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Stati Uniti AI Art & Prompts

Explore the trending 407 Stati Uniti artworks

AI artwork
ゴ
bold clean lineart, masterpiece, 8k, highly detailed, clean composition, crisp details, anime illustration, clean color blocks, crisp flat colors, flat cel shading, minimal gradients, glossy hair reflections, glossy skin highlights, large shadow shapes, Rough sketch, sharp_cel_style, cel shading, detailed lineart, dramatic lighting, strong shadow, high contrast⁠, nerostyle, cinematicanime, softdetailstyle, American man in late teens to early 20s, short blonde hair, clear blue eyes, friendly and handsome facial features, male college student. American-style bright living room, relaxing while sitting on a casual fabric sofa at home. Smartphones are placed on and around the sofa, with discarded hoodies and clothes scattered and hanging untidily. A warm room with a lived-in feel, with American-style windows and interior in the background.
ゴールデン金肉（ゴールデン金肉）
#Stati Uniti
AI artwork
Avatar image of Nissan GTR lover❤️
1girl, masterpiece, leaning on car, back side of ford mustang gt, very short t-shirt, logo on shirt, short skirt, skinny shorts, leather jacket, blue lotus flower earrings, hill, watching fireworks, night time, fireworks, german shepherd, skyline_gt-r34, neon moon, mazda rx-7 fd3s, 3rd gen rx7, fd3s spirit r, pop-up headlights, rotary engine 13b-rew, sequential twin turbo, re amemiya widebody kit, carbon gt wing, flared fenders, low stance, tein coilovers, volk te37 wheels, jdm sports car, sleek coupe body, fr layout
Nissan GTR lover❤️
AI artwork
Animato
コ
@image1 【動画生成プロンプト：バニラテレビ・15秒ニュース】 2025年1月27日放送。架空のテレビ局「バニラテレビ」の報道番組で、重大事件を伝える15秒間のニュース映像を制作する。 映像は16:9の横長、4K高画質、実写風。日本の民放テレビ局のニュース番組を忠実に再現する。日本語の女性アナウンサーによる落ち着いたニュース音声、正確な日本語テロップ、局のロゴ、緊迫感のある報道映像を使用する。 【0〜3秒：ニューススタジオ】 濃紺のスーツを着た女性ニュースキャスターが、真剣な表情で原稿を読み上げる。背景の大型モニターには炎上する住宅の映像。 画面上部に「バニラテレビ NEWS」、下部に赤色の速報テロップ。 「仮釈放の元受刑者襲撃され死亡　自宅放火」 アナウンサー： 「西南州隆盛市で、仮釈放中の男性が襲撃されました。」 【3〜10秒：火災現場の映像】 夜間の住宅街。激しい炎と黒煙に包まれた一戸建て住宅。消防隊員が懸命に消火活動を続け、警察車両の赤色灯が点滅している。 画面に「1月26日夜・西南州隆盛市」と表示。 テロップ： 「50年前の高校生殺害事件の元受刑者」 「『必殺天誅隊』名乗る男らが襲撃」 ナレーション： 「男性は日本刀で殺害され、自宅は放火されました。」 【10〜15秒：現場検証と関係者の映像】 翌朝、焼け跡を調べる警察官たちの映像。続いて、被害男性が生前に調理を手伝っていた子ども食堂の運営者である40歳の男性が、悲痛な表情で取材に応じる短い映像。 テロップ： 「襲撃した男らは現場で自害」 「子ども食堂運営者『償いの気持ちは本物だった』」 ナレーション： 「襲撃した男らは現場で自害。警察が捜査しています。」 【映像制作上の指定】 ・全編15秒ちょうど。 ・実在のニュース番組のような自然なカメラワーク。 ・報道映像特有の緊迫感と臨場感を重視。 ・人物の動き、火災の炎、消防隊員の活動をリアルに表現。 ・暴力行為や遺体、流血、斬首の瞬間は一切映さない。 ・日本語のナレーションを明瞭に発音する。 ・テロップは文字化けや誤字のない正確な日本語。 ・BGMは控えめにし、報道音声と現場の環境音を中心に構成。 ・ニュース映像全体を架空の出来事として制作する。
コーンスタイル
AI artwork
Avatar image of Hinata Clapper
**Military Portrait — Blonde Female Special Forces Officer at a Desert Base** An adult woman around 30 years old stands at a military outpost in a desert environment shortly before sunset. She has long, ash-blonde hair tied into a tight military ponytail, with a few loose strands moving in the warm breeze. She wears a realistic modern military uniform consisting of a fitted olive-drab combat shirt, tactical trousers, a plate carrier vest with practical equipment pouches, and a military belt. A pair of protective sunglasses hangs from the front of her vest, and she wears tan combat boots and tactical gloves. Her uniform looks functional, slightly dusty, and naturally worn from field activity. She stands with both arms crossed over her chest, maintaining a confident and disciplined posture. Her shoulders are squared, her chin slightly raised, and her weight distributed naturally between both legs. She looks directly into the camera with a serious, composed expression and a subtle hint of confidence at the corner of her mouth. Her eyes are focused and alert, conveying the personality of an experienced officer accustomed to responsibility. She should appear authoritative without exaggerated aggression or theatrical posing. **Camera framing: American shot (plano americano).** Capture her from mid-thigh upward, keeping her face, crossed arms, elbows, tactical vest, and upper legs fully visible. Use a professional full-frame camera with an 85mm lens at f/3.2, positioned approximately 3.5 meters away at eye level. Focus precisely on her eyes and preserve natural facial proportions. The composition should resemble an authentic military photojournalism portrait, with enough background visible to establish the location without distracting from the subject. The background features a desert military base with temporary command tents, parked military transport vehicles, communication antennas, and distant rocky hills. The low afternoon sun creates warm golden highlights along her hair and uniform, while soft shadows define the details of her face and tactical equipment. A light layer of desert dust hangs in the distance, adding atmospheric depth. The lighting should remain realistic, with natural skin tones and no exaggerated action-movie effects. Create an ultra-photorealistic military editorial photograph with visible skin pores, realistic facial asymmetry, individual blonde hair strands, anatomically correct arms and fingers, detailed tactical equipment, authentic fabric stitching, realistic dust accumulation, and physically accurate sunlight. Use documentary-style color grading, natural contrast, subtle film grain, and realistic optical depth of field. Avoid plastic skin, exaggerated muscles, distorted hands, extra fingers, fictional futuristic armor, excessive retouching, or a CGI appearance. The final image should resemble a genuine photograph of a professional adult female military officer during a deployment.
Hinata Clapper
#All About Twintails
AI artwork
j
no humans, indoors, empty room, ship bridge, wheelhouse, wide shot, night, helm, ship wheel, control panel, instrument panel, radar screen, glowing screen, computer monitor, radio, chart table, nautical chart, window, looking through window, ocean, sea, water, illuminated, dial, gauge, switches, buttons, levers, clean lineart, high contrast A wide interior shot captures the dark, completely unoccupied wheelhouse of a ship at night. In the foreground along the starboard side, a flat wooden chart table rests under a clamped brass gooseneck lamp that casts a focused, warm yellow circle of light over an unfolded paper nautical chart, brass dividers, and a parallel ruler; beside it, a bulkhead-mounted marine radio unit features a backlit digital channel display reading "CH 16" and a coiled black cord hanging undisturbed from its handset. Centered in the midground, the ship's helm wheel sits on a sturdy pedestal console flanked by twin throttle levers, rows of illuminated rocker switches, and analog compass binnacles backlit in soft amber. Directly adjacent to the helm, a circular CRT radar screen projects a vibrant green phosphor sweep line that leaves a slowly fading persistence trail over navigational range rings, while auxiliary flat monitors glow in muted cyan with electronic telemetry. Spanning the entire forward wall, heavy slanted bridge windows look out into the absolute darkness of the night ocean, where faint crests of rolling sea swells catch distant starlight. The interior relies entirely on the glow of the instruments and the single chart lamp, casting deep indigo and navy shadows across the deck grating and the empty pilot chair, with faint instrument reflections mirrored along the dark glass panes. Quiet nocturnal vigil.
jianhua
AI artwork
に
character: keith_howard, copyright: yu-gi-oh! newspaper front page layout, 1boy, solo, close-up, face focus, from front, slight from below, head tilt, short blonde hair, stubble, sunglasses, eyewear covering eyes, american flag pattern bandana, red short-sleeved shirt, navy blue sleeveless jacket, silver wristband, smirk, smug, raised eyebrow, right hand raised, thumb up, thumb pointing at own face, looking at viewer, masthead, headline, columns, halftone print, newsprint texture The image is a full broadsheet front page seen straight on, flat and evenly lit as paper is lit, a single English-language newspaper filling the entire frame edge to edge. The whole page is composed around one large printed photograph occupying the upper two-thirds: a tight close-up of one man's face and raised hand, cropped at the jacket's shoulder line and at the top of his hair. His head tilts a little to his left and toward the lens, chin slightly down, so the jaw is foreshortened; the camera sits a touch below his eyeline and level with the printed page, giving him a low, looming presence inside the newsprint. His eyes are completely hidden: dark-tinted sunglasses sit squarely on his nose and bridge, both lenses opaque enough that no eye shows behind them, and the silver-white catch of the studio lights runs along the top of each lens rim. A bandana printed with the stars-and-stripes pattern is knotted low on his brow above the glasses, the flag's blue field with white stars bunching over his right temple and the red-and-white stripes tightening across his left, its knotted corner poking out at the back of his head. Short blonde hair escapes at the temples and above his ears. A grey-gold stubble shades his jaw, upper lip and chin, uneven and coarse in the halftone. He wears a red short-sleeved shirt, its collar open, and over it a navy-blue sleeveless jacket whose armholes leave his bare upper arms exposed; a wide silver wristband sits on his raised right wrist, and the shirt cuff bunches just behind it. His right hand is lifted in front of his chest, sole contact at the wrist and lower forearm only, no other support: thumb fully extended and angled up and inward so its tip points straight at his own jaw, the remaining fingers loosely curled toward the palm, the back of the hand turned three-quarters to the lens. His expression is a wide lopsided smirk — one corner of the mouth pulled high, one brow arched above the sunglasses, the lips parted enough to show teeth on that side, the cheek on the smirk's side tight and creased. The smirk's own eyebrow does the looking: behind opaque lenses, the whole tilt of the head aims the hidden gaze out of the page at the reader. The photograph is printed in a slightly desaturated four-colour web-offset palette — red shirt and red stripes of the bandana saturated against cool navy jacket, the paper ground a warm newsprint off-white, everything confined to those colours plus the neutral greys of the skin's halftone. The image is visibly ink on newsprint: a fine halftone screen breaks the skin and the bandana's stripes into dots, the paper's fibers show faintly in the pale areas, and the photograph's edges are perfectly straight, dead square with the page. Above the photo a heavy serif masthead runs edge to edge, and between masthead and photograph a thin rule carries a date line and small edition marks in illegible micro-text. Below the photograph, the lower third is set in three narrow justified columns of grey body type, every line deliberately illegible at this scale, with one column broken by a pull-quote. A headline set in bold condensed capitals, much larger than the body type, sits immediately under the photograph and reads "THE THUMB THAT POINTS AT ITSELF", its letters warped very slightly where the paper's curvature lifts at the right edge of the frame. Smaller deck type runs under the headline, and a thin column of credits stays tiny and unreadable. A faint lengthwise crease crosses the whole page just below the man's chin, and the halftone dots and the printed type both dip into it. Raw, cocky, tabloid.
にばんめ
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