Boy in the field (Norman Rockwell) #2
매개변수 표시
- 원본 프롬프트
- 1boy, norman rockwell style,
- 크기
- 736 x 920
- 샘플링 단계
- 28
- 샘플링 방식
- Euler a
- CFG 스케일
- 5
- 제외 조건
- nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands
모델 및 LoRA 사용
비슷한 작품
자세히 보기l
Peacefull bible reading in class.
Louen
l
Peacfull bible reading in the staircase.
Louen
A world of secrets
pepcrazy
1girl, solo, 19th century, industrial revolution, painter, artist, oil painting (medium), traditional media, holding palette, holding paintbrush, wooden easel, canvas, atelier, artist studio, looking at canvas, painter smock, apron, stained clothes, rolled sleeves, messy hair, victorian fashion, factory, smokestack, smoke, steam, multi-pane window, overcast, three-quarter view, chiaroscuro, classical lighting
Three-quarter view from a slightly low angle inside a 19th-century attic atelier. A young female painter stands poised before a tall, weathered wooden easel positioned beside a soaring arched multi-pane iron window. Her weight rests firmly on her rear foot as she leans slightly back to evaluate her work, her right hand delicately elevating a long-handled hog-bristle paintbrush toward the rough weave of the stretched linen canvas, while her left hand cradles a wide oval walnut palette loaded with thick dabs of burnt umber, lead white, and soot-black pigment, several extra brushes clutched between her thumb and fingers. She is dressed in an ivory linen blouse with sleeves rolled securely above the elbows, a dark pleated wool work skirt, and a heavy canvas smock tied at her waist, marked with dried oil paint splatters and charcoal dust. Her auburn hair is loosely pinned in a practical updo, with fine stray locks drifting across her paint-smudged temple and brow as her focused gaze remains fixed on the canvas. Beyond the glass panes, the smog-draped horizon of the Industrial Revolution unfolds, marked by towering brick smokestacks, iron cranes, and dense rolling plumes of steam and coal exhaust rising into an overcast amber-grey sky. Soft classical daylight pours through the northern window, casting luminous highlights across her brow, her sleeve, and the wet glossy ridges of fresh paint on her palette, while rich, warm umber shadows envelop the studio floor lined with jars of linseed oil and rag cloths. Tiny airborne dust and soot particles drift visibly through the window's cool light shaft. Rich oil pigment textures with a historical academic painting finish and soft, classical lighting. Industrious focus.
黒豆んへら
댓글