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AI art "Mafia Boss Kafka" featuring #붕괴 시리즈, #붕괴: 스타레일 and #카프카
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Mafia Boss Kafka

#붕괴 시리즈#붕괴: 스타레일#카프카
Avatar image of KafkasPet

KafkasPet

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character: kafka_(honkai:_star_rail). From a low-angle POV shot as if the viewer is kneeling at her feet on the glossy black floor, Kafka sits elegantly in a large vintage black and gold chair in a dimly lit mafia-style minimalist office room with black walls and gold accents. One leg is crossed over the other, prominently displaying her socked feet in long black socks, the composition heavily emphasizing her feet with intricate textures on the glossy floor reflecting them. She wears a tailored black pinstripe blazer with grey stripes over a white dress shirt and spider web-themed purple tie, paired with black formal slacks, barefoot except for the socks. Her right hand grips a thin chain-link leash extending from her fingers to the center foreground at viewer level. A subtle sly sadistic smile plays on her lips beneath an anime-style shadow partially obscuring her face, purple eyes gazing down intensely at the viewer. Gentle colors, smooth glossy skin tones, expressive eyes, clean linework, soft dramatic lighting from above casting deep shadows.
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원본 프롬프트
A shot of the character Kafka from Honkai: Star Rail. She is sitting in a large, vintage, black & gold chair. She is sitting in a dim room with one leg elegantly crossed over the other. She has a subtle but sly, sadistic smile on her face as she gazes down the viewer. She is in a dimly lit room with a mafia aesthetic. The modern, minimalist office room is black with gold trimming/accents all around. The pov is of the viewer at her feet on the floor looking up at her from a low angle. The floor is black and glossy. She is wearing a black suit (white dress shirt with a spider web themed purple tie, black pinstripe blazer with grey stripes and black formal slacks). Kafka is not wearing shoes but is wearing long black socks. She is holding a chain-link leash in her hand that connects to the viewer's pov at the centre of the illustration as though the viewer at her feet is leashed. The composition is heavily foot fetish focused. There is major focus on her socked feet. She has an anime style shadow partially cast over her face which makes her look evil.
모드
pro
스타일
클래식 애니
크기
768 x 1280
제외 조건
worst quality, photorealistic, bad anatomy, blur, low resolution
스타일: 클래식 애니

모델 및 LoRA 사용

Tsubaki.2 - AI Model 커버 이미지

PixAI DiT.2

Tsubaki.2
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AI artwork
Avatar image of Michiho
The image shows dorothy (nikke) with pink hair and glasses sitting on a chair, wearing a tie and a white shirt. She is surrounded by a wall and a chain, giving the impression of an anime-style girl wallpaper. goddess of victory: nikke, 1girl, solo, long hair, breasts, looking at viewer, shirt, large breasts, ribbon, jacket, white shirt, purple eyes, pink hair, braid, shoes, hair ribbon, teeth, collared shirt, pants, necktie, glasses, hair bun, white socks, hair intakes, chain, bound, suit, clenched teeth, blue necktie, angry, single side bun, purple necktie, tie clip, bondage. anime illustration. great quality, best quality
Michiho
#승리의 여신: 니케
AI artwork
Avatar image of Michiho
The image shows dorothy (nikke) with pink hair and glasses sitting on a chair, wearing a tie and a white shirt. She is surrounded by a wall and a chain, giving the impression of an anime-style girl wallpaper. goddess of victory: nikke, 1girl, solo, long hair, breasts, looking at viewer, shirt, large breasts, ribbon, jacket, white shirt, purple eyes, pink hair, braid, shoes, hair ribbon, teeth, collared shirt, pants, necktie, glasses, hair bun, white socks, hair intakes, chain, bound, suit, clenched teeth, blue necktie, angry, single side bun, purple necktie, tie clip, bondage. anime illustration. great quality, best quality
Michiho
#승리의 여신: 니케

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AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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