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AI art "Rage" featuring #와후쿠, #일본도, #검, #빛나는 눈, #골반 커튼, #검사 and #PixAINewYear2026
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Rage

#와후쿠#일본도#검#빛나는 눈#골반 커튼#검사#PixAINewYear2026
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댓글

1girl, solo, grey skin, wide hips, kimono, thighhighs, large breasts, night city, sword, street, battle stance, angry expression, white hair, green hair, multicolored hair, highlighted hair, short hair, double buns, two-tone kimono, holding sword, masterpiece, ultra detailed, dynamic pose
매개변수 표시
원본 프롬프트
a female anime character in kimono standing, 1girl, solo, grey skin, big hips, kimono, thigh-high stocking, big breast, night city, sword, streets, battle position, rage face, white hair, green hair, multicolored hair, highlighted hair, colored underhair, short hair, double buns, different kimono color, sword
크기
673 x 1200
샘플링 단계
25
샘플링 방식
Euler a
CFG 스케일
3.5
제외 조건
worst quality, 3D, realistic, watermark, signature, extra digits, username, artist name, (watermark:1.2), (patreon username:1.2), bad anatomy

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비슷한 작품

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AI artwork
Avatar image of 紅朱雀@主に自分の使う立ち絵制作と推しのファンアート制作
Highest quality, ultra-high definition, 4K, high resolution, precise depiction, high-quality anime illustration, Japanese dark fantasy. A solo female demon swordswoman with pale blue skin and glowing emerald green eyes with vertical slit pupils. She has a single, thin, sharp, blade-like dark blue horn growing exactly from the center of her forehead. She has silver-white hair tied in a short ponytail, with no hair accessories. She wears a black sleeveless high-neck inner, a red and black kimono haori with gold accents and traditional Japanese patterns worn loosely off the shoulders, a black obi with red cords, and black hakama trousers. On her feet, she wears white tabi socks and traditional wooden geta sandals. She holds a drawn Japanese katana in one hand, with a matching long black scabbard tucked into her obi. Full body shot: the entire body from the tip of the horn to the soles of the geta must be completely within the frame, centered with a natural slender feminine build and a dignified posture. The katana and scabbard must be fully visible. Background: A fantastical Japanese shrine or temple with vermilion pillars, corridors, distant mountains, a giant pale moon, and falling cherry blossoms during twilight. Cinematic lighting with soft backlight and strong contrast. Style: High-quality anime coloring with delicate gradients and three-dimensional shading. High detail on textures and patterns, but with clean, organized line work—especially for the hair and clothing—using larger shapes rather than excessive fine lines to maintain a sophisticated look.
紅朱雀@主に自分の使う立ち絵制作と推しのファンアート制作

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AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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