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PixAI iOS 앱 App Store 일시 다운로드 중단 안내 — PixAI 이용자 여러분께 현재 PixAI iOS 앱을 App Store에서 검색하거나 다운로드할 수 없는 상황입니다. 빠른 시일 내에 다시 다운로드하실 수 있도록 Apple 측과 적극적으로 협의하고 있으며 서비스…

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AI art "レイマリ" featuring #동방 프로젝트, #키리사메 마리사 and #하쿠레이 레이무
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レイマリ

Tsubaki作品。ババ抜きだろうか

#동방 프로젝트#키리사메 마리사#하쿠레이 레이무
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character: hakurei_reimu, character: kirisame_marisa. In a medium shot from a front view, hakurei_reimu and kirisame_marisa sit facing each other across a low wooden table on the tatami floor of a traditional Japanese room, engaged in playing a card game with a deck of standard playing cards. Hakurei_reimu, on the left, has long brown hair tied with a large red ribbon and hair tubes, brown eyes, and wears her shrine maiden outfit: white blouse with red ribbon-trimmed wide detached sleeves, yellow ascot, and red skirt. She holds several cards in her right hand, examining them intently, with her left hand resting on the table. Kirisame_marisa, on the right, has long blonde hair in a single braid with a large white bow, yellow eyes, and wears her witch outfit: white puffy short-sleeved shirt, black vest, white apron, and black witch hat with a white ribbon. She holds a fan of cards triumphantly in her right hand, gesturing excitedly with her left hand as she laughs. Scattered playing cards and a small pile lie on the wooden tray between them. The room features sliding shoji doors, hanging scrolls, and soft natural light filtering through paper screens. The atmosphere is warm and playful, rendered in a vibrant anime style with sharp lines, bright colors, and subtle depth of field.
매개변수 표시
원본 프롬프트
博麗霊夢と霧雨魔理沙がトランプで遊んでる
모드
ultra
스타일
모던 러스터
크기
864 x 1536
제외 조건
worst quality, photorealistic, bad anatomy, blur, low resolution
스타일: 모던 러스터

모델 및 LoRA 사용

비슷한 작품

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AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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