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おだぶつ

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AI artwork
Avatar image of おだぶつ
character: kamado_nezuko, kamado_nezuko_(demon), copyright: kimetsu_no_yaiba 2girls, kamado nezuko, kamado nezuko (demon), split screen, two-panel vertical split layout, vertical divider line splitting frame into left and right panels, left panel: from above, looking down at child, bright background, child, little girl, innocent, small child body, chibi proportions, long black hair fading to orange tips, very long hair, pink eyes, pink kimono, pink ribbon, hair ribbon, japanese clothes, barefoot, head tilted up, wide-eyed, open mouth, cheerful, arms up, reaching upward, right panel: from below, looking up, dark background, adult, mature female, nice body, curvy, voluptuous, long black hair fading to orange tips, very long hair, pink eyes, slit pupils, sharp fangs, demon transformation, pink kimono, pink ribbon, hair ribbon, japanese clothes, barefoot, bamboo muzzle, from below, imposing, smug, looking down, hand on hip, contrapposto, long hair swept back A single frame cut by a crisp vertical divider into two equal vertical panels. The left panel is shot from above: a small child with a round face, long black hair that thins to orange at the tips and falls past her knees, and pink eyes set in a wide, innocent stare tipped upward toward the lens. She wears a pink kimono and a pink ribbon tied at the back of her head; her little bare feet plant flat, and one arm lifts as if reaching up at the viewer, her other hand clutching the kimono hem. Behind her the background is a bright, high-key wash of pale warm light, near-white with soft pastel bloom, and the light comes from above and behind her so her small shadow pools tight beneath her feet and the top of her head catches a bright rim. Everything in that panel is open, airy and soft-edged. The right panel is shot from below, foreshortened upward at a tall adult woman with the same long black-to-orange hair and pink eyes, now narrowed with slit pupils above a flash of fangs. She wears a pink kimono drawn close around a full, mature figure, a pink ribbon in her hair, and her weight sits on one hip with one hand curled at her waist and her head angled down toward the lens. The background is a dense dark field, the light a single low warm source from beneath her, catching the underside of her chin, jaw, collarbones and the tops of her shoulders while her upper body sinks into shadow. Her shadow stretches upward behind her against the dark. The divider is a clean hard line; the two panels are different exposures entirely, bright left, black right, and the mood is innocent brightness against a cold, dangerous dark.
Oct 28, 2026 6:32 AM
#귀멸의 칼날#카마도 네즈코#극적인 비포 애프터
AI artwork
Avatar image of おだぶつ
character: kamado_nezuko, copyright: kimetsu_no_yaiba 2girls, split screen, vertical split, left side young girl, right side adult woman, kamado nezuko, innocent child, long black hair, pink eyes, hair ribbon, pink kimono, child body, small stature, looking up, hands clasped behind back, leaning forward, faint closed-lip smile, 鬼化, adult version, voluptuous body, large breasts, wide hips, mature figure, long flowing black-to-orange gradient hair, single horn, sharp fangs, slit pupils, claw-like nails, torn pink kimono, seductive smile, half-closed eyes, blush, smug, standing contrapposto, hand on hip, vertical composition, from side, cowboy shot, dark background, single side light, A vertical panel divided by a hard straight seam running top to bottom through the exact center of the frame. Left half: a small child girl, Nezuko, standing with her hands clasped behind her back, leaning forward at the waist toward the right edge of her panel, weight on her front toes, her long black hair with orange tips swaying forward over her shoulders, pink ribbon at her crown displaced to the left by the leaning, pink kimono with its patterned obi cinched tight around a small childlike frame, and she looks up toward the seam with a faint closed-lip smile, both eyes open, innocent. Right half: the same girl grown — an adult woman of voluptuous build, large breasts and wide hips filling the torn pink kimono, the fabric pulled taut across her chest and hips with one sleeve slipped off her shoulder, a single horn jutting from her forehead, sharp fangs visible in a lopsided smirk, slit pupils, clawed nails, hair spilling in a heavy gradient of black into orange down past her waist, standing in contrapposto with her weight on one leg, one hand resting on her hip, the other hanging loose, her head tilted and half-closed eyes turned toward the seam, blush on her cheeks. Between them the seam is a thin clean division; the left light is soft and pale, the right light is reddish from below-left, catching her chest, the horn, and the edge of her torn kimono, casting her shadow behind her; the child side stays bright and even, the adult side darker with the light source off-frame at the lower left of her panel. Background on both sides is deep near-black, empty. Flat cel-shaded color, crisp dark outlines, the pink of the kimono and the black of the hair the only colors admitted, orange in the adult's hair-tips as the accent. Quietly unsettling, poised.
Oct 28, 2026 6:25 AM
#귀멸의 칼날#카마도 네즈코#극적인 비포 애프터
AI artwork
Avatar image of おだぶつ
character: vegeta, copyright: dragon_ball 2boys, vegeta, spiked hair, black hair, widow's peak, green eyes, blue eyes, eyeglasses, black-framed glasses, reading newspaper, holding newspaper, calm expression, closed mouth, light smile, sitting, battle armor, white gloves, spiked hair, angry, rage, screaming, open mouth, gritted teeth, clenched fists, diagonal split screen, split panel, dutch angle, indoors, dining room, morning, japanese breakfast, rice bowl, miso soup, grilled fish, natto, green tea, low table, window light, warm sunlight, cel shading A single frame cut corner to corner by a hard diagonal division running from the upper left edge down to the lower right, the two halves meeting along a clean white seam. In the upper-right half, seen from a low three-quarter angle at table height: a short, broad-shouldered man with flame-spiked black hair rising to a sharp widow's peak, seated cross-legged on a cushion at a low wooden dining table in a bright morning dining room. He wears black-framed glasses resting on the bridge of his nose, and a loose dark loungewear top with the collar open at the throat; both hands grip the spread newspaper at its lower corners, thumbs creasing the paper, the pages sagging slightly between his fists and the far edge curling toward him. His eyes, lowered behind the lenses, track the columns; his mouth is closed in a faint, settled smile, one brow relaxed, shoulders dropped, weight sunk into the cushion. The lenses catch a soft rectangular sheen of window light. On the table before him: a lacquered bowl of white rice, a bowl of miso soup with tofu and scallion, a plate of grilled fish, a small dish of natto, pickles, a nori sheet, and a cup of green tea still steaming, the steam drifting thin and up toward the window. Morning sun comes low through a shoji-framed window off-frame right, striking the near side of the teapot and the rim of the rice bowl, laying long soft shadows across the tabletop grain; the far corners of the room fall into gentle warmth rather than darkness. Below the diagonal seam, in the lower-left half, a low-angle shot tilted slightly off level, the same man transformed: black spiked hair, green eyes narrowed to slits, teeth bared in a wide roaring snarl, cords standing in his neck, veins raised at his temple. He wears the full battle suit -- dark blue body glove and the white chest armor with its layered shoulder plates -- and white gloves clenched into fists at his sides, one arm drawn back, the other thrust forward, torso twisted with the momentum of the shout. The ground beneath him is a cracked, dust-blown wasteland, rubble lifting and dust particles blasting outward from the pressure of his ki, a faint white aura flaring behind his shoulders; hard rim light from a low angry sun rakes the armor's edges while his face stays in sharp shadow, palette dropping to scorched orange and cold blue. Palette discipline: the upper half in warm cream, pale wood, lacquer red, tea green and soft gold daylight; the lower half in cold steel blue, bone white, dust ochre and ember orange. The diagonal seam clean and bright, no bleed between the halves except the shared black of his hair. Crisp cel-shaded anime rendering with flat shaded planes and hard shadow edges. Quiet domestic warmth against raw fury.
Oct 28, 2026 5:58 AM
#드래곤볼#드래곤볼Z#베지터
AI artwork
Avatar image of おだぶつ
character: vegeta, copyright: dragon_ball split-screen, two panels, comic, multiple views, 1boy, male focus, vegeta \(dragon ball\), spiked black hair, widow's peak, tall spiked hair, green eyes, serious, glasses, black-framed glasses, reading newspaper, holding newspaper, sitting, seiza, japanese clothes, casual, battle armor, white armor, saiyan armor, blue bodysuit, white gloves, raging, angry, furious, screaming, open mouth, clenched teeth, shouting, clenched fists, aura, powering up, from above, from side, close-up, looking at object, looking at viewer, morning, dining room, japanese breakfast, rice, miso soup, grilled fish, natto, tamagoyaki, chopsticks, ceramic bowls, wooden table, shoji screens, tatami, soft morning sunlight, warm colors, two-tone contrast Two-panel split-screen image divided by a single clean horizontal border running across the full width, both panels stacked vertically and separated by a thin white gutter; the top panel is the larger, quieter half, the bottom panel is the louder one, and both contain the same single man at the same age, the same high spiked hair standing up in a tall flame-like crest with the sharp widow's peak over a broad brow, the same short, compact, heavy-muscled build. TOP PANEL: a calm morning dining room seen from above and slightly to one side, the camera looking down across the low wooden table at a soft angle so the tabletop fills the lower two-thirds of the panel and the man sits at the far edge in seiza, one knee bearing his weight, hip settled onto the calf. He is dressed plainly in a dark high-collared tunic, a dark short kimono jacket over a plain underlayer, sleeves pushed to the elbows; his hair is the same tall black crest. Black-framed rectangular glasses sit squarely on the bridge of his nose, the lenses catching two small cool reflections of the window, and the arms hug his temples. Both hands hold a folded broadsheet newspaper open in front of his chest, thumbs pressing the fold flat, elbows braced against the table edge, the paper's far edge curled faintly toward him so his head tilts back a few degrees as his eyes track down the column. His eyes, lowered behind the lenses, look only at the newsprint; his mouth is a flat, unimpressed line, one brow lowered a fraction. On the table in front of him the Japanese breakfast is laid out in full: a lacquered bowl of white rice with a chopstick rest beside it, a small bowl of miso soup with tofu and scallion afloat, a rectangular plate holding a grilled fish with scored salt-crusted skin, a shallow dish of natto with a beaten egg yolk just broken on its surface, a rolled tamagoyakl sliced into rounds, a dish of pickles, a cup of green tea with a thin wisp of steam rising; a pair of chopsticks rests across the rice bowl's rim. The room is a traditional dining space: tatami mats in the lower frame, a shoji screen at the left with pale paper glowing, a low wooden table with visible grain, a hanging lamp above the table's center. Soft low morning sunlight comes in from an off-frame window at the left through the shoji, landing in a broad diagonal on the tatami, on the tabletop's left edge and across the newspaper's outer page, and the right side of his face and the right half of the table sit in cool clean shadow. The steam from the tea and soup drifts toward the light, curving where the warm air moves, and the grain of the lacquerware shows faint legible highlights on the upward-facing rims only. BOTTOM PANEL: the same man, same face and same tall spiked crest, now in full battle armor — a white chest plate with segmented shoulder guards over a dark blue bodysuit, white gloves with the wrist bands, no glasses anywhere on his face — framed from the side and slightly below, close-up, his body turned three-quarters away from the viewer with his head snapped back toward the lens. His jaw is wide open in a full-throated scream, teeth clenched and bared, brows crushed down, eyes wide and blazing, veins standing at his temple and neck, his fists curled white-knuckled at his sides. A ragged white-hot aura bores up around him, his hair and armor edges dissolving into it, the light of the aura the only light source in this panel, blasting upward so his chin and collarbones and the undersides of his jaw take the glare while his chest plate throws sharp upward-facing rims and the panel behind him is drained to a flat hostile red-black. Speed lines radiate outward behind his shoulders and crushed debris and stone chips are just lifting off the floor at the bottom edge. The two panels share the same man and the same hair; the quiet half's black glasses and folded paper and the loud half's bare face, white armor and white aura make the split read as one calm morning snapped against one feral roar. Palette: warm cream, ochre, tatami green-gold and clean white in the top panel; white armor, deep blue, blazing white and red-black in the bottom. Rendering: crisp anime linework with flat cel shading and halftone dot texture in the top panel's shadows, hard comic panel borders, restrained screentone. Wryly domestic on top, all-out fury below.
Oct 28, 2026 5:57 AM
#드래곤볼#드래곤볼Z#베지터
AI artwork
Avatar image of おだぶつ
character: vegeta, copyright: dragon_ball 1boy, solo, vegeta, spiked hair, black spiked hair, widow's peak, tall forehead, flame-shaped black hair standing straight up, glasses, black-framed rectangular glasses, reading a newspaper, holding newspaper with both hands at chest height, eyes lowered to the page, sitting at a table, leaning slightly forward, morning dining room, japanese breakfast on table, grilled salmon, miso soup in lacquered bowl, a bowl of white rice, rolled tamagoyaki, nori sheets, pickled daikon, green tea in a yunomi cup, chopsticks on a chopstick rest, half-closed eyes, calm absorbed expression, light smile, sitting, indoors, from side, profile, cowboy shot, morning sunlight, shoji screen, warm palette, cozy atmosphere The camera sits at table height in near-profile, the figure placed left of center and turned three-quarters toward the right of the frame, so the long low table runs away from the viewer to the right and his near shoulder and upper arm are the closest mass in the image. He sits on a floor cushion at the table's short side, knees folded under the low table's edge, torso tipped a little forward, weight resting on the hip furthest from the camera; the closer forearm lies along the table's near edge as a brace, and both hands grip the open newspaper -- left thumb and index pinching the top-left corner, right hand cupping the lower fold, thumbs pressing the paper so the sheets bow slightly outward between them. His eyes are lowered to the upper half of the page, brows drawn in a mild, level line, mouth set in a faint closed-lip smile of quiet satisfaction; the spectacles' black rectangular frames sit high on the bridge of his nose, their lenses catching a small pale rectangle of window light, and the near temple arm disappears into the thick black crest of his spiked hair just above the ear. The newspaper folds back toward him as a soft V, its far edge tilted up, the printed columns small and unreadable grey texture with one blurred headline block near the fold; nothing else in the room carries legible lettering. The breakfast spreads across the table in front of him, each dish a little closer or farther and staggered rather than lined up: the lacquered bowl of miso soup to his far side with a wisp of steam bending away from the window; the white rice bowl nearer the camera, its surface glossy with a few grains stuck to the rim; the lacquered dish of grilled salmon lengthwise to his right with the skin side up and the flesh flaking at one edge; tamagoyaki cut into thick golden rolls on a small plate; nori on a little dish; a dish of daikon pickles; the green tea cup at his further elbow, the tea's surface showing a tiny bright disc of window reflection that is dimmer and narrower than the opening that casts it. His chopsticks rest parallel on the small ceramic rest, untouched. The room is a Japanese dining room at morning: a shoji screen on the right with pale daylight glowing through the paper, dark wooden posts dividing it into panels, the pale tatami floor catching a soft rectangle of that light, and a low sideboard behind him in the background where a kettle and a folded cloth sit out of focus. The light comes from the shoji at the right in one broad, cool-to-warm white wash, striking the right side of his face and the near side of the newspaper, the glass rims and the top of the tea, while shadow pools beneath the table, inside the folds of his clothing and along the left of his cheek, soft-edged because the paper screen diffuses it; long low shadows of the dishes stretch across the table top toward the camera. Palette: warm wood brown, the paler straw of the tatami, the white of rice and newspaper, the deep black of his hair and frames, the red-brown of lacquer, with the gold of the tamagoyaki and the green of the tea and pickles as the only real color accents. Held quiet, warm, unhurried.
Oct 28, 2026 5:45 AM
#드래곤볼#드래곤볼Z#베지터
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