with long, voluminous fluffy hair spilling over her shoulders and a short feather crest at her crown, a large curved beak, bare feathered shoulders above the spaghetti straps of a thin, fine evening gown whose slit skirt falls across her bound legs. Her feathered wrists are crossed and fully tied behind her back with cord, the rope cinching both wrists together out of sight past her hips; her legs lie together inside the trunk with rope wrapped around her shins and again around both ankles, knees slightly bent. A bright rubber ball sits between her parted beak halves, held there by two thin ribbons that run back along her cheeks and are knotted behind her head, small bows resting against the fluffy hair at her nape. Her folded wings are pressed to her sides and lashed with ribbon, two neat bows sitting on the feathered wing coverts. She keeps her chin lifted and her eyes wide and theatrical, playing the captured villainess for all she is worth, one brow arched, chest turned towards the children, gaze locked on the phone-talking child with an exaggerated, delighted alarm. In the foreground on the concrete floor, two humanoid bird children in black-and-white striped robber shirts and little black domino masks. The left child stands with weight on the back foot, the colorful plastic toy telephone pressed to their ear with one wing-hand, other hand cupped around the receiver, beak wide in a hushed report, eyes flicked sideways to the mother. The right child is crouched low on tiptoe, one foot forward, both hands closing around a plush rabbit as if lifting it silently, eyes narrowed over the mask, glancing back at the trunk for approval. Scattered across the floor around their feet: plush toys, a toy car, wooden blocks, a rubber ball, a picture book, all knocked about as if a heist had happened. Light comes from a single bare bulb hanging on a cord near the garage door, warm and slightly heavy; the trunk lid throws a hard shadow across the car flank, the children cast short shadows on the concrete, and a small pool of darkness sits under the car. Palette: warm ochre and grey concrete, the deep red of the taillights, the crisp black-and-white stripes of the costumes, and the rich blue-and-gold of the mother's macaw plumage and gown. Soft dust in the bulb's cone, a toy car on its side with one wheel still spinning. Mischievous, warm-hearted make-believe.
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