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작성자에 의해 숨겨짐
모델 및 LoRA 사용
비슷한 작품
자세히 보기白髪の微笑み・アニメスタイル
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k
1boy, solo, young boy, short hair, white hair, parted bangs, looking at viewer, faint smirk, white jacket, black long pants, black insect legs, 4 insect legs, extra limbs, sharp appendages, chitinous legs, growing from back, holding weapon, holding revolver, holding knife, reverse grip, sitting, sitting on rubble, perched, one knee up, broken concrete, rebar, debris, ruins, from below, low angle, wide shot, soft painterly, visible brush textures, layered color blocks, loose linework, sketch-like linework, cool teal-blue atmosphere, warm golden highlights
From a low angle looking upward, a young boy sits perched atop a shattered slab of concrete amidst sprawling piles of urban rubble. His weight rests on the rough stone, with his right foot braced against a cracked ledge, drawing his right knee up, while his left leg dangles loosely down the fractured rock face. His youthful, delicate face holds an unsettlingly calm expression, his gaze locked downward toward the viewer with a subtle, lopsided smirk playing on his lips. Short, choppy white hair ruffles slightly in the air around his temples and bare neck. He wears a tailored white jacket over his shoulders and long black pants that taper cleanly down his legs. Sprouting directly from his back are four elongated, glossy black insectoid legs made of segmented chitin, tapering to lethal needle-sharp tips; the upper two limbs arch high and wide above his shoulders like menacing scythes, while the lower two brace firmly against the rubble behind him, their sharp points digging into tiny fractures in the masonry. In his left hand, he holds a heavy steel revolver resting flat across his raised thigh, his index finger resting safely outside the trigger guard. In his right hand, he grips a combat knife in a firm reverse grip, the angled steel blade extending downward past his wrist, catching a sharp edge of light along its bevel. Where the lowest chitin leg presses into the cracked concrete, tiny crumbs of pulverized stone and fine dust cascade down the angled face of the slab. The surrounding environment consists of jagged wreckage, exposed iron rebar, and fallen masonry fading into misty ruins. The scene is rendered in a soft, painterly anime style with visible brush textures and layered color blocks, bounded by loose, sketch-like linework. A cool teal-blue atmosphere floods the deep shadows of the ruins, contrasted sharply by warm golden rim highlights striking the outer contours of his white hair, the shoulders of his white jacket, and the steel frame of the weapons. Eerie tranquility.
Kenkあ
グデ
A front view medium shot of an androgynous 12-year-old boy, an abyssal naval monster inspired by Port Princess. He has pale, cracked skin, striking red eyes, and short white hair, with a single large, striped curved horn protruding from the center of his forehead. He wears a white sleeveless sweater that emphasizes his slender, non-muscular torso and narrow waist. Detached, oversized sleeves of heavy fabric hang loosely from his shoulders, ending above the wrists to reveal massive, monstrously thick forearms. From these large hands, three long, black razor-sharp claws protrude, with his fingers gripping the air. The scene is an anime illustration featuring a stark, abyssal atmosphere, with a focus on the contrast between his youthful face and the grotesque, powerful scale of his inhuman limbs.
グデ
Neo🧸🫧
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yoimiya!
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
Mine / 私のもの
みーちゃん
✦ ₊ ⊹ 🌑
(mai)
❌⃝✦—𝐇𝐄𝐘! 𝐘𝐨𝐮 𝐰𝐚𝐧𝐧𝐚 𝐜𝐨𝐦𝐞 𝐢𝐧?⬩➤“
𝐋𝐢𝐗𝐗𝐗┆秋峠鬼火~👻
the queen
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
the lancer
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
🎵Surtur
helanx
マシュ
Atlas
Sakura Chiyono O: A Springtime Portrait
AfterThoughts
Love live! School idol maid - Hanayo koizumi
AMnatsu
음안
character: eren_yeager, mikasa_ackerman
character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
🍧💙
Janet reno
໒꒱· ゚◼️
生魚2(Raw Fish 2)
Gojo & Geto's Playful Selfie! ✨
Momo
The Empress of the Violet Abyss 👑💜
wisely
👻 💬 📂
(mai)
⋆⁺₊⋆🪞🕯️⋆⁺₊⋆
(mai)
(-_-)🚬⚡︎
(mai)
(っ.❛ ᴗ ❛.)っ🫧🐟
(mai)
🌩️🐾(⸝⸝ᵕᴗᵕ⸝⸝)⛳️
(mai)
❓
(mai)
耍车
星空sky
✧ 🍁 🧣 🍂 ✧
(mai)
(*˘︶˘*).。*♡ 🍁 ☕
(mai)
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