PixAI 멤버십

📢 로그인 문제 해결 안내 — 오늘 일부 사용자에게 PixAI 계정이 예기치 않게 로그아웃되는 현상이 발생했습니다. 해당 문제는 서버 측 오류로 확인되었으며, 현재는 정상적으로 해결되었습니다. 로그아웃된 경우 앱 또는 브라우저를 다시 실행한 뒤…

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AI art "キュアフェリーチェ" featuring #아르누보, #브로치, #벌레, #나비, #프리큐어, #테두리, #파니에, #큐어 펠리체 and #하나미 코토하
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キュアフェリーチェ

#아르누보#브로치#벌레#나비#프리큐어#테두리#파니에#큐어 펠리체#하나미 코토하
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Cure Felice (Hanami Kotoha) from Maho Girls Precure, wearing her signature Felice costume, stands gracefully in an Art Nouveau-inspired setting. Her long pink hair flows in elegant braids, catching the light with a silken sheen. Her multicolored eyes sparkle with warmth as she smiles radiantly, exuding pure joy and kindness. The intricate details of her magical girl outfit shimmer with delicate embroidery and flowing ribbons, blending fantasy and elegance. The background features soft floral motifs and swirling patterns reminiscent of Art Nouveau, enhancing the dreamlike beauty of the scene. The composition is a masterpiece of vibrant colors and refined details, radiating charm and positivity.
매개변수 표시
원본 프롬프트
Art Nouveau, beautiful, masterpiece, best quality, Smile,cure_felice, hanami_kotoha, maho_girls_precure, felice_costume,long hair, pink hair, braid, multicolored eyes,
품질 태그
high quality, year_2025, year_2024, ﹝프롬프트﹞
크기
768 x 1280
샘플링 단계
25
샘플링 방식
Euler
CFG 스케일
4.5
제외 조건
bad quality, low quality, worst quality, lowres, nsfw, jpeg artifacts, scan artifacts, mosaic, cropped, error, fewer digits, bad reflection, bad composition, bad anatomy, bad hands, bad fingers, missing fingers, extra hands, extra legs, excess fingers, light particles, artist name, text, watermark, username, copyright name

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Tsubaki - AI Model 커버 이미지

PixAI DiT.1

Tsubaki
8.72k
【Tsubaki】Cure Felice DiTV1 - AI Model 커버 이미지

사용자 LoRA

【Tsubaki】Cure Felice DiTV1
6

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AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
2#진격의 거인#미카사 아커만
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