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AI art "Gesture Mitsuri" featuring #Cherry Blossom Viewing, #나뭇가지, #헤어 인테이크, #건축, #꽃무늬, #펠라치오 제스처, #귀멸의 칼날, #핸드잡 제스처, #칸로지 미츠리 and #꽃보라
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Gesture Mitsuri

#Cherry Blossom Viewing#나뭇가지#헤어 인테이크#건축#꽃무늬#펠라치오 제스처#귀멸의 칼날#핸드잡 제스처#칸로지 미츠리#꽃보라
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wisely

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kanroji_mitsuri, a young woman with long, wavy pink hair styled in loose twin tails, stands facing the viewer with a playful yet slightly shy expression. She wears a layered kimono in shades of pink and green with floral patterns, tied with a wide obi. Her outfit includes white tabi socks and zori sandals. One hand is raised near her mouth in a suggestive fellatio gesture while the other makes a handjob motion at waist level - both actions implied rather than explicit due to her being fully clothed. Her bright green eyes gaze directly at the viewer with a mix of innocence and seduction. The background features intricate traditional Japanese architectural details including wooden beams, paper lanterns, and cherry blossom branches, rendered with precise linework and soft watercolor-like coloring. The overall composition balances erotic suggestion with artistic refinement, maintaining the character's cute yet sensual personality.
매개변수 표시
원본 프롬프트
fellatio gesture,handjob gesture,kanroji mitsuri,1girl,female focus,solo,looking at viewer,detail background,fully clothed
품질 태그
high quality, year_2025, year_2024, ﹝프롬프트﹞
크기
768 x 1280
샘플링 단계
20
샘플링 방식
Euler
CFG 스케일
4.5
제외 조건
nsfw,bad quality,low quality,worst quality,lowres,jpeg artifacts,scan artifacts,mosaic,cropped,error,fewer digits,bad reflection,bad composition,bad anatomy,bad hands,bad fingers,missing fingers,extra hands,extra legs,excess fingers,light particles,artist name,text,watermark,username,copyright name

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Tsubaki - AI Model 커버 이미지

PixAI DiT.1

Tsubaki
8.74k

비슷한 작품

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AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
3#진격의 거인#미카사 아커만
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