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Tionshia Shion
J10님의 AI 작품 'Tionshia Shion'. PixAI에서 감상하세요. 태그: 전생했더니 슬라임이었던 건에 대하여. 사용 모델: Kodo's Test models.
매개변수 표시
- 원본 프롬프트
- T-rex(Studio), sexy bodies, ,Shion,purple hair, long_ponytail, purple_eyes, horn,huge_breasts, , ,Tionishia (Cosplay): 1 girl, monster girl, white dress, ruffles, cardigan, center ruffles, heels, beach, ocean, cliff, crystal clear water
- 크기
- 768 x 1280
- 샘플링 단계
- 12
- 샘플링 방식
- Euler a
- CFG 스케일
- 3
- 제외 조건
- lowres, bad quality, worst quality, bad anatomy, sketch, jpeg artifacts, ugly, poorly drawn, blurry, transparent background, censored, (simple background:1.4), artist name, signature, watermark
모델 및 LoRA 사용
비슷한 작품
자세히 보기
character: shylily
1girl, solo, shylily, shortstack, huge breasts, thick thighs, large ass, wide hips, long_hair, very_long_hair, multicolored_hair, streaked_hair, white_hair, black_hair, ahoge, heart_ahoge, purple_eyes, animal_ears, toga, ancient greek clothes, beach, bare feet, standing, contrapposto, from below, full body, looking to the side, light smile, wind, sandals off, toes in sand, ocean, daylight,
A single young woman stands alone on an open beach, photographed from below knee height so her whole figure rises against the sky and the low horizon sits well under her hips, the camera tilted up just enough that the surf line runs behind her calves and the empty blue reaches above her head. She is short and powerfully built, a shortstack silhouette with a generous bust and wide hips that carry the toga's folds without tapering her frame; her weight rests on her left leg with the right knee bent and relaxed, the right hip dropped, so the hem of the garment swings asymmetrically and one long thigh shows through the cloth's split. Long, very long multicolored hair — bone white over most of its length with dark near-black streaks running through the inner strands, one stubborn ahoge and a heart-shaped lock curling at the crown — is dragged hard toward the sea by an onshore wind, a few strands whipping across her chin and one purple-fringed eye narrowed against the blown sand, while the animal ears at the top of her head flatten back against the gust. The toga is ancient Greek dress: a single length of heavy undyed wool, pinned once at the left shoulder with a plain bronze fibula, wrapped under the right arm and gathered at the waist by a braided cord, its edge falling diagonally across the chest so the folds stack and pull where her bust presses them and the fabric tightens over the hip on the weighted side; the hem ends mid-thigh and catches the air away from her right leg. Her bare feet sink into wet, darker sand at the water's edge — the toes of the right foot dig in and print shallow crescents behind her heel, and only a thin glaze of water has time to seep into each depression before the next wash — and her right hand hangs loose holding the gathered extra length of the toga's trailing edge, thumb hooked in the fold, while her left forearm crosses low over her stomach with the fingers curled and uncurled into the loose cloth. Her gaze is angled off-frame toward the water to her right, chin lifted, mouth in a faint closed-lip smile with a small upper-lip dent of effort against the wind; a few grains of sand cling to her far cheek. Behind her the beach recedes in layered bands: soaked dark sand in the foreground sheen, a band of dry pale sand, a low ragged line of dune grass, then open ocean stretching flat and unbroken to the horizon, with no other person anywhere in the frame. The light is high and single-source, a hard sun low-blue from the upper left and behind her shoulder, so it rims the top edge of the toga's wool with a hot luminous line, picks each crease between the folds, burns a small white sheen on the bronze pin, and drops the front of her body and the underside of her chin into cooler reflected light from the sand; her own shadow stretches forward-left across the beach toward the camera, long and blurred at the edges where the sand granules break it up. Palette held to three registers — bone white and storm grey in the hair and wool, deep marine blue in the sea and sky, warm wet ochre in the sand — nothing else admitted. The wool has real weight and tooth, its fibers individually catching the highlight, painted in thick loaded strokes against the flatter, quieter haze of the ocean; the sea surface carries only small hard glints where the sun catches chop, no painterly sparkle. Bright, windswept, sunstruck.
Ronway
character: shylily
1girl, solo, shylily, shortstack, huge breasts, thick thighs, large ass, wide hips, long_hair, very_long_hair, multicolored_hair, streaked_hair, white_hair, black_hair, ahoge, heart_ahoge, purple_eyes, animal_ears, toga, ancient greek clothes, beach, bare feet, standing, contrapposto, from below, full body, looking to the side, light smile, wind, sandals off, toes in sand, ocean, daylight,
A single young woman stands alone on an open beach, photographed from below knee height so her whole figure rises against the sky and the low horizon sits well under her hips, the camera tilted up just enough that the surf line runs behind her calves and the empty blue reaches above her head. She is short and powerfully built, a shortstack silhouette with a generous bust and wide hips that carry the toga's folds without tapering her frame; her weight rests on her left leg with the right knee bent and relaxed, the right hip dropped, so the hem of the garment swings asymmetrically and one long thigh shows through the cloth's split. Long, very long multicolored hair — bone white over most of its length with dark near-black streaks running through the inner strands, one stubborn ahoge and a heart-shaped lock curling at the crown — is dragged hard toward the sea by an onshore wind, a few strands whipping across her chin and one purple-fringed eye narrowed against the blown sand, while the animal ears at the top of her head flatten back against the gust. The toga is ancient Greek dress: a single length of heavy undyed wool, pinned once at the left shoulder with a plain bronze fibula, wrapped under the right arm and gathered at the waist by a braided cord, its edge falling diagonally across the chest so the folds stack and pull where her bust presses them and the fabric tightens over the hip on the weighted side; the hem ends mid-thigh and catches the air away from her right leg. Her bare feet sink into wet, darker sand at the water's edge — the toes of the right foot dig in and print shallow crescents behind her heel, and only a thin glaze of water has time to seep into each depression before the next wash — and her right hand hangs loose holding the gathered extra length of the toga's trailing edge, thumb hooked in the fold, while her left forearm crosses low over her stomach with the fingers curled and uncurled into the loose cloth. Her gaze is angled off-frame toward the water to her right, chin lifted, mouth in a faint closed-lip smile with a small upper-lip dent of effort against the wind; a few grains of sand cling to her far cheek. Behind her the beach recedes in layered bands: soaked dark sand in the foreground sheen, a band of dry pale sand, a low ragged line of dune grass, then open ocean stretching flat and unbroken to the horizon, with no other person anywhere in the frame. The light is high and single-source, a hard sun low-blue from the upper left and behind her shoulder, so it rims the top edge of the toga's wool with a hot luminous line, picks each crease between the folds, burns a small white sheen on the bronze pin, and drops the front of her body and the underside of her chin into cooler reflected light from the sand; her own shadow stretches forward-left across the beach toward the camera, long and blurred at the edges where the sand granules break it up. Palette held to three registers — bone white and storm grey in the hair and wool, deep marine blue in the sea and sky, warm wet ochre in the sand — nothing else admitted. The wool has real weight and tooth, its fibers individually catching the highlight, painted in thick loaded strokes against the flatter, quieter haze of the ocean; the sea surface carries only small hard glints where the sun catches chop, no painterly sparkle. Bright, windswept, sunstruck.
Ronway
c
cereza
c
cereza
더 살펴보기
추천 크리에이터
당신에게 추천
ᯓ★ ⚡ ♡ ᯓ★
(mai)
Winter joy in the snow
FriddaTiss
kyramisu
8
logos
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
Hu Tao
KanKan Matcha
Tilith, the Goddess of Magical Star
entrophee_E:
푸른 물결 속의 신비로운 소녀
조개
anime
𝚖𝚎𝚛𝚒𝚖𝚎𝚛𝚒
miku
𝚖𝚎𝚛𝚒𝚖𝚎𝚛𝚒
🧣🚉 🪐 ‧₊˚ ♡ ˚₊‧
(mai)
❄️Lolicia❄️
6#설경
weirdcore...
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
reunited at last
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
₊˚⊹♡ 𝗯𝘂𝗻𝗻𝘆 𝗴𝗶𝗿𝗹 ♡⊹˚₊
●♡⃝ 𝓑𝓾𝓽𝓽𝓮𝓻𝓯𝓵𝔂•ʚїɞ.𝕏𝕠
...
Tofu
6
...
Tofu
2
₊˚ ꒰ᐢ. .ᐢ꒱ 🍓🍞 ✧
(mai)
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica
Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
Sg75
...
Tofu
1
이름
이름
2
...
Tofu
1
...
Tofu
3
the ballerina
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
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