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PixAI에서 프롬프트는 기본적으로 공개되지만, 창작자는 자신이 올린 작품마다 프롬프트를 숨길 수 있습니다. 이 작품의 창작자는 프롬프트를 숨기기로 선택했기 때문에, 이미지를 생성하는 데 사용한 단어는 창작자 본인만 볼 수 있습니다. 프롬프트를 숨겨도 그 외에는 달라지는 점이 없습니다. 작품은 그대로 공개되어 있고, 평소처럼 좋아요, 댓글, 공유를 할 수 있습니다.
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AI artwork
Avatar image of backgrounder
(uniform sharp focus from foreground to background:1.45), (hard-edged two-tone cel shading and ultra precise linework on all background structures:1.45), (thick foreground lineart fading to thin distant lineart:1.4), (crisp edges:1.35), (consistent perspective:1.3), (clean architectural details:1.3), (flat color fills:1.2), (long hard cast shadows:1.1), hard light, (high-density information-overloaded illustration style:1.2), strong lines, ultimate details, extremely detailed background, public restroom interior, old tiled floor, concrete walls, row of urinal, shadowy atmosphere
backgrounder
AI artwork
er
no humans, empty room, boarding school communal bathroom at night, long row of white porcelain sinks, bank of mirrors, tiled walls, stall partitions, dripping faucet, high-contrast anime style, bold halftone dots, graffiti marks, punchy neon colors, thick outlines, dutch angle, wide shot, from below, one-point perspective corridor of stalls, foreground sink edge, night, darkness beyond the doorway Dutch angle, from below and slightly to one side, looking down the length of a boarding school communal bathroom at night: a long counter of white porcelain sinks runs away from the camera along the left wall, its near basin cropped by the frame edge in the immediate foreground, and a bank of mirrors above it repeats the row into the dark. The camera sits low and tilted so the counter's leading line rises diagonally, one-point perspective pulling the stall partitions and the far door into a narrow vanishing point; thick tiled walls close the space on both sides, white square tile with a dark grout grid, and the ceiling bulkheads overhead are lost to shadow. Everything is empty of people — the room itself is the subject. Each sink has a chrome cross-handle tap and a bare drain; the leftmost faucet drips and the falling thread of water is caught mid-air a hand's width above the basin, a small bead hanging at its tip. Every mirror is a cold grey plate holding only reflections of the opposite stalls and the far wall, none of them bright, and along the bottom of the biggest mirror a thin run of condensation has spread from the hot-water pipe. One stall door at mid-distance hangs ajar on its hinge, out of line with its neighbours, casting a wedge of shadow across the tiled floor; the floor is small hexagonal mosaic, wet in patches near the counter where the water has run along the grout seams and pooled under the nearest basin, doubling the reflection of the light. Light comes from a single row of caged ceiling fixtures, most dead, two still burning — a hard cold white-green glow that strikes the tops of the taps, the upper rims of the basins and the near face of the stall partitions, and leaves every underside, every gap under the doors and the whole back of the room in deep black; the surviving lights throw long hard shadows of the ceiling cages down the tiled wall, halftone dot screens breaking the gradient where the light falls off. The palette is narrow and deliberate: cold white, green-tinged grey and pitch black, cut by one punchy neon magenta tag scrawled across the tiled wall above the mirrors and a matching cyan scrawl on the far stall door, both thick-outlined and slightly bled, like spray on grout. Halftone dots pattern the shadow areas, thick black outlines hold every tile edge and chrome fitting, and the drip's tiny splash on the porcelain rings out perfectly circular in the still basin — the only motion in the frame. Quiet dread, humming fluorescent unease.
Ed Ryan

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AI artwork
Avatar image of Kani x
character: tenma_tsukasa "", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
Kani x
AI artwork
Avatar image of リオ
character: kagamine_rin, copyright: vocaloid lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
リオ
AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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