火星の無人兵器
この作品は火星の荒野における無人兵器戦争を描いています。メカモノは難しいですね。次回作も頑張ります。コメントも大歓迎です!
매개변수 표시
- 원본 프롬프트
- 火星の赤茶色の荒野に大小の角の立った岩が落ちている。 かなり遠くの背景にオリュンポス山が見える。 人型ではないロボット兵器。 伏せた半球の形の本体の下に鳥の様な関節構造の脚部。 手は無い。首も頭部にあたる構造はない 張り出した胴体の左側面下に縦3×横2のミサイルポッドが正面を向いて吊り下げられている 張り出した胴体の右側面下に大型の大砲が正面を向いて吊り下げられている。 胴体左前面に正面を向いて複数のカメラを組み合わせたユニットが埋め込めれているある。 胴体右全面に正面を向いてサーチライトが埋め込まれている。 胴体上部左右に小型のロケットエンジンが付いている 棒状の無線アンテナを背負っている。 本体色は茶色をベースカラーで、深緑、黒の斑点で構成された迷彩。 胴体中央上部に白い三角と青い土星を組み合わせた小さなマーキング。 背景に胴体を半ば吹き飛ばされた同じ型状のメカが崩れ落ちている。
- 모드
- lite
- 크기
- 768 x 1280
모델 및 LoRA 사용
비슷한 작품
자세히 보기A medium shot, low-angle view features a futuristic spider-like combat robot positioned centrally in a desolate sci-fi environment. The machine is encased in a polished white armored shell with a sleek, curved chassis, supported by multiple sharp mechanical legs crafted from matte black metal joints that grip the ground firmly. A single, glowing cyan central eye serves as its primary sensor, emitting a sharp light. Mounted on its dorsal plating is a heavy plasma cannon, its barrel humming with dormant energy. The robot's body is intricately detailed with visible hydraulic pistons, reinforced bolts, and technical panel lines, reflecting an aggressive military design. The background consists of a metallic, industrial wasteland with floating debris and distant smoking ruins. The lighting is stark and cinematic, casting deep shadows that emphasize the contrast between the white armor and the dark environment, all rendered in a high-quality anime illustration style with a clean, sharp focus.
thwsjrnotfml
多砲塔メカって男の子よね…
おいなり
m
レトロフューチャーな宇宙船 ロボット状態
marunagepon
モ
何が為の兵器
モヤシ
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yoimiya!
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
Mine / 私のもの
みーちゃん
✦ ₊ ⊹ 🌑
(mai)
❌⃝✦—𝐇𝐄𝐘! 𝐘𝐨𝐮 𝐰𝐚𝐧𝐧𝐚 𝐜𝐨𝐦𝐞 𝐢𝐧?⬩➤“
𝐋𝐢𝐗𝐗𝐗┆秋峠鬼火~👻
the queen
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
the lancer
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
🎵Surtur
helanx
マシュ
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음안
character: eren_yeager, mikasa_ackerman
character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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wisely
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(っ.❛ ᴗ ❛.)っ🫧🐟
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(*˘︶˘*).。*♡ 🍁 ☕
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