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자세히 보기#Renascentia The Great Noble of Celeas (1806)
Well, this image places my character, "The Great Noble of Celeas," from my fantasy story, into an actual historical event: "The British Invasions." I did this for Danklaw's #Renascentia Event!, where I had to put one of my characters into a setting from the past. https://pixai.art/es/artwork/2013573548567472048 "The Great Noble of Celeas" (by the way, I still haven't decided on the character's name) is a young adult nobleman with grey hair and grey eyes, who belongs to a world of magic and fantastic creatures. In this event, my character aesthetically replaces the leading role played by Santiago de Liniers, a real-life historical figure. Below, I will provide an explanation of the historical event I attempted to evoke through the image. At the beginning of the 19th century, England was experiencing a great increase in manufacturing productivity as a result of the Industrial Revolution, and was eager to find new markets to sell its goods. In that context, the city of Buenos Aires, capital of the Viceroyalty of the Río de la Plata, belonging to the Spanish Crown of the Bourbon Dynasty, was a potential new market to introduce their products; a viceroyalty to which they did not have legal access to trade (although smuggling did exist). In fact, to be more precise, it is better to speak of the United Kingdom of Great Britain (England and Scotland) and Ireland, rather than just England, since an Act of Union had come into force at the beginning of that century. In the context of the United Kingdom's war against Napoleonic France (which was allied with the Spanish Crown), the Battle of Trafalgar took place in 1805, where the UK defeated the Franco-Spanish fleet. As a result of that major defeat, the Spanish Crown's naval and military dominance over its possessions in America was weakened. It is in this context that the so-called "British Invasions" of the Viceroyalty of the Río de la Plata occurred. Brigadier General William Carr Beresford and Commodore Home Popham arrived at the coasts of the Banda Oriental (the territory of present-day Uruguay) and decided to invade Buenos Aires (territory of present-day Argentina) without even having authorization from the British Crown. The arrival of 1,600 British soldiers on June 25, 1806 (I will refer to them as English or British, knowing that "British" is more accurate since many of the soldiers were from Scotland) took the Viceroy of the Río de la Plata, the Marquis of Sobremonte, by surprise. He tried unsuccessfully to stop the enemy's advance with a few hundred soldiers. Unable to face the British squadron, the Viceroy decided to flee towards Córdoba, moving deeper into the continent to a more Mediterranean region of the Viceroyalty, taking the royal treasury to organize the resistance. The British managed to seize the treasury, but the Viceroy managed to escape to Córdoba, from where he tried to organize forces against the enemy. After the occupation of the Viceroyal capital, Buenos Aires, most of the viceroyal officials—with some notable exceptions—swore allegiance to the English Crown (mainly due to pressure). One of the first measures the English took upon seizing the city was to enact free trade (since, until that moment, it had operated under the Spanish monopoly system, in which trade with states other than the Spanish Crown was illegal). The captured treasury soon reached London along with news of the successful capture of Buenos Aires. From there, they began organizing a fleet and a larger contingent to secure control of the new possessions, but that army did not arrive in time because the situation changed rapidly. Huge sectors of the Viceroyalty's population viewed the English occupation with absolute revulsion and organized the reconquest of Buenos Aires. Many members of the porteño and Creole elites, many linked to the Spanish monopoly trade, participated in the task of fighting the occupation and mobilizing the militias, which also included members of the lower classes. While all this was happening, a frigate captain named Santiago de Liniers (of French origin but loyal to the Spanish Crown) asked the authorities in Montevideo for 1,000 men and marched towards Buenos Aires. It was the combination of those troops and the heroic leadership of Liniers himself, along with the militia forces of Buenos Aires, self-summoned and organized by influential people from the city, that reached a total of nearly 4,000 men. This allowed them to corner and surround the British inside the city as the fighting developed. Beresford decided to capitulate on August 12, 1806. This is a summary of the first British invasion. There will be a second invasion in 1807; maybe I'll talk about it later if anyone is interested. Regarding the sources used, I mostly used prior knowledge, but I also relied on a book on Argentine History by Marcela Ternavasio. I also used this website to describe some details: https://buenosaires.gob.ar/gcaba_historico/cultura/patrimonio-de-la-ciudad/investigaciones/primera-invasion Danklaw, regarding the image I would like you to make, it can be any character from my fantasy story that you want, in a historical period or culture that you decide yourself. I give you the freedom to choose!
매개변수 표시
- 원본 프롬프트
- Imagén muy panoramica y amplia, desde lejos, de la primera Invasión inglesa en el virreinato del Río de la Plata, enfrentamiento entre los españoles y criollos del Virreinato su vestimenta es mas rústica con ropa de campo tradicional del siglo XVIII ya que son milicias armadas con fusiles de chispa, se encuentran a la izquierda de la imagen, combaten con las fuerzas de la corona inglesa, las fuerzasd de la corona inglesa tienen un uniforme que llevan una casaca roja con franjas blancas, gorro shako o sombrero bicornio, se encuentran a la derecha de la imagen y estan apuntando a las fuerzas de la izquierda, todas las fuerzas batallan con fusiles de chispa, la batalla se da en 1806, cada bando lleva fusiles de chispa, hay cañones del siglo XVIII, el personaje principal de la imagen es Liniers que es un oficial al servicio de la corona española, se encuentra a la izquierda liderando las milicias que es el logra vencer a los ingleses con sus milicias, El personaje principal tiene pelo gris y ojos grises, pelo corto, uniforme de gala de jefe de escuadra de la Real Academia Española, atributos de la orden de Malta, traje de aristocracia del siglo XVIII y Siglo XIX, es una situación de resistencia heroica.
- 모드
- pro
- 스타일
- 샤프 잉크 스타일
- 크기
- 1280 x 720
- 제외 조건
- modern, worst quality, photorealistic, bad anatomy, blur, low resolution
스타일: 샤프 잉크 스타일
모델 및 LoRA 사용
비슷한 작품
자세히 보기ra
A high-quality anime illustration featuring a middle-aged man standing in a full body shot against a seamless, stark white background. The man possesses wavy, short blonde hair and striking blue eyes, wearing a mischievous smirk that gives him a playful yet confident expression. He is dressed in a detailed British redcoat adorned with elegant golden lining and ornate metallic buttons, paired with a stiff black ruff collar around his neck. He wears pristine white gloves, with one hand resting casually on his hip and the other hanging by his side. The visual style is a clean 2D anime aesthetic with sharp line art and vibrant colors, maintaining a bright and polished atmosphere.
Ryogi Asatsuki
jc
위엄 넘치는 제복의 남성 캐릭터
JOA CAPRISUN
jc
우아한 백색 제복의 지휘관
JOA CAPRISUN
The Absolute Quiet
Sayuki
더 살펴보기
추천 사용자
당신에게 추천
🖤🍴🩸
(mai)
detective anya and bond (˶>⩊<˶)
^( aricat )^
⋆⁺₊⋆🪞🕯️⋆⁺₊⋆
(mai)
Love live! School idol maid - Hanayo koizumi
AMnatsu
character: tenma_tsukasa
"", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
Kani x
yoimiya!
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
character: kagamine_rin, copyright: vocaloid
lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
リオ
໒꒱· ゚◼️
生魚2(Raw Fish 2)
✦ ₊ ⊹ 🌑
(mai)
🎵Surtur
helanx
✦ ₊ 🪞 🗝️ 🫧 ₊ ✦
(mai)
음안
character: eren_yeager, mikasa_ackerman
character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
Mine / 私のもの
みーちゃん
⋆𐙚 🎃 🫖 🍁 ✧
(mai)
Ceres [41]
snow
2
🩵🪽.⋆𝜗𝜚
生魚2(Raw Fish 2)
32
🌩️🐾(⸝⸝ᵕᴗᵕ⸝⸝)⛳️
(mai)
the queen
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
xd
Midnight Aesthetic: Monochrome Vibe
xDezi
The Empress of the Violet Abyss 👑💜
wisely
👻 💬 📂
(mai)
The Enchantress of the Violet Blossomsーシャンプー
moon221B
👁️🗨️🦇🗝️🕯️
(mai)
Halloween
生魚2(Raw Fish 2)
댓글5