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AI art "non sense 4"
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non sense 4

Avatar image of Prince1

Prince1

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Creepy Masks, realistic style, dark colors,Victim #1 (creppypasta), head only, red hands, red skin, black shadows, hands over cheeks, sad, panicking, no teeth, open mouth, one white eye, black sclera, cartoonized, shadow in face, solo, blank background
매개변수 표시
크기
678 x 906
샘플링 단계
28
샘플링 방식
Euler a
CFG 스케일
5
제외 조건
nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands

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Haruka v2 - AI Model 커버 이미지

PixAI XL

Haruka v2
24.79k
Victim #1 (Super Mario World Creepypasta) XL - AI Model 커버 이미지

사용자 LoRA

Victim #1 (Super Mario World Creepypasta) XL
4
MaskS - AI Model 커버 이미지

사용자 LoRA

MaskS
1

비슷한 작품

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AI artwork
Avatar image of C9I
1girl, solo, extreme close-up, face focus, horror, body horror, psychological horror, gothic, grotesque, forced smile, unnaturally wide grin, ear-to-ear smile, stretched cheeks, rusted iron wires, iron hooks, fishhooks piercing cheeks, hooks pulling mouth corners, torn skin, bleeding, blood, wounds, black tears, oil tears, thick black liquid, hollow eyes, empty eye sockets, void eyes, black sclera, despair, terror, pain, trembling, sweat, yellow balloons, glitter, floating glitter, confetti, chiaroscuro, deep shadows, desaturated, black and yellow palette, blood red accents, film grain, high contrast, painterly texture, expressionless mask of a smile, wide-eyed, tears, sharp focus. A cinematic extreme close-up, camera slightly below eye level and tipped a few degrees into a dutch angle, so the face fills the entire vertical frame from chin to brow and the crown of the head is cropped away. The one person's face is hauled into a perfect, unnatural ear-to-ear smile that no muscle could hold: rusted iron fishhooks bite through the flesh at each mouth corner, their barbed tips tenting the skin outward, and taut rust-flaked wires run from those hooks back toward the far edges of the frame, disappearing behind the cheeks where unseen tension drags the lips impossibly wide. The corners of the mouth are split and torn, raw edges beading with blood that has already crusted and cracked; thin dried blood trails run down the jaw and vanish under the chin. From under each lid, thick black oil weeps in heavy slow rivulets down both cheeks, glossy and opaque, catching a bead of light at its leading edge and pooling briefly in the smile's stretched creases before breaking loose. The eyes themselves are hollow voids — no iris, no white — pure black pits, each with a single tiny high gleam that reads as reflected light rather than life; the brows above are pulled up and knotted, the lids straining wide, and the whole upper face carries frozen terror while the mouth below is a fixed, radiant, welcoming crescent. This contradiction is the image's center. The light is a single harsh source from the upper left: it rakes across the left cheek, ignites the wet black oil trails and the bright rim of the hooks, and drops the right half of the face into deep, near-black shadow — chiaroscuro so extreme that the far cheek dissolves into darkness. Behind and around the head, sickeningly cheerful yellow balloons crowd the frame's top and right edges, their surfaces glossy and over-bright, a couple pushed so close to the lens that they blur into soft yellow shapes; loose glitter and confetti drift through the air in the shaft of light and fleck the skin and the oil. Palette discipline: desaturated blacks and greys over the whole face and background, jarring neon-yellow balloons and glitter as the only large bright note, visceral blood red confined to the torn mouth corners and the thin trails below. The palette is gritty and painterly, anatomical distortion pushed almost to abstraction while the surfaces stay textured and real. A single bead of black oil hangs at the end of its trail, stretched by gravity, about to fall. Quiet, sickening dread.
C9I

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AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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