📢 로그인 문제 해결 안내 — 오늘 일부 사용자에게 PixAI 계정이 예기치 않게 로그아웃되는 현상이 발생했습니다. 해당 문제는 서버 측 오류로 확인되었으며, 현재는 정상적으로 해결되었습니다. 로그아웃된 경우 앱 또는 브라우저를 다시 실행한 뒤…
자세히 보기![AI art "Experiment - Photo ➡️ Illustrated scene [part 3]"](https://images-ng.pixai.art/images/orig/06f38d76-53c2-4f2f-b3af-acdd1170b9c3)
Experiment - Photo ➡️ Illustrated scene [part 3]
I changed "abandoned" to "repurposed" and here are the results! I have to say, this is a massive improvement over the previous image. The buildings are in MUCH better shape. The people look a little rough, but not too rough. Outlaw Country people reflect that: tough and resilient, but not feral scavengers. This image here, this is much closer to my vision of a repurposed trade district. Ok, after two generations, I've got more or less what I was looking for. PixAI says this new model has all kinds to strengths and capabilities to it. Let's test it a bit, shall we?
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zombie apocalypse, post-apocalyptic, scenery, wide shot, from below, dutch angle, ruined city, overgrown city, abandoned buildings, crumbling skyscrapers, collapsed highway, cracked asphalt, rubble, overgrown with moss, ivy, rusted cars, abandoned vehicles, multiple zombies, horde of zombies, shambling, lurching, dragging feet, tattered clothes, frayed fabric, sunken eyes, slack jaw, overcast sky, heavy clouds, gloomy, atmospheric fog, haze, dust particles, murky puddle, water ripples, desaturated palette, A wide shot from a low camera angle with a slight dutch tilt looks down the length of a devastated, silent urban boulevard in the grip of a zombie apocalypse. In the foreground, fractured asphalt buckles into deep crevices where wild weeds and dark moss burst through the stone. A rusted, paint-stripped sedan sits canted at an angle across the lane, its shattered windshield framing the jagged pavement below. At the immediate left, a shambling zombie in a frayed, oil-streaked grey coat drags its left foot heavily along the road, torso hunched forward with its head tilted slack toward its shoulder, unblinking milky eyes fixed down the street and jaw hanging slightly agape; its dragging boot heel clips the edge of a shallow puddle of murky rainwater pooled in an asphalt fissure, sending crisp concentric ripples outward across the sky's dull reflection. Further right, another emaciated infected figure in a shredded flannel shirt lurches past the rusted vehicle door, its stiff arm outstretched with splayed fingers reaching toward the empty air ahead. In the midground, the wide canyon between decaying skyscrapers is choked with abandoned vehicles, collapsed overhead transit tracks, and tangled dead power cables. Thick curtains of ivy and wild climbing vegetation carpet the hollow lower stories of concrete towers, whose upper windows are blown out into dark, gaping voids. Scattered through the drifting ground mist, dozens of silhouetted zombies shamble in ragged, irregular procession, their staggering postures receding into the haze. In the far background, the skeletal silhouettes of crumbling high-rises disappear into a heavy, ash-grey overcast sky where faint plumes of dark smoke linger motionless. The lighting is cold, diffuse daylight filtered through dense cloud cover, casting soft, pervasive shadows underneath rusted chassis and rubble piles, with faint pale highlights catching the damp pavement and shards of broken glass. The palette is strictly desaturated and weathered, dominated by slate grey, rust ochre, moss green, and decayed asphalt charcoal, devoid of warm vitality. Desolate dread.
ゴリリン
zombie apocalypse, post-apocalyptic, scenery, wide shot, from below, dutch angle, ruined city, overgrown city, abandoned buildings, crumbling skyscrapers, collapsed highway, cracked asphalt, rubble, overgrown with moss, ivy, rusted cars, abandoned vehicles, multiple zombies, horde of zombies, shambling, lurching, dragging feet, tattered clothes, frayed fabric, sunken eyes, slack jaw, overcast sky, heavy clouds, gloomy, atmospheric fog, haze, dust particles, murky puddle, water ripples, desaturated palette, A wide shot from a low camera angle with a slight dutch tilt looks down the length of a devastated, silent urban boulevard in the grip of a zombie apocalypse. In the foreground, fractured asphalt buckles into deep crevices where wild weeds and dark moss burst through the stone. A rusted, paint-stripped sedan sits canted at an angle across the lane, its shattered windshield framing the jagged pavement below. At the immediate left, a shambling zombie in a frayed, oil-streaked grey coat drags its left foot heavily along the road, torso hunched forward with its head tilted slack toward its shoulder, unblinking milky eyes fixed down the street and jaw hanging slightly agape; its dragging boot heel clips the edge of a shallow puddle of murky rainwater pooled in an asphalt fissure, sending crisp concentric ripples outward across the sky's dull reflection. Further right, another emaciated infected figure in a shredded flannel shirt lurches past the rusted vehicle door, its stiff arm outstretched with splayed fingers reaching toward the empty air ahead. In the midground, the wide canyon between decaying skyscrapers is choked with abandoned vehicles, collapsed overhead transit tracks, and tangled dead power cables. Thick curtains of ivy and wild climbing vegetation carpet the hollow lower stories of concrete towers, whose upper windows are blown out into dark, gaping voids. Scattered through the drifting ground mist, dozens of silhouetted zombies shamble in ragged, irregular procession, their staggering postures receding into the haze. In the far background, the skeletal silhouettes of crumbling high-rises disappear into a heavy, ash-grey overcast sky where faint plumes of dark smoke linger motionless. The lighting is cold, diffuse daylight filtered through dense cloud cover, casting soft, pervasive shadows underneath rusted chassis and rubble piles, with faint pale highlights catching the damp pavement and shards of broken glass. The palette is strictly desaturated and weathered, dominated by slate grey, rust ochre, moss green, and decayed asphalt charcoal, devoid of warm vitality. Desolate dread.
ゴリリン
zombie apocalypse, post-apocalyptic, scenery, wide shot, from below, dutch angle, ruined city, overgrown city, abandoned buildings, crumbling skyscrapers, collapsed highway, cracked asphalt, rubble, overgrown with moss, ivy, rusted cars, abandoned vehicles, multiple zombies, horde of zombies, shambling, lurching, dragging feet, tattered clothes, frayed fabric, sunken eyes, slack jaw, overcast sky, heavy clouds, gloomy, atmospheric fog, haze, dust particles, murky puddle, water ripples, desaturated palette, A wide shot from a low camera angle with a slight dutch tilt looks down the length of a devastated, silent urban boulevard in the grip of a zombie apocalypse. In the foreground, fractured asphalt buckles into deep crevices where wild weeds and dark moss burst through the stone. A rusted, paint-stripped sedan sits canted at an angle across the lane, its shattered windshield framing the jagged pavement below. At the immediate left, a shambling zombie in a frayed, oil-streaked grey coat drags its left foot heavily along the road, torso hunched forward with its head tilted slack toward its shoulder, unblinking milky eyes fixed down the street and jaw hanging slightly agape; its dragging boot heel clips the edge of a shallow puddle of murky rainwater pooled in an asphalt fissure, sending crisp concentric ripples outward across the sky's dull reflection. Further right, another emaciated infected figure in a shredded flannel shirt lurches past the rusted vehicle door, its stiff arm outstretched with splayed fingers reaching toward the empty air ahead. In the midground, the wide canyon between decaying skyscrapers is choked with abandoned vehicles, collapsed overhead transit tracks, and tangled dead power cables. Thick curtains of ivy and wild climbing vegetation carpet the hollow lower stories of concrete towers, whose upper windows are blown out into dark, gaping voids. Scattered through the drifting ground mist, dozens of silhouetted zombies shamble in ragged, irregular procession, their staggering postures receding into the haze. In the far background, the skeletal silhouettes of crumbling high-rises disappear into a heavy, ash-grey overcast sky where faint plumes of dark smoke linger motionless. The lighting is cold, diffuse daylight filtered through dense cloud cover, casting soft, pervasive shadows underneath rusted chassis and rubble piles, with faint pale highlights catching the damp pavement and shards of broken glass. The palette is strictly desaturated and weathered, dominated by slate grey, rust ochre, moss green, and decayed asphalt charcoal, devoid of warm vitality. Desolate dread.
ゴリリン
New world mod
Flying Happy
추천 사용자
당신에게 추천
yoimiya!
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
Mine / 私のもの
みーちゃん
✦ ₊ ⊹ 🌑
(mai)
❌⃝✦—𝐇𝐄𝐘! 𝐘𝐨𝐮 𝐰𝐚𝐧𝐧𝐚 𝐜𝐨𝐦𝐞 𝐢𝐧?⬩➤“
𝐋𝐢𝐗𝐗𝐗┆秋峠鬼火~👻
the queen
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
the lancer
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
🎵Surtur
helanx
マシュ
Atlas
Sakura Chiyono O: A Springtime Portrait
AfterThoughts
Love live! School idol maid - Hanayo koizumi
AMnatsu
음안
character: eren_yeager, mikasa_ackerman
character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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🍧💙
Janet reno
໒꒱· ﾟ◼️
生魚2(Raw Fish 2)
Gojo & Geto's Playful Selfie! ✨
Momo
The Empress of the Violet Abyss 👑💜
wisely
👻 💬 📂
(mai)
⋆⁺₊⋆🪞🕯️⋆⁺₊⋆
(mai)
(-_-)🚬⚡︎
(mai)
(っ.❛ ᴗ ❛.)っ🫧🐟
(mai)
🌩️🐾(⸝⸝ᵕᴗᵕ⸝⸝)⛳️
(mai)
❓
(mai)
耍车
星空sky
✧ 🍁 🧣 🍂 ✧
(mai)
(*˘︶˘*).｡*♡ 🍁 ☕
(mai)
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