無料で新規登録して、今すぐ10,000クレジットをゲット！

創作を始めるあなたに、新規登録当日から使えるクレジットをプレゼント！

PixAI iOS版 App Storeでの一時配信停止について — PixAIをご利用の皆さまへ 現在、PixAI iOSアプリはApp Storeでの検索およびダウンロードができない状態となっております。早期の配信再開に向けて、Appleと協議を進めております。ご不便をおかけし、誠に申し訳ございません。…

詳細を見る
AI artwork
新しい作品を生成無料で生成無料で生成

青山偵探的事務所

青

青山偵探的事務所

さらに表示

コメント

anime illustration, great quality, best quality. A medium shot from a low angle captures a tall, elegant young Japanese office worker woman with long, straight glossy black hair and sharp glasses, standing at her home's front door entrance. She wears a crisp white dress shirt tucked into a tight black knee-length pencil skirt, accented by a yellow necktie and a fitted black blazer draped over her shoulders. In her right hand, she grips a sleek black briefcase firmly by the handle, while her left hand rests casually on her hip. Her expression is a sly, evil smirk with narrowed eyes gazing directly at the viewer. The background features a modern residential doorway with a partially open wooden front door revealing a glimpse of an indoor hallway, surrounded by subtle architectural details like brick walls and potted plants. Soft daylight lighting bathes the scene in a realistic yet stylized anime aesthetic, with high detail in fabric textures, hair strands, glass reflections, and sharp shadows, conveying a mysterious and confident atmosphere.
パラメーターを見る
オリジナルプロンプト
一個 長髮 優雅黑髮 眼鏡上班族女性 白襯衫 黑裙 黃領帶 穿黑外套 拿公事包 地點居家門口 邪笑
モード
pro
縦横比
768 x 1280
ネガティブ
worst quality, photorealistic, bad anatomy, blur, low resolution

利用したモデルとLoRA

Tsubaki.2 - AI Modelのカバー画像

PixAI DiT.2

Tsubaki.2
19.07k

もっと探す

おすすめユーザー

あなたにおすすめ

AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
3#進撃の巨人#ミカサ・アッカーマン
ホームモデル生成マイページ