Sign up for free and get 10,000 credits instantly

Starter credits for new creators, added to your account on the day you sign up.

Server Maintenance Complete — Server maintenance is now complete, and generation speeds for SDXL and Tsubaki.1 tasks are back to normal. Tasks that we…

View details

picco della vedova AI Art & Prompts

Explore the trending 59 picco della vedova artworks

AI artwork
Avatar image of おだぶつ
character: vegeta, copyright: dragon_ball split-screen, two panels, comic, multiple views, 1boy, male focus, vegeta \(dragon ball\), spiked black hair, widow's peak, tall spiked hair, green eyes, serious, glasses, black-framed glasses, reading newspaper, holding newspaper, sitting, seiza, japanese clothes, casual, battle armor, white armor, saiyan armor, blue bodysuit, white gloves, raging, angry, furious, screaming, open mouth, clenched teeth, shouting, clenched fists, aura, powering up, from above, from side, close-up, looking at object, looking at viewer, morning, dining room, japanese breakfast, rice, miso soup, grilled fish, natto, tamagoyaki, chopsticks, ceramic bowls, wooden table, shoji screens, tatami, soft morning sunlight, warm colors, two-tone contrast Two-panel split-screen image divided by a single clean horizontal border running across the full width, both panels stacked vertically and separated by a thin white gutter; the top panel is the larger, quieter half, the bottom panel is the louder one, and both contain the same single man at the same age, the same high spiked hair standing up in a tall flame-like crest with the sharp widow's peak over a broad brow, the same short, compact, heavy-muscled build. TOP PANEL: a calm morning dining room seen from above and slightly to one side, the camera looking down across the low wooden table at a soft angle so the tabletop fills the lower two-thirds of the panel and the man sits at the far edge in seiza, one knee bearing his weight, hip settled onto the calf. He is dressed plainly in a dark high-collared tunic, a dark short kimono jacket over a plain underlayer, sleeves pushed to the elbows; his hair is the same tall black crest. Black-framed rectangular glasses sit squarely on the bridge of his nose, the lenses catching two small cool reflections of the window, and the arms hug his temples. Both hands hold a folded broadsheet newspaper open in front of his chest, thumbs pressing the fold flat, elbows braced against the table edge, the paper's far edge curled faintly toward him so his head tilts back a few degrees as his eyes track down the column. His eyes, lowered behind the lenses, look only at the newsprint; his mouth is a flat, unimpressed line, one brow lowered a fraction. On the table in front of him the Japanese breakfast is laid out in full: a lacquered bowl of white rice with a chopstick rest beside it, a small bowl of miso soup with tofu and scallion afloat, a rectangular plate holding a grilled fish with scored salt-crusted skin, a shallow dish of natto with a beaten egg yolk just broken on its surface, a rolled tamagoyakl sliced into rounds, a dish of pickles, a cup of green tea with a thin wisp of steam rising; a pair of chopsticks rests across the rice bowl's rim. The room is a traditional dining space: tatami mats in the lower frame, a shoji screen at the left with pale paper glowing, a low wooden table with visible grain, a hanging lamp above the table's center. Soft low morning sunlight comes in from an off-frame window at the left through the shoji, landing in a broad diagonal on the tatami, on the tabletop's left edge and across the newspaper's outer page, and the right side of his face and the right half of the table sit in cool clean shadow. The steam from the tea and soup drifts toward the light, curving where the warm air moves, and the grain of the lacquerware shows faint legible highlights on the upward-facing rims only. BOTTOM PANEL: the same man, same face and same tall spiked crest, now in full battle armor — a white chest plate with segmented shoulder guards over a dark blue bodysuit, white gloves with the wrist bands, no glasses anywhere on his face — framed from the side and slightly below, close-up, his body turned three-quarters away from the viewer with his head snapped back toward the lens. His jaw is wide open in a full-throated scream, teeth clenched and bared, brows crushed down, eyes wide and blazing, veins standing at his temple and neck, his fists curled white-knuckled at his sides. A ragged white-hot aura bores up around him, his hair and armor edges dissolving into it, the light of the aura the only light source in this panel, blasting upward so his chin and collarbones and the undersides of his jaw take the glare while his chest plate throws sharp upward-facing rims and the panel behind him is drained to a flat hostile red-black. Speed lines radiate outward behind his shoulders and crushed debris and stone chips are just lifting off the floor at the bottom edge. The two panels share the same man and the same hair; the quiet half's black glasses and folded paper and the loud half's bare face, white armor and white aura make the split read as one calm morning snapped against one feral roar. Palette: warm cream, ochre, tatami green-gold and clean white in the top panel; white armor, deep blue, blazing white and red-black in the bottom. Rendering: crisp anime linework with flat cel shading and halftone dot texture in the top panel's shadows, hard comic panel borders, restrained screentone. Wryly domestic on top, all-out fury below.
おだぶつ
#Dragon Ball#Dragon Ball Z#Vegeta
123...6

Related Tags

Irasutoya Challenge23 works
Vegeta16.0K works
Saiyan2.6K works
Dragon Ball Super53.6K works
Super Saiyan 1924 works
Dragon Ball Super: Broly4.5K works
HomeModellicreareRecipeProfilo