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whitekopper

TRPGの素材とマイナーキャラ生成してるアカウント。更新がない日は全てセンシティブ判定をくらってるだけです。

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AI artwork
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chibi, super deformed, a comical, super-deformed (SD) character, a close-combat type magical girl style exorcist priestess is navigating the traps of a Japanese-style dungeon. She has long, flowing hair and wears a traditional Shinto priestess outfit, consisting of a white robe and red hakama pants. She is holding a staff or sword and is in a dynamic action pose, leaping or running through the dungeon. Her face has a determined or focused expression, with wide eyes and a slightly open mouth. The setting is indoors, in a Japanese-style mansion, with sliding doors, tatami mats, and wooden beams. There are traps and obstacles in the dungeon, such as spikes, pits, and moving walls. The style of the image is cute and chibi, with simple lines and bright colors, creating a lighthearted and humorous atmosphere.
Nov 11, 2026 8:01 AM
AI artwork
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scenery, no humans, bird's-eye view, from above, high angle, overhead, indoor, night, Japanese school interior, vast enclosed courtyard, giant scale, sparse benches, rows of evenly spaced trees, arranged trees, sealed dimensional gate, magical concealment, faintly glowing seal, empty courtyard, deep shadow, cold blue night palette Seen from straight above, the high vaulted interior of a Japanese school opens into one enormous courtyard, so wide that a seated giant would fit between the tree lines with room to spare. The viewer looks down past the roof beams onto the whole floor plan: four storeys of classroom wings frame the court on the left and right, their balconies projecting like pale shelves, and a glass roof cuts the hall into long strips of dark. Rows of evenly spaced trees run in two parallel lines down the middle of the courtyard, their crowns casting small circular shadows directly beneath them because the only light comes from straight overhead; between the rows the paving shows a faint, deliberate deviation from a normal school plan -- a stone circle half-swallowed by the surface, benches scattered sparsely around it, a long shadow that does not match any tree. The benches are few and widely separated, worn smooth on the seats where daytime students sit; the image makes the courtyard read as a place of rest by the neatness of the layout, the tidy rows, the empty walkways. At the courtyard's far end, against the far wall in shadow, the sealed entrance stands as a broad stone gate set into a decorative wall, its frame carved in a restrained geometric pattern, and over the whole doorway a thin grid of glowing seal-lines is stretched like a membrane, faint amber threads against the cold blue night -- the magic that disguises it holds the door shut, and no door is visible, only the seal and the pattern. Moonlight through the glass roof falls in long cold bars across the paving; the school windows are dark, giving nothing back; the only warm light is the seal, its glow caught on the nearest flagstones and reflected in the shallow rainwater pooled in a low joint of the paving, and nothing else in the courtyard is lit. Deep blue-grey, near-black shadow, cold moon-white strips, a single restrained amber accent at the seal -- a still, watchful hush.
Nov 10, 2026 2:21 PM
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