PixAI iOS 앱 App Store 일시 다운로드 중단 안내 — PixAI 이용자 여러분께 현재 PixAI iOS 앱을 App Store에서 검색하거나 다운로드할 수 없는 상황입니다. 빠른 시일 내에 다시 다운로드하실 수 있도록 Apple 측과 적극적으로 협의하고 있으며 서비스…
자세히 보기
tin king sit
매개변수 표시
- 원본 프롬프트
- 1girl, shu mohe, masterpiece, ultra detailed, looking at viewer, long hair, traditional chinese clothing, serene expression, elegant, standing, soft lighting, intricate details, beautiful face, calm atmosphere, gentle hand_between_legs, high heels, crossed legs, wind_lift,moonlight,looking_at_viewer,close-up shoos, floating hair,windy,zoom layer,full body,入江紗綾 Irie Saaya, huge breasts, 11 years old,
- 모드
- standard
- 크기
- 1536 x 1536
모델 및 LoRA 사용
비슷한 작품
자세히 보기
c2
character: sparkle_(honkai:_star_rail), copyright: honkai:_star_rail
cowboy shot, upper body, 1girl, solo, sitting on floor, posing for photoshoot, holding round paper fan, tuanshan, open oil-paper umbrella on floor behind her back, east asian chinese girl, petite, small body, small face, red lips, very smooth glossy pale skin, glossy skin, breasts, fine hair, twintails, long hair, blunt bangs, hair intakes, hairclip, hair ornament, multicolored hair, gradient hair, brown hair, black hair, pink eyes, chinese clothes, shuangyaji, hanfu beizi, qixiong ruqun, long dress, see-through wide long sleeves, two-tone dress, gradient dress, robe, neck bell, tassel, black single glove, single glove, fine fabric emphasis, grey seamless background, studio lighting, balanced daylight, gentle shadows, depth of field, shallow depth of field, 85mm lens, sharp focus, photorealistic, realistic, hyperrealism, realistic hair, looking at viewer, head tilt, one knee up, crossed legs, leaning forward,
A studio portrait shot at eye level but tipped slightly down from above, framed as a cowboy shot from mid-thigh up, the girl seated alone on the matte grey sweep so the seamless ground curves up behind her without a visible seam. She sits with her weight sunk into her right hip, left knee drawn up and the left forearm rested across it, right leg folded under; her torso leans a little forward toward the lens with the shoulders relaxed and one shoulder dropped lower than the other, so the sit reads as a caught moment of a photoshoot rather than a symmetrical rest.
Her small face tilts slightly to her left, chin angled down, pink eyes looking straight at the viewer with a faint closed-lip upturn so the red-painted lips stay the focal colour; the pale glossy skin catches a soft sheen along the cheekbone and the bridge of the nose. Hair is gathered into tall twintails of the shuangyaji style, the loops coiled high on either side of the head with blunt fringe cut straight across the brow and the hair intakes tapering in wedges toward the temples; the long strands run from brown at the crown through black to warm brown at the tips, gradient and multicolored down their length, with a hairclip and a small hair ornament pinned at the base of the left tail. Loose fine hairs lift away from the twintails in still air.
She wears a two-tone hanfu ensemble: a fitted qixiong ruqun bodice rising high on the chest, the long dress falling in a colour gradient from a deeper tone at the shoulders to a paler tone toward the hem, worn beneath a beizi robe whose wide sleeves are see-through and hang long past the wrists; the fine fabric emphasis shows thin weave, a faint grid texture and a glossy sheen following the folds of the sheer cloth, with the skirt and sleeve edges clustered around her on the floor. A neck bell hangs at the hollow of her throat with a tassel swinging just below it. Only one hand is gloved — the black single glove covers her right hand.
Her gloved right hand grips the short handle of the round tuanshan, the fully round silk fan held upright beside her cheek and slightly forward of her shoulder at about chin height. The fan's pale silk is sheer enough that the grey of the background shows faintly through it, with a delicate floral motif painted on its face, the circular rim lying nearly flat to the camera so the disc reads as a clean circle. Her bare left hand curls loosely over the raised left knee, fingers draping down the front of the shin and the fabric stretching softly at the knuckles.
Behind her back, an oil-paper umbrella lies open on the floor, propped at a shallow angle against the curve of the sweep, its ribs splaying the translucent paper canopy wide; the paper is warm amber and pale bamboo-coloured, and the daylight glows through it, brightening the thin paper where it is stretched taut between the ribs and dimming where the ribs and shadow-lines cross — the umbrella is a soft luminous screen behind her right shoulder and catches a faint halo of light along its rim. It is fully behind her, not overlapping her face.
The lighting is balanced daylight from a large soft source high and to the front-left, gentle and wrapping, dropping only soft shadows: a light shadow beneath the chin, a mild core shadow along the right side of her face and neck, and a small soft contact shadow where her hip, knee and skirt meet the floor and under the umbrella's rim. The grey background sits slightly darker toward the corners while her figure remains in the clean pool of light. At 85mm and f/1.8, her face, the fan and the bodice front are tack-sharp with visible skin texture and individual hairs, while the open umbrella behind her and the rear edge of the sweep fall into gentle, creamy defocus; the fan's near rim stays crisp and its far edge just begins to soften. Palette limited to warm skin, red lips, pink eyes, brown-to-black gradient hair and the amber oil-paper against a neutral grey field. Composed, quiet confidence.
cylic2020
c2
character: sparkle_(honkai:_star_rail), copyright: honkai:_star_rail
1girl, solo, cowboy shot, upper body, sitting on floor, posing for photoshoot, holding round paper fan, tuanshan, open oil-paper umbrella on floor behind her back, grey seamless background, balanced daylight studio lighting, gentle shadows, depth of field, 85mm lens, f/1.8, photorealistic, hyperrealism, ultra-high-detail, sharp focus, petite, small body, small face, red lips, very smooth glossy pale skin, breasts, fine hair, long hair, twintails, shuangyaji, blunt bangs, hair intakes, hairclip, hair ornament, multicolored gradient hair, brown hair to black hair, pink eyes, chinese clothes, hanfu beizi, qixiong ruqun, long dress, two-tone gradient dress, robe, sheer see-through wide long sleeves, red criss-cross strings, neck bell, tassel, black single glove, looking at viewer, slight head tilt, one knee up, soft smile,
A vertical cowboy shot from a level camera at chest height, framed from just above the head to mid-thigh, shot on an 85mm lens wide open at f/1.8 so the seamless grey sweep behind her falls into a smooth, even blur while her face, her hands and the fan stay tack-sharp. She sits on the studio floor with her weight settled onto her left hip, right leg folded with the knee lifted and the skirt pooling in a soft ring around her, left arm braced lightly against the floor beside her hip, torso angled a quarter turn from square-on so her shoulder nearest the lens comes forward. Her right hand grips the bamboo handle of the round silk tuanshan, holding the disc upright beside her cheek at chin height, its silk surface tilted just enough to catch the key light, and her chin dips a touch toward that shoulder while her pink eyes look straight down the lens with a faint closed-lip smile parting over the red lips. Long hair splits into two twintails, brown at the crown shading into black through the lengths, blunt bangs cut straight across the brow with the hair intakes falling cleanly along both cheeks; small looped buns sit high at either side of the head, pinned with a hairclip and a dangling ornament whose tassel hangs past her jaw. The hanfu beizi robe sits over the qixiong ruqun, its high waist bound under the chest with red criss-cross strings pulled taut, the long dress thinning from a pale upper tone into a deep dark hem, and the wide sleeves are sheer enough to show the arm inside them as a paler shape behind the gauze. The black single glove covers her right hand where it closes on the fan handle; her left hand, bare, rests fingertip-down on the floor. A small bell hangs at her throat on a cord, its tassel resting against the collarbone. Behind her back, laid flat on the floor and opened, the oil-paper umbrella spreads its painted canopy across the lower background, its rim rising just past her far shoulder so the ribs curve away in the blur. The daylight is a large soft source from the upper left front: it lays an even sheen along the glossy pale skin of her cheek and shoulder, leaves only gentle, low-contrast shadow under the jaw and beneath the lifted knee, and throws a soft short shadow of the umbrella rim and of her seated body onto the grey floor to her right; nowhere in the frame is there a second light or a hard edge. Grey, warm skin tones and the two-tone dress carry the palette, with the red lips and red criss-cross strings as the only saturated accents. A single detail to fix the physics: the sheer sleeve over her braced left forearm darkens where the fabric doubles against itself at the elbow, while the gauze away from the fold stays nearly transparent. Calm, polished, quietly poised.
cylic2025
c2
character: vivian_banshee
1girl, solo, cowboy shot, sitting on floor, posing for photoshoot, seated photoshoot pose, grey seamless background, studio backdrop, balanced daylight studio lighting, gentle shadows, depth of field, 85mm lens, f/1.8, shallow focus, photorealistic, hyperrealism, realistic skin texture, realistic hair, east asian chinese woman, petite, small body, small face, adult, breasts, smooth glossy pale skin, red lips, light smile, pointy ears, purple hair, very long hair, long hair, drill hair, multicolored hair, white streaked hair, ahoge, sidelocks, hairband, red eyes, mole under eye, black nail polish, chinese clothes, hanfu beizi, qixiong ruqun, two-tone gradient dress, robe, see-through wide long sleeves, tassel, from above, head tilt, crossed legs, leaning back on one arm, looking at viewer.
Shot from slightly above, the camera angled down at the woman seated on the grey seamless studio sweep: she sits on the floor with her legs folded to one side under the skirt, her right hip carrying her weight and her right palm pressed flat on the paper just behind her for support, left arm relaxed across her lap so her fingernails catch the key light. Torso leans back a few degrees and turns three-quarters toward the lens, chin tipped up and tilted slightly to her left, so the mole under the outer corner of her right eye sits high in the frame catching light. A light closed-lip smile lifts one side of her mouth further than the other, red lips against pale skin, eyes lowered just enough that the red irises still meet the viewer under the lashes. The camera is at 85mm, f/1.8: her face is razor sharp from cheekbone to the pointy tip of one ear, the far shoulder and the fall of the skirt go soft, and the grey sweep dissolves into an even, grainless blur behind her.
Her purple hair is very long — it pools in loose strands on the seamless floor beside her hip — with white streaks running through the mass, tight drill curls spinning down past her shoulders, a soft ahoge arcing off the crown, sidelocks framing her small face, and a hairband set into the top of the style near the curls. The hanfu is two-tone, a deep tone at the collar and waist grading into a lighter tone at the hem: a beizi robe worn open over the qixiong ruqun, chest-high skirt banded at the waist, and wide see-through sleeves so long they swallow her forearms and bunch where her hand rests against the floor, the fabric's transparency letting the grey backdrop read faintly through the loose drape. Tassels hang and settle in still air — they are not mid-swing, they hang plumb — and the robe gives way at the hip under her weight.
Light is a balanced daylight studio setup: a large soft key above and to her right drops a gentle shadow under her chin, beneath the sleeve hems, and a soft cast shadow of her seated body smeared out on the paper to her left; fill from the left lifts the far cheek without flattening it, so the gradient runs from luminous to soft grey across her face. Nothing else is in the frame — only her, the seamless grey, and the shadow. Composed and serene.
cylic2025
c
character: kisaki_(blue_archive), copyright: blue_archive
photorealistic, 1girl, solo, east asian chinese girl, cowboy shot, sitting, crossed legs, holding tuanshan, round silk hand fan held at chest, parted lips, light smile, black hair, long hair, fine hair, double braided hair bun, twintails, shuangyaji, hair ornament, butterfly hair ornament, grey eyes, round eyes, eyeliner, red lips, ((small face, pretty thin face)), very smooth glossy pale skin, very large breasts, chinese clothes, hanfu beizi, qixiong ruqun, black and blue two-tone gradient dress, floral stem print, black see-through wide long sleeves, fine fabric emphasis, yupei jade pendant tassel on clothes, necklace, jewelry, pendant, grey seamless background, balanced daylight studio, gentle shadows, 85mm lens, f/1.8, depth of field, DSLR, sharp and clear photo, realistic physical, realistic hair, plain unadorned space above her hair, no halo, looking at viewer, head tilt,
A photorealistic studio photograph at cowboy shot framing — cropped from mid-thigh to just above the crown of her head — taken from a straight-on, very slightly raised camera so the lens sits at her collarbone height and looks gently down across her lap. She sits on an unseen low stool whose top is entirely hidden behind her thighs, knees folded one over the other with her left leg crossed high across the right, the right calf hanging free and her toes out of frame; her weight settles onto her right hip, which pushes that shoulder a touch lower than the left. Her torso is turned about twenty degrees to her left while her head comes back toward the lens, chin tipped a fraction down, giving a slight over-the-shoulder read without ever turning her back. Both hands come together low in front of her chest: her right hand grips the short lacquered handle of a completely round silk tuanshan, the pale silk disc tilted so its upper edge rests just under her parted lower lip, hiding nothing of her mouth; her left fingertips lie flat along the disc's rim, thumb cradling the lacquer. The fan's silk is sheer enough that the faint dark blur of her collar shows through it.
Above her, the grey seamless studio sweep is completely empty: a plain unadorned span of flat grey from her hairline to the top edge of the frame, with no ring, disc, glow, or object of any kind hovering over her head. The same seamless grey continues behind her shoulders and down past the cowboy-shot crop, unbroken and without a horizon line.
Her hair is fine-stranded and glossy black, center-parted and drawn into two long twin tails that fall forward over both shoulders to her waist, each bound at the root and again mid-length with braided cord, and above each temple a braided bun coils tight against the scalp; a butterfly-shaped hair ornament of blue enamel and silver wire sits at the right bun, its wings angled back. Her face is small and narrow with a fine tapering jaw, framed closely by the parted fall of her hair; her eyes are round and open, grey irises catching two small square studio highlights, upper lash line drawn in a soft dark eyeliner flick, the lower lids slightly crinkled by a light closed-then-parting smile that lifts the outer corners of her red-lacquered lips and shows a sliver of teeth. She looks directly into the lens.
She wears a qixiong ruqun: a black-to-deep-blue ruqun skirt whose waistband is bound high, just under the bust, and whose fabric grades downward from matte black at the waist into a deep blue at the hem, scattered with a fine printed stem-and-leaf floral pattern in pale grey-blue. Over it a black beizi jacket with wide, hanging sleeves of sheer black gauze — the weave's grid visible where the cloth falls open at her forearms, the solid black cuff and the pale inner silk showing through the transparency, the wide sleeve mouths pooling softly against her crossed thigh. At her throat a fine chain carries a small jade pendant, and from the high waistband a yupei jade disc hangs on a blue knotted cord with a long silk tassel that drapes across the black skirt and lies over her crossed knee, its strands slightly splayed where they rest.
The lighting is balanced daylight from a large soft source high and to the front-left, wrapping her face evenly and leaving only a gentle shadow gradient down the right side of her throat, under the fan's rim, and beneath the crossing thigh; a soft short shadow of her own body falls on the grey sweep behind her right hip. The 85mm at f/1.8 holds her lashes, lips, the jade disc and the gauze weave tack-sharp while the grey sweep melts into a smooth even field a metre behind her. Her skin keeps a smooth glossy sheen with a narrow specular line along the cheekbone and the bridge of her nose. Composed, quietly poised.
Celly
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🖤🍴🩸
(mai)
detective anya and bond (˶>⩊<˶)
^( aricat )^
⋆⁺₊⋆🪞🕯️⋆⁺₊⋆
(mai)
Love live! School idol maid - Hanayo koizumi
AMnatsu
character: tenma_tsukasa
"", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
Kani x
yoimiya!
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
character: kagamine_rin, copyright: vocaloid
lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
リオ
໒꒱· ﾟ◼️
生魚2(Raw Fish 2)
✦ ₊ ⊹ 🌑
(mai)
🎵Surtur
helanx
✦ ₊ 🪞 🗝️ 🫧 ₊ ✦
(mai)
음안
character: eren_yeager, mikasa_ackerman
character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
Mine / 私のもの
みーちゃん
⋆𐙚 🎃 🫖 🍁 ✧
(mai)
![AI art "Ceres [41]"](https://images-ng.pixai.art/ji/thumb/0654320c-4126-41e2-b133-d4998b21982f)
Ceres [41]
snow
2
🩵🪽.⋆𝜗𝜚
生魚2(Raw Fish 2)
32
🌩️🐾(⸝⸝ᵕᴗᵕ⸝⸝)⛳️
(mai)
the queen
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
xd
Midnight Aesthetic: Monochrome Vibe
xDezi
The Empress of the Violet Abyss 👑💜
wisely
👻 💬 📂
(mai)
The Enchantress of the Violet Blossomsーシャンプー
moon221B
👁️🗨️🦇🗝️🕯️
(mai)
Halloween
生魚2(Raw Fish 2)
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