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PixAI iOS 앱 App Store 일시 다운로드 중단 안내 — PixAI 이용자 여러분께 현재 PixAI iOS 앱을 App Store에서 검색하거나 다운로드할 수 없는 상황입니다. 빠른 시일 내에 다시 다운로드하실 수 있도록 Apple 측과 적극적으로 협의하고 있으며 서비스…

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AI art "Sora Asanagi Feet tickling"
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Sora Asanagi Feet tickling

z
avatar-frame

Zac

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댓글

sora asanagi (original), anime coloring, anime screencap, milf, shoulder length dark blue hair, bangs between eyes, hair highlights, red eyes, blue long sleeve loose blouse, white long pants, bare feet, foot focus, soles, 5toes, toes squeeze, full-face blush, motion lines, open mouth, hugging own thighs, toes wiggling, stocks tickling, toes tied, feet tickling, soles, 4toes, toes scrunched, crazy laughter, wet feet, tears, shaking head, living room, sitting on sofa, cream sofa
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원본 프롬프트
Sora Asanagi (Anime), anime coloring, anime screencap, milf, shoulder length dark blue hair, bangs in between eyes, hair highlights, red eyes, blue long sleeve loose blouse, white long pants, , bare feet, foot focus, soles, 5toes, toes squeeze,full-face blush, motion lines, open mouth, hugging own thighs, toes wiggling, bare feet,Stocks tickling, toes tied, feet tickling, foot focus, soles, 4toes, toes scrunched,full-face blush, , motion lines, crazy laughter, open mouth, mouth, wet feet, tears, shaking head, ,Stocks tickling, toes tied, feet tickling, living room, sitting on sofa, cream sofa, tears,
크기
1280 x 768
샘플링 단계
24
샘플링 방식
Euler a
CFG 스케일
5.5
제외 조건
extra toes, worst quality, low quality, too many fingers, fused fingers, missing arms, missing fingers, bad anatomy, bad hands, text, signature, artist name, watermark, nsfw, username, error, missing fingers, extra digit, fewer digits, disfigured, jpeg artifacts, cropped, blurry, mutation, deformed, dehydrated, bad proportions, disfigured, gross proportions, nsfw, malformed limbs, long neck, duplicate, ugly

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Hoshino v2 - AI Model 커버 이미지

PixAI XL

Hoshino v2
4.21k
Stocks Tickling - AI Model 커버 이미지

사용자 LoRA

Stocks Tickling
52
Sora Asanagi - AI Model 커버 이미지

사용자 LoRA

Sora Asanagi
5

비슷한 작품

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AI artwork
吉
1girl, solo, high school girl, school uniform, white short-sleeved button-down shirt, pleated navy blue skirt, long black hair, black hair, barefoot, bare feet, soles, foot focus, soles of feet, crossed legs, sitting, sitting on sofa, sofa, chin rest, hand on cheek, resting chin on hand, head rest, foreshortening, perspective, from below, extreme foreshortening, foot up, toe point, slender toes, high arch, large feet, beautiful feet, tall female, slim figure, long legs, looking at viewer, half-closed eyes, light smile, relaxed, indoor, living room, window light, day The camera sits low and close to the floor, tipped steeply upward, so the shot opens on the undersides of two bare feet pushed toward the lens and everything else recedes up and away behind them. The nearest sole fills the lower half of the frame, huge and sharply rendered: its long vertical span runs from the round pad of the heel at the bottom edge up past a deep, clearly scooped arch that hollows the inside edge, to the ball of the foot where five slender toes curl slightly and separate. The second foot crosses behind and above the first at the ankle, its own sole turned three-quarters toward the viewer, toes overlapping the first foot's toes, heel resting against the first foot's instep — the crossed-leg knot is read entirely from underneath. Skin of the soles is pale ivory with a faint warm blush at the heel and the ball, fine creases drawn across the arch and under the toes, and the toes tipped with a soft pink flush at the tips, no nail polish. The feet are pressed forward at the lens, so the toes nearest the camera are large and softly focused at their leading edges while the arch and heel behind them stay crisp. Above and behind the feet, shrinking with the foreshortening, she sits deep in a low-backed fabric sofa, spine settled into the right-hand cushion, one hip lower than the other, the crossed upper leg's knee lifted. Long black hair falls in a straight heavy sheet over one shoulder and pools along the sofa back, a few strands slipping forward across her collar. She wears a white short-sleeved button-down shirt, sleeves ending mid-upper-arm, collar open, and a pleated navy skirt whose hem rides up over the crossed thigh, folds fanning in the seat. Her right elbow is planted on the sofa's armrest, forearm rising, and her cheek rests heavily into the heel of that hand so the flesh of her cheek presses and lifts slightly; fingers curl loose against her jaw, one fingertip near her lip. Her left hand lies slack across the upper knee. Her eyes are half-lidded under a light, lazy smile, looking straight down the length of her own legs into the lens — a calm, unbothered, faintly teasing regard. The room is a quiet domestic interior: a plain plaster wall behind the sofa, a window off-frame to the left throwing cool daylight across the scene from the left side. That single light grazes the near sole's outer edge and the tops of the toes, leaves the arch and the space between the crossed feet in soft shadow, and lays a long soft shadow of the feet and the sofa leg across the floorboards in the foreground right, stretching away from the window. Palette is restrained: ivory skin, white shirt, navy skirt, black hair, warm grey sofa, pale wood floor, cool daylight — nothing else admitted. The single-variable physics: the near sole's leading toes blur very slightly with proximity while the arch behind them stays tack-sharp, selling the extreme close foreshortening. Intimate, quietly playful.
吉田晴樹

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AI artwork
Avatar image of Kani x
character: tenma_tsukasa "", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
Kani x
#프로젝트 세카이 컬러풀 스테이지!#텐마 츠카사
AI artwork
Avatar image of リオ
character: kagamine_rin, copyright: vocaloid lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
リオ
13#카가미네 린#보컬로이드#로파이(Lofi) 드림
AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
5#진격의 거인#미카사 아커만
홈모델생성프로필