Sign up free, get 10,000 credits

Starter credits added when you sign up.

Notice: PixAI iOS App Temporarily Unavailable on the App Store — Dear PixAI users, The PixAI iOS app is currently unavailable for search and download on the App Store. We are actively w…

View details

baccello di pisello AI Art & Prompts

Explore the trending 103 baccello di pisello artworks

AI artwork
Avatar image of MOAI
character: touhoku_zunko, touhoku_kiritan, zundamon 2koma, comic, multiple views, anime coloring, 3 girls, touhoku_zunko, touhoku_kiritan, zundamon, long hair, green hair, black hair, straight hair, hairband, yellow eyes, japanese clothes, green kimono, kimono, ribbon, one hand beside face, open mouth, worried, looking to the side, kiritan, brown hair, twintails, ahoge, hair ornament, red eyes, red dress, blue skirt, long sleeves, lying on side, hands tied behind back, white cloth gag in mouth, gagged, wide-eyed, struggling, tears, zundamon, green hair, hair between eyes, yellow eyes, white shirt, suspenders, apron, frills, closed eyes, crying, listless, tatami mat, japanese-style room, game consoles scattered around, snacks scattered around, bust-up shot, close-up, lower half out of frame, out of frame, dutch angle, cel shading, flat colors, no noses on chibi faces Page overview: a two-panel comic strip in vibrant flat colors with standard cel shading, panel 1 placed on the RIGHT half of the strip and panel 2 on the LEFT, each a separate rectangular frame with a clean black panel border and white gutter between them. Panel 1 is a wide bust-up shot; Panel 2 is a single shared close-up framing two faces. Panel 1 (right panel): touhoku_zunko, seen in a bust-up shot from the waist up, turned three-quarters away from the camera toward the left edge of her own panel as if scanning a corridor off-frame. Her single long straight black-green hair falls behind her shoulders in one heavy sheet, a hairband set back on her crown, the green kimono collar crossing her throat with a ribbon tied at the front of the chest. She is caught mid-call: one hand lifted and held flat beside her cheek, fingers slightly spread, elbow tucked, her weight rocking forward onto the front of both feet so that her shoulders tilt; her mouth is open in a call, brows drawn up and pinched at the inner ends into a small worried knot, eyes moving off to the side with nothing in the frame answering them. The kimono sleeve falls back from the raised wrist, its fabric creasing at the bend. Her lower body and everything below the waist is cut cleanly off by the bottom border of the panel. A soft indoor light comes from the upper left of the panel and falls across her cheek and the raised hand, leaving the far side of her jaw and the hair behind it in flat shadow. Panel 2 (left panel): the same close-up framing holds touhoku_kiritan and zundamon together, the two of them lying on their sides on the tatami mat of a Japanese-style room, both head and shoulders inside the frame with the lower half of both bodies out of frame below the panel border. Their white cloth gags are tied across both mouths, the knots visible at the back of each jaw and the cloth pulled taut so it creases the corners of their lips. Kiritan lies nearer the front of the frame, her brown twintails and the ahoge splayed and crushed against the woven tatami, one hair ornament caught under a strand; her red eyes are wide open and fixed past the camera toward the right side of the panel in a warning aimed at someone not yet arrived, brows up and pinched, cheeks bunched above the gag. She is struggling: her shoulder is driven into the mat, her whole upper body twisted in a half-turn with the cloth tightening at one corner of her mouth, the collar of her red dress pulled askew and the blue skirt edge visible only at the very bottom of the crop. Behind and slightly above her, Zundamon lies on her opposite side, listless, cheek flat on the tatami, her closed eyes pressed shut with a thin shine of tears running from the inner corners down across her temples into the mat weave, the gag dampening her slack mouth; her green hair and the hair between her eyes lie limp, and the collar of her white shirt with its suspenders and apron frills is crushed against the floor. Around and between them on the tatami are scattered items: a handheld game console face-down with its screen against the weave, another one lying open beside a tangle of controller cables, and open snack bags with loose chips and wrappers spread out over the mat in a spill shaped by the space the two bodies leave. The same upper-left light rakes across the woven tatami, picking out the ridges of the mat and casting short soft shadows from the scattered snacks and consoles, with the room's darkness sitting low at the top of the panel. Palette: vibrant flat cel colors in clean separated planes, the warm straw yellow-green of the tatami, the deep green and black of Zunko's hair and kimono, Kiritan's red and blue against her brown hair, and Zundamon's green hair over her white shirt, shadows laid in as single flat tones. One physical detail: the spilt snacks and the cable gather in the shallow depression that the two lying bodies press into the tatami, and the mat fibres bend only where the weight actually falls. Quiet dread.
MOAI
AI artwork
ト
character: zundamon zundamon, 1girl, green hair, long hair, hair between eyes, yellow eyes, frills, suspenders, white shirt, apron, dress, short sleeves over long sleeves, both hands occupied, holding skewer, receiving coins, holding money, big friendly merchant smile, open mouth, sweat drop on cheek, blush, cheeks flushed, from below, medium shot, dutch angle, looking at another, night festival, food stall, yatai, counter, trays of mochi, steaming pot, edamame paste, coin box full of bills, hand-painted signboard, orange paper lanterns, festival banners, steam, crowd, queue, children, couple, elderly woman, teenagers, pointing, bouncing, bokeh, warm lighting, depth of field, lively, joyful, A dynamic medium shot taken from the customer's side of the counter, camera low enough to look up across the counter, tilted a few degrees off level with a slight wide-angle push so the nearest edge of the stall bows toward the viewer: the green-haired girl with long hair falling between her eyes stands behind the counter in her frilled apron and suspenders over a white shirt, sleeves ending at her forearms, and both of her hands are already full. Her right arm is thrust forward over the counter, fingers pinched around the pale bamboo skewer of three plump green mochi, handing it toward a young man in a dark yukata whose hand is rising to meet the stick; the skewer and the two hands form the sharpest foreground contact of the frame, the mochi slightly glossy and warm. Her left hand is cupped low and to her other side, palm up and half-closed, catching a scatter of coins dropped from above by an older woman in a patterned summer kimono leaning in at the counter's end, one coin already bouncing on her fingertips. The girl's face is turned three-quarters toward the customer with the skewer: a broad open-mouthed merchant's grin, yellow eyes crescented by the smile, eyebrows lifted, a single tiny sweat drop beaded on her right cheek at the height of her cheekbone, both cheeks flushed deep pink across the bridge of her nose, and her gaze lands on the man's face as he meets it, chin slightly dipped, weight on her back foot from the lean. Between her arms the counter is layered deep: enamel trays crowded with rows of fresh green mochi dusted with soybean flour, a squat pot at the right of the frame with a lidded bamboo steamer top, pale steam curling up off a pot of glossy edamame paste and bending sideways as it rises past her shoulder, and a wooden coin box at her hip with folded bills bristling over its rim. Behind her, the queue coils back from the counter and thins with distance: a father with a small child riding his shoulders, a boy and a girl on their toes bouncing with their hands pulled to their chests, a young couple standing shoulder to shoulder with their heads tilted together, three teenagers with their phones half-raised, a grandmother in a light summer kimono standing patiently with a fan at her collar — and two of the nearer figures have an arm lifted, index finger aimed up at the hand-painted wooden board above the stall, where the characters "ずんだ餅" are brushed on in dark ink on a cream ground, the board hung at a slight angle and glowing under the lanterns. Orange paper lanterns hang in staggered ranks overhead and along the stall's edge, each one a soft glowing orb with a visible warp in its paper ribs, red festival banners fluttering from the crossbeam with their lower hems blown out toward the crowd. Warm lantern light rises from below the counter into her jaw and throat, the only light source; the lanterns' glow drops amber over the mochi trays and the coins, while the far end of the queue falls into soft unfocused bokeh discs of orange and yellow, each one a lantern out of focus, the figures there reduced to warm silhouettes. The steam catches the underside of the lanterns and whitens where it crosses them. Palette is confined to lantern amber, festival vermilion, mochi green and the cream of the signboard, with everything beyond the counter dissolving into warm dark. Bustling, joyful.
トットトット
AI artwork
k1
(character:zhuang_fangyi_(arknights):1.5), copyright: arknights (masterpiece, best quality, highres:1.2), (pure flat color:1.6), (cel shading:1.4), crisp clean lineart, bold black outlines, (no shading, flat lighting:1.5), mature female, 1girl, long black hair, green highlights in hair, very long hair, sidelocks, green eyes, pointy ears, dragon horns, bare shoulders, black gloves, elbow gloves, beautiful face, bright energetic smile, open mouth, cheerful, (sweating slightly:1.4), sweat drop on cheek, healthy glow, (1girl, medium shot, dynamic angle, POV sitting at the table, customer perspective:1.6), (walking towards the table, serving food:1.5), (holding a large tray with steaming hot dishes with both hands:1.5), (perfect hands holding the tray:1.3), (leaning forward to place the dish on the table:1.4), (custom tavern uniform:1.4), white shirt, (top two buttons unbuttoned:1.5), visible collarbone, slight cleavage, (sweat soaking shirt:1.3), (black apron, slightly tilted:1.3), short skirt, (short skirt, black pantyhose:1.3), (busy tavern interior background:1.4), (wooden tables and benches, steam rising from the kitchen, warm lantern light:1.4), (blurred silhouettes of other customers eating:1.2), flat color, no gradients Seen from the seated customer's point of view at table height, the camera tipped up a little and pushed close in a medium shot, she comes down the tavern's aisle toward the near table — a mature woman with a strong jaw and laughing green eyes, her very long black hair threaded with green highlights swinging off one shoulder as she moves, the pointed ears and dark curved horns rising free above it. She leans in over the table edge from the lower-left of the frame: front foot planted beside the bench, back hip counterweighted, hips swung so the black apron sits slightly tilted across the short black skirt, and both hands — fingers spread flat and even under the rim — carry the broad tray of steaming dishes until she lowers its near lip toward the tabletop. Her smile is wide and open with the effort, a shine of sweat dampening her cheeks and the white shirt at the collar, the fabric clinging where the top two buttons stand open around the bare collarbone and the shallow line of cleavage. Warm lantern light falls flat and even from the upper right, doubling her shadow onto the bench and catching the steam that coils off the dishes and the kitchen behind, where rows of wooden tables and benches run back into the blurred, dark silhouettes of customers eating with their heads down. Flat pink and warm ochre washes on her face and the lantern-lit wood, unshaded black in the apron, hose and her hair, steam and hair highlights the only white — no gradients anywhere. Bustling and warm.
ki11 yukii
123...6

Related Tags