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AI art "青花 Chinese Style①"
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青花 Chinese Style①

今回も美人LoRAお借りしました😆Jingde / 青花Concept (With multires noise version) v1.0です!これ作った方はJerryfish forestくらげもりのautherさんですね。以前このLoRAにもお世話になりました! Jingdeって中国の景徳鎮なんですね。白地に青で絵付けされた茶碗・青花、自分の記憶では来客用の湯呑み(コピー安物量産品)がコレです。このLoRAはそのイメージ(本物高級品)でいってるみたいです。 お供LoRAはLightline.LoRAです。線が繊細になるそうで。Sun and ShadowのautherのEistholさんのLoRA、使ってみたかったんですよね😆ということでこのお二方に相乗りしていただいてぽちっと。 おおー、中国美人降臨です!しかーし!ケモ耳は指示してない!こんなもの勝手につけおって!設定崩壊じゃ!しかもモフ耳だと?けしからん!けしからんぞ!可愛いじゃないか!😆 ということで。たまに勝手にケモ耳娘になっています。最近ケモ耳多かったせいかな?🤨AIさん学習してますね。

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{fantasy theme,chines style},1girl, long hair, white hair, blue eyes, masterpiece, best quality,chinese clothes, hanfu, long sleeves, blue dress, hair flower, blue flower,
パラメーターを見る
縦横比
672 x 1024
サンプリングステップ
45
サンプリング方法
DPM++ 2M Karras
CFGスケール
6
シード
6647128988079289
ネガティブ
(NSFW:2), (worst quality:2), (low quality:2), EN, EasyNegative, EasyNegativeV2, ng_deepnegative_v1_75t,(worst anatomy:2), (bad anatomy:2), (extra digits, fewer digits , flat color, flat shading, blurry:1.8),(poorly drawn face and eyes, poorly drawn fingers and hands:1.8), (third arm, third leg, third hand, third foot, fingers more than 5 in 1hand, fingers less than 5 in 1hand:2), (large head, bad eyes, bad hands, bad fingers, liquid fingers ,melted fingers,lowres, missing limb, missing foot, floating limb, disembodied limb, disconnected limb:2), (malformation, disfigured, distorted, deformed, fused, mutated, crooped, inaccurate, crooked, disfigured, grainy, signature, bad art, logo, logos, username, signature, text, watermark, multiple angle, normal quality, overexposed, missing, underexposed, cloned face, nipple, navel, wide face:2), (skin spots, skin blemishes:2),
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AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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