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Yy Oo

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>:o, blush, , Toratora, toratora style, toratora style coloring, toratora style lineart, Tora2, 1girl, 1boy, tenma tsukasa, tenma saki, blush, heart, sound effects, upper body, m888992l7, kiss,
매개변수 표시
크기
1152 x 896
샘플링 단계
12
샘플링 방식
Euler a
CFG 스케일
2.5
제외 조건
nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands

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비슷한 작품

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AI artwork
T4
artist: pochi_\(pochi-goya\), character: sakuragi_mano, A three-panel vertical manga strip set in an evening-lit room, depicting a uniformed boy on the right and uniformed girl on the left. Top panel shows the two facing each other in medium close-up, their eyes meeting. Middle panel focuses on the boy's hand gently cupping the girl's far cheek as they lean closer. Bottom panel captures their kiss in an intimate close-up. Sakuragi Mano, a shy gyaru-style schoolgirl with medium-length brown hair tied with a bow and brown eyes, wears a long-sleeved sailor uniform shirt with a large bust, navel exposed, and a tiered flared skirt with arm chains and accessories. Her expression is (((shy))) and her gaze remains locked with the boy. The boy wears a matching school uniform jacket. Soft cel-shading and dramatic rim lighting accentuate the figures against the warm room backdrop, with no text, dialogue, or sound effects present.
T4
AI artwork
mi
character: sakamaki_izayoi, shiina_mahiru_\(milgram\). A medium shot, side-angle view inside a dimly lit room where sakamaki_izayoi is performing a kabedon, cornering mahiru_shiina against a wall. Sakamaki_izayoi is depicted as a tall college-aged young man with short blonde hair, purple eyes, and a prominent ahoge; he wears a thick winter jacket and has headphones resting around his neck, his right hand firmly pressed against the wall. Mahiru_shiina is portrayed as a college-aged young woman with a mature figure and large breasts, dressed in a cozy winter sweater. Both characters have their eyes closed, sharing a deeply romantic and loving kiss with gentle smiles on their faces. The room is softly lit, casting warm shadows that emphasize the intimacy of the couple. The atmosphere is romantic and cozy, with a shallow depth of field that keeps the focus entirely on the couple's emotional connection.
Miku Iza
AI artwork
mi
sakamaki_izayoi, shiina_mahiru_\(otonari_no_tenshi-sama\), a young man and a young woman, both with blonde hair, are sharing a romantic kiss in an indoor setting. The man, Sakamaki Izayoi, is a tall, mature-looking young man with short, spiky blonde hair, purple eyes, and hair between his eyes. He is wearing a black hoodie, an orange shirt, and black pants, with headphones around his neck. The woman, Shiina Mahiru, is a large-breasted young woman with long, flowing blonde hair, brown eyes, and a red bow in her hair. She is wearing a white shirt, a red bowtie, a skirt, and pantyhose. The man is cornering the woman against a wall, performing a kabedon pose with his arm against the wall, while the woman is leaning back with her hand on the wall. Both have their eyes closed, smiling, and their faces are pressed together in a loving kiss. They are wearing casual winter clothes, and the background is a simple room with a wall and a window. The style of the image is detailed and polished, with a focus on the couple's expressions and the romantic atmosphere.
Miku Iza

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AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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