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AI art "霧雨魔理沙" featuring #동방 프로젝트 and #키리사메 마리사
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霧雨魔理沙

🍋×💛🧹👒 ※プロンプトは煮込らし化(多忙風)さんのイラストを元に作成しております。

#동방 프로젝트#키리사메 마리사
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character: kirisame_marisa, , , , yellow theme, lemon and kirisame_marisa, clothes are all yellow and white, light blue on the back of the hat and background, watercolor-like painting style, broom with ribbon and lemon slices, hat with lots of lemon slices, flowing hair, yellow apron-like clothes, lace-trimmed dress, lemon-patterned clothes, holding lemonade, yellow shoes, white socks, yellow changed to lemon color, paint shades, yellow and white gradient, short sleeves, large white ribbon on the back, fluttering ribbons longer than the dress length, holding broom in one hand, natural pose, full body, cute pose, looking at viewer, slightly red cheeks, smile, fine lines, watercolor painting, light light blue, white spot-like patterns on light blue, shaded light blue, light blue that is lighter at the top and darker at the bottom, watercolor painting, all drawn faintly in watercolor, background like spilled water, distorted shaped background, white and light blue gradient, , , Yuzustyle, yume kawaii, pastel colors, , rough sketch anime, soft rough lines, kawaii sketchy style, , Artist: yoneyama mai, create visual, creative colouring, high details
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원본 프롬프트
霧雨魔理沙、黄色系、レモンと霧雨魔理沙、服は全て黄色と白色、帽子の裏や背景に水色、水彩画のような塗り方、ほうきにリボンとレモンの輪切り、帽子にたくさんのレモンの輪切り、なびく髪、黄色のエプロンのような服、レースの着いたワンピース、レモン柄の服、レモネードを持っている、黄色の靴、白い靴下、黄色はレモン色に変更、絵の具の濃淡、黄色と白のグラデーション、半袖、後ろに大きな白いリボン、リボンのヒラヒラがワンピースの丈より長い、片手で放棄を持っている、自然なポーズ、全身、可愛いポーズ、こっちを見ている、ほっぺが少し赤い、笑顔、 細かい線、水彩画、淡い水色、白い斑点のような模様が水色にある、濃淡のある水色、上が薄くて下が濃い水色、水彩画、全て水彩画で淡く描かれている、水をこぼしたような背景、歪な形の背景、白と水色のグラデーション、 , , Yuzustyle, yume kawaii, pastel colors, , rough sketch anime, soft rough lines, kawaii sketchy style, , Artist: yoneyama mai, create visual, creative colouring, high details
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AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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