PixAI에서 프롬프트는 기본적으로 공개되지만, 창작자는 자신이 올린 작품마다 프롬프트를 숨길 수 있습니다. 이 작품의 창작자는 프롬프트를 숨기기로 선택했기 때문에, 이미지를 생성하는 데 사용한 단어는 창작자 본인만 볼 수 있습니다. 프롬프트를 숨겨도 그 외에는 달라지는 점이 없습니다. 작품은 그대로 공개되어 있고, 평소처럼 좋아요, 댓글, 공유를 할 수 있습니다.
작성자에 의해 숨겨짐
모델 및 LoRA 사용
비슷한 작품
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on
Himura Kiseki style, Maegami-chan (Tawawa), a high school girl with fair skin and long hair tied in a ponytail is standing on a crowded bus. She wears a school uniform: a white shirt with long sleeves, a pleated skirt, and subtle jewelry. Her figure is voluptuous with huge breasts and a narrow waist. Her sidelocks frame her face, with some hair falling over her expressive eyes. The bus interior is bustling with other passengers, creating a sense of a cramped, everyday commute. The scene is rendered with clean linework, soft cel-shading, a hazy atmosphere, and cinematic lighting that highlights the smooth texture of her skin and the detailed fabric of her uniform. A soft glow enhances the overall high-key, atmospheric perspective.
Oppai Niku
ラ
artist: takeda hiromitsu, beautiful line, 1girl, black-purple long ponytail hair, tomboyish tall woman, huge breasts, brown eyes, upturned eyes, white blouse, white ribbon, blue long flare skirt, brown boosted sandals, brown bag hanging on shoulder, view from behind, inside a train, holding onto a handstrap, shaking buttocks.
ラスボス（ラスボス）
ラ
artist: takeda hiromitsu, beautiful line, 1girl, black-purple long ponytail hair, tomboyish tall woman, huge breasts, brown eyes, upturned eyes, white blouse, white ribbon, blue long flare skirt, brown boosted sandals, brown bag hanging on shoulder, view from behind, inside a train, holding onto a handstrap, shaking buttocks.
ラスボス（ラスボス）
on
Himura Kiseki style, Maegami-chan (Tawawa), a high school girl with fair skin and long hair tied in a ponytail is standing on a crowded bus. She wears a school uniform: a white shirt with long sleeves, a pleated skirt, and subtle jewelry. Her figure is voluptuous with huge breasts and a narrow waist. Her sidelocks frame her face, with some hair falling over her expressive eyes. The bus interior is bustling with other passengers, creating a sense of a cramped, everyday commute. The scene is rendered with clean linework, soft cel-shading, a hazy atmosphere, and cinematic lighting that highlights the smooth texture of her skin and the detailed fabric of her uniform. A soft glow enhances the overall high-key, atmospheric perspective.
Oppai Niku
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