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AI art "深海棲艦の敗北" featuring #함대 컬렉션, #공모ヲ급 and #전함 타급
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深海棲艦の敗北

#함대 컬렉션#공모ヲ급#전함 타급
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ta-class_battleship, wo-class_aircraft_carrier, a dramatic and emotional scene unfolds on a war-torn night pier. The wo-class aircraft carrier lies collapsed on the ground, her glowing yellow eyes filled with fear and pain as she weakly lifts her head to gaze forward. She wears a tight white shirt under a black cape, long thigh-high boots, and no skirt, her body covered in wounds and blood. Standing protectively over her is the ta-class battleship, her silver hair disheveled, one eye shut from injury, and her green eyes burning with fury. She wears a sailor uniform with a white cape, knee-high black boots, and only high-cut panties, her damaged turret raised defensively. The pier is littered with debris, smoke, and the faint glow of distant fires, emphasizing the intensity of the battle and the bond between the two.
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원본 프롬프트
戦場となった夜の岸壁で、倒れた空母ヲ級(艦これ)を戦艦タ級(艦これ)がかばっている。 空母ヲ級は黄色く光る目とグレーの髪、ぴったりとした白いシャツに黒いマントを羽織っており、腿上までの長いブーツを履いており、スカートは身につけていない。 空母ヲ級は傷つき血にまみれてうつぶせに倒れ、顔だけを上げて不安と恐怖に満ちた表情でこちらを見つめている。 戦艦タ級は緑に光る目とシルバーの髪、セーラー服の上着の上から白いマントを羽織っており、膝上までの黒いブーツを履いていて、スカートは身につけておらず、ハイレグのパンティのみ。 戦艦タ級も傷つき汚れ、出血した左目をつぶり、膝立ちの姿勢で損傷した砲塔を構えて、こちらを怒りに満ちた表情で睨みつけている。
품질 태그
high quality, year_2025, year_2024, ﹝프롬프트﹞
크기
1024 x 1024
샘플링 단계
25
샘플링 방식
Euler
CFG 스케일
4.5
제외 조건
bad quality, low quality, worst quality, lowres, nsfw, jpeg artifacts, scan artifacts, mosaic, cropped, error, fewer digits, bad reflection, bad composition, bad anatomy, bad hands, bad fingers, missing fingers, extra hands, extra legs, excess fingers, light particles, artist name, text, watermark, username, copyright name

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PixAI DiT.1

Tsubaki
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Background Enhancer [SDXL] - AI Model 커버 이미지

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Background Enhancer [SDXL]
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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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3#진격의 거인#미카사 아커만
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