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JK
JK님의 AI 작품. PixAI에서 감상하세요. 사용 모델: Otome v2.
매개변수 표시
- 원본 프롬프트
- Dark fantasy plague doctor standing in a dense misty pine forest at dawn, full body centered composition, dramatic low-angle shot, wearing a long tattered black hooded cloak and layered medieval leather armor, metallic plague mask with subtle glowing blue eyes, holding a ritual wooden staff wrapped in worn cloth with hanging talismans and metal charms, heavy volumetric fog drifting between tall trees, cold blue-gray color grading, cinematic lighting, strong rim light outlining silhouette, soft diffused backlight through fog, deep shadows, high contrast, atmospheric depth, film still, anamorphic lens, shallow depth of field, subtle film grain, ultra detailed textures, hyperrealistic, epic dark fantasy, 8k, masterpiece, rain, night, beautiful, powerful aura, cinematic lighting, soft light, color detail, backlighting, , Depth of field, long exposure, light steps, intricate colors, vibrant colors, SYAGAMU Artstyle,cinematic lighting,cinematic angle,soft light,color detail,backlighting,Depth of field,long exposure,light steps,intricate colors,vibrant colors,SYAGAMU Artstyle,
- 크기
- 768 x 1280
- 샘플링 단계
- 25
- 샘플링 방식
- Euler a
- CFG 스케일
- 1.1
- 제외 조건
- nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands, (nsfw:1.2), (nude:1.6), (nipple:1.2), naked
모델 및 LoRA 사용
비슷한 작품
자세히 보기zc
copyright: scp_foundation
1boy, solo, plague doctor, long black hooded robe, white beaked crow mask, holding syringe, hood up, beak mask, from below, close-up, cowboy shot, three-quarter view, looking at viewer, head tilted down, gloved hand, black leather gloves, dark fabric folds, low key lighting, chiaroscuro, cold palette, vertical composition, dutch angle, ominous
The camera sits low, looking up, and the figure fills the frame from mid-thigh to the top of the hood: a lone boy in a long black hooded robe, three-quarters turned, head tilted down so the white beaked crow mask points straight at the lens. The hood's heavy black fabric is drawn up over the crown of the head, its front edge casting a hard shadow across the mask's brow, so only the mask's curve and the slit of its two eye holes catch the light; beneath the hood's lip the mask's long beak juts forward and down, its white surface scuffed at the tip, tapering to a point that nearly meets the viewer's eye line in foreshortening. The robe hangs to the ankles in thick, matte black folds, its hem broken where one knee presses forward through the cloth; a rope cord cinches the waist, and the sleeves swallow the arms to the wrists. The right hand is raised across the chest, elbow bent, black-gloved fingers wrapped around a glass syringe held upright, thumb braced against the plunger flange, the needle rising past the collarbone toward the bottom edge of the beak; a thin bright line runs down the glass barrel where a single low light source grazes it from the upper left, and the metal needle catches a pinpoint highlight. The left arm hangs at the side, gloved hand slightly open, half lost in shadow against the robe.
The only light is a single cold source from upper left, behind and above the viewer's shoulder, rimming the left edge of the hood and the left side of the beak while the right side of the mask and the whole front of the robe fall into deep charcoal shadow; no fill light, the background a near-black void with a faint suggestion of a stone wall receding out of focus at the right edge. The palette holds to white mask, black robe, glass and steel, and the muted blue-grey of the shadows, nothing else admitted. The gaze of the mask's dark eye holes is fixed on the viewer. Ominous, clinical stillness.
Ziro Chan
레마
까마귀
레몬 마이따
s9
1boy, solo, plague doctor, beak mask, dark weathered leather beak mask, long beak, wide brimmed black hat, long flowing black cloak, layered dark garments, antique leather gloves, holding wooden walking cane, standing, imposing silhouette, deserted medieval european street, narrow cobblestone street, medieval stone buildings, abandoned market stalls, faint lantern lights, thick atmospheric fog, distant cathedral tower, ravens perched on rooftops, aged gold and muted teal palette, dramatic cinematic lighting, chiaroscuro, atmospheric depth, intricate architectural details, painterly textures, dark fantasy illustration, from below, full body, dutch angle, gothic atmosphere,
A low camera planted close to the wet cobblestones, tilted a few degrees off level, looks up the length of a narrow medieval European street: the lone plague doctor stands in the near middle distance, centered left of the frame, occupying the full standing height of the picture from boot soles at the bottom edge to the crown of the hat well inside the top, while the fog-thinned street recedes past him to the distant cathedral tower. He stands alone, weight settled on the right leg, the left boot set slightly forward and turned out on the cobbles, torso squared away, shoulders drawn up under the bulk of the cloak. The long-beaked mask is dark, cracked, and polished by wear, its beak angling forward and down past his chin, two round glass eye lenses catching a single glint of lantern light; the wide brimmed black hat sits low, its brim's front edge casting a hard shadow line across the top of the mask. The long flowing black cloak hangs from the shoulders in heavy painterly folds, its hem pooling and dragging on the wet stones behind the left heel, layered dark garments showing at the throat and at the thigh as overlapping panels of darker cloth. Antique leather gloves, creased and dulled at the knuckles, grip the knob of the old wooden walking cane: the right hand closes around it at hip height, cane planted between the boots, lace-holed and split along the shaft; the left gloved hand hangs half-curled at the cloak's edge. From both shoulders the fog lifts away in slow ribbons, and the cloak's lower hem swings gently back toward the vanishing point as though the street breathes.
The street: wet blue-grey cobblestones with every stone edge picked out by lantern light, running in converging rows between tall half-timbered and stone townhouses whose upper stories lean over the lane, their shutters shut, their doorways dark, gutters and carved corbels and leaded window mullions rendered with intricate, deliberate detail in the middle distance and simplified only where the fog eats them. To his right, an abandoned market stall stands with a canvas awning slack and torn, bare trestles, a fallen crate, and a second stall further back reduced to a silhouette of poles; their awnings hang dead because there is no wind to lift them. Above the rooflines, three ravens perch — one on the ridge of the nearest gable, wings folded tight and head cocked down toward the street, two more further back along the eaves, small and black against the fog-glow. At the far end, the distant cathedral tower rises half-dissolved in mist, its spire faint, its bulk giving the lane its vanishing point and its scale.
Light: two wrought lanterns, one bracketed to the wall at left foreground and one deeper at right, are the only light sources, and their pools are small, warm, and sickly gold; beyond them the fog itself is the second, cold source, a muted teal glow that fills the street's depth and mirrors faintly in the wet cobbles where the gold does not reach. The gold strikes the doctor from his lower left, so the left side of the beak, the left glove, the cane, and the left folds of the cloak take the warm edge while his right side and the underside of the hat brim fall into near-black; his cast shadow stretches long across the cobbles to the right and breaks over the raised stones. Fog scatters the lantern light into visible cones and rims the ravens' feathers and the doctor's hat brim with a thin grey-white halo. Palette is strictly aged gold, muted teal, and near-black, with wet-stone blue-grey as their meeting point.
Painterly, brush-built textures — cloth, cracked leather, wet stone, fog — with fine architectural detail held in the lit passages and dissolved in the dark ones. Haunting, elegantly sinister.
sounds96
n
1man, solo, tall, sitting, from below, low angle, dark fantasy, gritty, plague doctor mask, beak, pitch black lenses, black top hat, black formal wear, frock coat, vest, neckwear, black trousers, black leather gloves, holding cane, black walking stick, dark throne, stone throne, gothic architecture, chiaroscuro, sharp contrast, rim lighting, highly detailed
Seen from a low angle looking upward, a tall man sits with imposing stillness upon an elevated, jagged dark stone throne. His tall frame leans slightly forward from the high-backed gothic seat; his boots rest firmly against the stepped stone dais below. His right hand, encased in fitted black leather gloves, firmly grips the rounded pommel of a slender black cane held vertically, its tip planted directly against the cracked flagstone. His left gloved hand drapes with heavy composure over the throne's carved gargoyle armrest. He wears tailored black formal attire consisting of a double-breasted frock coat buttoned over a dark waistcoat and a high stiff collar. A tall, cylindrical black silk top hat sits atop his head, shading the upper strap of a sculpted leather plague doctor mask. The elongated beak of the mask points directly forward, fitted with completely opaque, pitch-black circular lenses that swallow all light and conceal any gaze behind them. A single stark, cool key light cuts diagonally across the cavernous dark fantasy hall from the upper left, carving razor-sharp specular highlights along the brim of the top hat, the convex curvature of the black lenses, and the polished shaft of the cane, while casting dense, pitch-black shadows beneath his seat and along the deep folds of his coat. Airborne dust motes glow sharply only within the straight column of illumination, vanishing entirely into the surrounding gloom. Monochromatic charcoals and deep obsidian dominate the space, carved out by sharp, cold edge highlights. Ominous authority.
Null
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ᯓ★ ⚡ ♡ ᯓ★
(mai)
Winter joy in the snow
FriddaTiss
kyramisu
8
logos
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
Hu Tao
KanKan Matcha
Tilith, the Goddess of Magical Star
entrophee_E:
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조개
anime
𝚖𝚎𝚛𝚒𝚖𝚎𝚛𝚒
miku
𝚖𝚎𝚛𝚒𝚖𝚎𝚛𝚒
🧣🚉 🪐 ‧₊˚ ♡ ˚₊‧
(mai)
❄️Lolicia❄️
6#설경
weirdcore...
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
reunited at last
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
₊˚⊹♡ 𝗯𝘂𝗻𝗻𝘆 𝗴𝗶𝗿𝗹 ♡⊹˚₊
●♡⃝ 𝓑𝓾𝓽𝓽𝓮𝓻𝓯𝓵𝔂•ʚїɞ.𝕏𝕠
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₊˚ ꒰ᐢ. .ᐢ꒱ 🍓🍞 ✧
(mai)
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica
Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
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Sg75
1
...
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1
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2
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the ballerina
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
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