서버 점검 완료 안내 — 서버 점검이 완료되어 SDXL 및 Tsubaki.1 작업의 이미지 생성 속도가 정상화되었습니다. 점검 기간 동안 누적된 작업은 시스템에서 순차적으로 처리될 예정입니다. 이에 따라 일부 작업은 완료까지 다소 시간이 소…
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Kissing the beautiful Shantae at a bar
매개변수 표시
- 원본 프롬프트
- Shantae (tan skin, vibrant purple hair, closed eyes) in a sleek black low cut dress with a leg slit down the skirt sitting on a bar stool at a dimly lit bar with several empty cocktail glasses on the bar next to her indicating that she is quite drunk. She is grabbing a tall and muscular man with brown hair, a fluffy red beard, closed eyes and glasses wearing blue jeans and a red and gray flannel shirt by the shirt and aggressively grabbing him by the shirt and pulling him in for a closed eye and quite drunk kiss, he is sitting in a stool next to her at the bar, one of his hands is resting on the bar, the other hand is grabbing her thigh. One of her hands is gripping his shirt to pull him in, the other hand is touching the forearm of his hand that is on her thigh. Both of their mouths are closed and the kiss is romantic.
- 모드
- lite
- 스타일
- 레트로 퓨전
- 크기
- 1184 x 1536
스타일: 레트로 퓨전
모델 및 LoRA 사용
비슷한 작품
자세히 보기
微醺的芙莉蓮與欣梅爾・葬送的芙莉蓮
艾爾西休斯
葬送的芙莉蓮・微醺的瞬間
艾爾西休斯
character: phainon_(honkai:_star_rail), copyright: honkai:_star_rail
2girls, 1boy, 2girls, 1boy, from side, close-up, profile, leaning forward, arms around neck, about to kiss, cheek kiss, lipstick mark, smiling softly, soft smile, large breasts, curvy, wide hips, one-shoulder, tank top, dress, makeup, lipstick, long hair, light brown hair, ponytail, red eyes, slit pupils, vertical slit pupils, white hair, short hair, antenna hair, hair between eyes, parted bangs, blue eyes, black shirt, gloves, hearts, heart, floating hearts, blush, drunken blush, proud, smug, male focus, female focus, indoor, warm light, blurry background, depth of field
A tight three-quarter profile shot at cheek height, the two figures filling the frame, with the woman on the left and the white-haired man on the right. She leans in from his left side, both arms wrapped over his shoulders so her forearms cross behind his neck and her hands rest on his far shoulder, the one-shoulder tank dress pulled taut across her large chest and wide hips as she presses her weight into him, her light brown ponytail swinging forward over her own shoulder. Her red eyes with vertical slit pupils are fixed on his cheek, pupils narrowed in concentration, and her lips are parted and glossy with fresh lipstick, a quarter-inch from his skin, already leaving a faint waxy print on his jaw. He tilts his chin up and away to the right, chest puffed out, shoulders squared, a proud lopsided smirk on his face, blue eyes half-lidded and gazing off to the upper right, cheeks and ears flooded with a deep drunken flush. Above his head, stylized red and pink hearts float upward and outward in an arc, some overlapping the top edge of the frame. Behind them, a dim warm room melts into a soft bokeh of amber lamp glow, and the only hard light comes from the left, catching the wet shine of her lips, the rim of her ponytail and the curve of his cheek, while the right side of his face falls into shadow. The lipstick print smears slightly where her lips nearly touch, a half-moon of pigment on his skin. Quiet, giddy, and warm.
Kylee Violette (Kiy Chan)
tb
character: tsukishiro_yanagi
2girls, no, 1girl, 1boy, 2 people total, mature adult woman, mature adult man, pink hair, long hair, hair between eyes, sidelocks, hair intakes, ring hair ornament, violet eyes, rimless eyeglasses, gigantic breasts, curvy body, wide hips, wide thighs, button blouse, corset, skirt, thigh highs, sitting, at table, white hair, medium hair, blue eyes, toned body, sweater, jeans, restaurant, date, looking at each other, leaning forward, elbow on table, chin rest, hand on chin, head tilt, light smile, blush, cowboy shot, from above, dutch angle, depth of field, warm interior lighting, candlelight, window seat
The camera looks down from a shallow high angle, tilted a few degrees off level, in a cowboy shot that holds both figures from the waist up where they sit across a narrow two-person restaurant table. The table's near edge cuts the bottom of the frame; the two face each other along a diagonal, so both are three-quarter to the lens rather than square to it.
On the left of frame the woman sits with her weight rocked forward onto her right forearm planted on the tabletop, her left hand curled loosely around the stem of a wine glass, fingers spread against the glass and nails catching the candle. Her chin rests on the back of her right hand, cheek pressed slightly into the knuckle of her index finger, elbow denting the white tablecloth into a small crease. Her long pink hair falls in straight heavy panels past her shoulders, two long sidelocks dropping in front of her ears, hair between her eyes parting down the centre of her brow, and the ring-shaped hair ornament is caught at the left side of her head where the light rims it. Behind the rimless eyeglasses — thin wire arms vanishing into her hair, no frame across the brow, lenses catching two small pale rectangles of candle reflection — her violet eyes are lifted and fixed on the man's face, lids low, the corner of her mouth pulled into a faint closed-lip smile. The button blouse is open at the collar with the top button undone, cloth taut across her chest and tucked down into a cinched corset that bites the waist and flares over wide hips; the skirt spreads across her seat. Her thighs are pressed together under the table edge, thigh highs ending high on them.
On the right the man leans in on his left elbow, right hand flat on the table with his fingers an inch from hers, not quite touching. His medium-length white hair falls forward over one brow as he tips his head down toward her, blue eyes on her eyes, one eyebrow lifted, a lopsided grin showing a sliver of teeth. His sweater's knit ribbing is visible at the cuff and collar, the sleeves pushed to the forearm, and the shoulder line reads as a toned frame under the wool; jeans below the table. His shoulders are angled so one crowds nearer the table edge than the other.
Light comes only from the small candle on the table between them and the warm pendants strung behind — the candle is the key, a low warm source below their chins that lights the underside of her jaw, the rim of his collar and the tops of the glasses, and throws both their shadows long and soft up the wall behind. Beyond the table the restaurant falls into warm amber gloom: a window at their backs, its glass a dark blue mirror with the street's blurred lights doubled and dimmer than their sources, empty chair backs, one distant table with an illegible chalked menu board. Red, cream and warm amber hold the palette: red in the wine, the candle glow, a hint of it on her nail beds; cream in the cloth and blouse; amber in the room.
The candle's small flame bends toward the man because she has just leaned in — its light travels with the lean, so the bright edge of her cheek and the shadow under her chin shift a half-step his way. Quiet, warm, unhurried.
Trevor Belmont
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