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PixAI iOS 앱 App Store 일시 다운로드 중단 안내 — PixAI 이용자 여러분께 현재 PixAI iOS 앱을 App Store에서 검색하거나 다운로드할 수 없는 상황입니다. 빠른 시일 내에 다시 다운로드하실 수 있도록 Apple 측과 적극적으로 협의하고 있으며 서비스…

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AI art "A" featuring #도쿄 방과후 서모너즈
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#도쿄 방과후 서모너즈
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An anthropomorphic, muscular and stout male minotaur character with a hulking build. He has a round, beer-belly stomach and is covered in thick, brown body hair. He sports brown short hair, a pair of small, smooth, curved horns on his head, a small cow tail, and wears round, black-framed glasses. He stands with his hands on his hips, wearing a low-cut, deep-V neck white tank top that exposes his chest and ends just above his abdomen. He also wears blue boxer briefs and white indoor slippers. The character is shown from head to toe with no background, fully visible with all limbs intact, posed centrally as if for a character sheet.
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원본 프롬프트
一個身材矮胖、肌肉發達的男人，一個牛頭人，一個擬人化的毛茸茸角色，棕色短髮，體毛濃密，圓滾滾的肚子（啤酒肚），戴著圓框黑框眼鏡，一條小牛尾巴，以及一對小巧圓潤、光滑彎曲的角。 他穿著一件連帽白色熊帽子的連身睡衣，脖子開口深V領，側邊開口露出胸肌，寬鬆的布料垂到腹股溝，臀部被布料遮住，；透過布料輪廓。他的身形透過衣服清晰可見，站姿態雙手叉腰,丁三角褲飄動著. 穿著白色室內拖 不要有背景 背景只要去背 從頭到腳完全可見，雙腿完好無損，雙腳清晰可見。從藍色三角褲度看，人物造型一致，毛髮細節豐富，風格類似巴拉拉（Balala）。服裝可以改成低腰V領背心，長度只到腹部。這次，整個身體必須保持完整，任何部位都不能切割。 單人圖片 人物比例與單人板凳都在圖片中間 人物 四肢都不要裁切到
품질 태그
high quality, year_2025, year_2024, ﹝프롬프트﹞
크기
1280 x 768
샘플링 단계
25
샘플링 방식
Euler
CFG 스케일
4.5
제외 조건
bad quality, low quality, worst quality, lowres, nsfw, jpeg artifacts, scan artifacts, mosaic, cropped, error, fewer digits, bad reflection, bad composition, bad anatomy, bad hands, bad fingers, missing fingers, extra hands, extra legs, excess fingers, light particles, artist name, text, watermark, username, copyright name

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Tsubaki - AI Model 커버 이미지

PixAI DiT.1

Tsubaki
8.75k
牛 - AI Model 커버 이미지

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牛
0

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AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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3#진격의 거인#미카사 아커만
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