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ginocchiello AI Art & Prompts

Explore the trending 699 ginocchiello artworks

AI artwork
p
character: kaga_(kancolle), copyright: kantai_collection 1girl, solo, kaga_(kancolle), brown hair, long hair, side ponytail, brown eyes, pink choker, strapless, armor, european armor, heart-shaped chestplate, breastplate, bare shoulders, bare arms, armored gauntlets, arm armor, white drawers, frilled drawers, ribbon, bloomers, miniskirt, skirt armor, side-only plating, thigh boots, knee armor, greaves, holding spear, two-handed, spear, 2.5m spear, mounted, riding, horse, from side, profile, full body, dynamic angle, outdoors, battlefield, daylight, wind, A full-body side view, camera low and slightly ahead of the horse's shoulder so the rider's profile rides across the frame from left to right. She sits astride a dark bay warhorse with a black mane, its neck arched and one foreleg lifted mid-stride, hooves striking a dry dust-grey plain; the horse's head and shoulder occupy the left third, her body the right two thirds. Her weight is settled into the saddle on her seat bones, right hip forward, both thighs gripping the barrel, knees bent and calves wrapped along the horse's flanks; her booted lower legs hang with the stirrup irons under the balls of her feet, and the greaves run from just below the knee down over the ankle. Both hands are on the spear: the right hand grips the shaft high, knuckles white against it, the left hand lower and slightly behind, and the 2.5-metre shaft runs diagonally across her body from down-left to up-right, its butt end trailing behind the horse's rump and its steel head lifted above and ahead of her shoulder, the whole length foreshortened by the side view. The spear rests against the heel of her right palm and does not intersect her torso. Her upper body is straight-backed and turned just a few degrees toward the camera so the plated chest reads in near-profile: a strapless European cuirass of polished steel with fluted, ridged panels, its top edge cut low and curving straight across her chest with bare skin, bare collarbones and bare shoulders above it, and at the centre of each breast a raised, heart-shaped plate wrought into the steel, framed by riveted brass trim. Her arms are bare from the shoulder to mid-upper-arm, then sleeved in articulated plate — rerebrace, couter with a flared fan, vambrace — running continuously down to gauntleted fingers, and she wears no gloves beneath, the steel segments overlapping like scales as her grip closes. Around her throat sits a slim pink choker, a flat band of rose-pink leather with a small steel ring at the side, sitting above the collarbone and below the jaw, unobstructed by hair or armor. Below the cuirass's fauld her hips are clad in short white drawers, the cloth gathered in soft frilled tiers with narrow ribbon bows at the outer thigh, and over them a skirt of armor made of overlapping lames only along the left and right flanks — the front and the back of the skirt stand open, so from this side view the white frilled cloth shows through the gap below the hip and behind the thigh, and the side plating flares slightly as the horse's motion lifts it. Her right leg's greave catches the light along its ridge; her left leg is partly hidden behind the horse's barrel, with only the stirrup and the toe of the sabaton visible. The light is low, hard afternoon sun from the upper left, striking the polished plate in bright specular strips on the heart-shaped breastplate, the couter fans and the spearhead, while the horse's near side and the underside of her skirt fall into deep warm shadow; the rider casts a compact shadow onto the horse's shoulder, and the horse throws a long shadow to the right across the dust. Palette is restrained: polished steel grey and brass, warm dark bay, the dusty ochre of the ground, and the single pink of the choker and the white of the drawers. Wind pushes her long brown ponytail back off her shoulder, the tail streaming behind her head, and the frilled cloth of the drawers flutters against the side plating. Her chin is lifted, brown eyes narrowed slightly and fixed forward past the spearhead toward something beyond the frame, mouth set in a flat, calm line, a strand of hair crossing her cheek. Steady, martial resolve.
planarians
#zetaCollab#Stivali#tacchi alti
AI artwork
a
detail illustration, -2::simple illustration, cool lighting, pale color, clean lineart, glossy hair, bb_style, crisp outlines, soft cel shading, luminous highlights, glossy highlights, beautiful eyes, red hair, ahoge, medium hair, hair flaps, sidelocks, yellow eyes, sparkling eyes, long eyelashes, upper eyelashes, cape, silver armor, shoulder armor, red tunic, long sleeves, cuffs, red scarf, fingerless gloves, red gloves, belt, cross necklace, gold necklace, pendant, jewelry, religious symbol, Dynamic full-body shot captured from a low angle, freezing the moment a warrior twists their body in mid-air and swings a gleaming red sword held high downward toward the front, dramatic action pose, Swirling sacred flames and holy light effects spiral around the sword and warrior, radiant golden light, brilliant holy aura, fiery embers dancing in the air, sacred fire aesthetic, divine power, glowing holy flames, Dark night background blurred by high-speed motion, pitch-black void contrasted with glowing golden flames and divine radiance, high quality, detailed illustration, soft shading, detailed eyes, delicate anime illustration, soft gradients, cel shading, dense layered shading, sharp highlights, pearlescent sheen, rich color separation, polished rendering, lapiselle_style, thick expressive ink outlines, bold colored lineart, painterly brushstrokes
aeria
#zetaCollab
AI artwork
Avatar image of クロックロック
1boy, solo, large build, tall, full body, great helm, helmet with narrow eye slit, heavy full plate armor, steel plate, gauntlets, sabatons, greatsword in right hand, giant sword, rectangular blade, squared-off tip, flat blunt tip, crossbow in left hand, repeating crossbow, magazine on top of crossbow, dashing, charging, high-speed movement, speed lines, motion blur, leaning into the charge, from side, profile, dutch angle, dynamic angle, foreshortening, outstretched arm, dust kicked up, ground debris, sparks, dramatic lighting, dark storm sky, low camera, wide shot The view is a low, tilted three-quarter side shot from the character's right front, tilted dutch-angle into the run, the whole armored body held in frame from the crown of the helm to the planted sabatons. A single enormous figure dominates the frame — broad-shouldered, heavy-set, a body built for impact. The head is sealed inside a great helm: a flat-topped steel cylinder with a narrow horizontal eye slit and a row of breathing holes, its edge riveted and darkened by use, throwing a hard band of shadow across where the face would be. Beneath it the full plate armor sheathes the body in overlapping lames — domed pauldrons that sit high at the shoulders, a ridged breastplate curving over the chest, faulds and tassets that flare at the hips, articulated gauntlets, cuisses and greaves down to broad sabatons. The plates are scuffed and dull in the crevices, bright on the leading edges where the charging lean catches the light. The right arm is swept back and slightly out, gripping the greatsword's long hilt with both the gauntlet's fingers curled around it — the blade is absurdly long, easily twice the man's own height, trailing out behind the run over the shoulder and out of the top of the frame, and its tip is not a point but a blunt squared-off rectangle, a flat rectangular slab of steel ending in a hard cut edge. The left arm is thrust forward and across, holding the repeating crossbow up at chest height, its rectangular magazine block sitting atop the bolt groove, the limbs bowed wide, bolts already in the groove. The whole body is caught mid-charge, torso twisted, weight driven forward over the front foot, one sabaton planted and the other pushing off, cloak-like cloth and the strap ends snapping backward away from the direction of travel. The environment is a nameless stretch of open ground under a dark, low-hanging storm sky — cracked earth and loose grit, no landmark worth naming, the horizon tilted by the dutch angle so the run reads as diagonal motion. The only light is a cold, hard key raking low from the front-left, catching the rim of the helm, the crown of the pauldrons and the flat face of the squared blade, leaving the right side and the underside of the armor in deep shadow, and throwing a long dirt-smear shadow behind the planted foot. Speed lines streak horizontally past him to left and right, and behind the rush the dust is torn up in a fan, grit hanging in the air where the sabaton has just left the ground. The palette stays narrow: cold slate greys and steel blues for the armor and blade, iron-black for the shadow, and a bruise of dull ochre in the churned earth under a desaturated storm sky. The dark cavity inside the helm's eye slit and the flat cut face of the rectangular blade are the two places the light refuses to enter, and both of them point forward, straight down the line of the charge. Relentless, unstoppable.
クロックロック
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