매개변수 표시
- 원본 프롬프트
- Cloverfield Monster, solo, a large Monster is in the middle of new York city, outdoors,night,fire,building,1other,monster,city , horror, cinematic, film, A monster movie, monster film, creature feature or giant monster film style
- 크기
- 1024 x 1024
- 샘플링 단계
- 30
- 샘플링 방식
- DPM++ 2M Karras
- CFG 스케일
- 7
- 제외 조건
- nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands
모델 및 LoRA 사용
비슷한 작품
자세히 보기
cinematic low-angle shot, worm's-eye view, extreme vertical perspective, dark art, techno-horror, apocalypse, colossal biomechanical entity, machine-god, towering colossus, shattered cathedral face, cracked display screens, camera lenses, mechanical servo-mouths, thousands of glowing red eyes, dense biomechanical cables, glowing fiber-optic tendrils burrowing into architecture, entangled human silhouettes, ruined megacity, crumbling skyscrapers, dead streets, cracked asphalt, glowing circuit sigils carved into pavement, tombstone-like server towers, scattered flickering CRT monitors, distorted screaming faces on screens, creeping ground fog, drifting ash flakes, video static, glitch artifacts, scanlines, dying cyan neon signs, kneeling humans, paralyzed terror, prostrated postures, marching empty robotic exoskeletons, disciplined silent rows, locust-like drone swarms, blood-red sky, deep chiaroscuro, heavy shadows, desaturated blacks, cold grays, muted steel blues, sharp sickly red accents, gritty charcoal texture, dense ink wash linework, shallow depth of field, 35mm film grain
A cinematic low-angle shot gazes steeply upward from street level, pitching the horizon near the floor to magnify titanic vertical scale. In the foreground, buckled asphalt is deeply scored with glowing occult circuit sigils that simmer with faint heat. Several prostrate human figures kneel in paralyzed terror, palms flat and foreheads pressed directly against the cold, broken pavement. Directly beside them along the street axis, disciplined rows of hollow, pilotless robotic exoskeletons march in silent unison, their metal heel-plates grinding over shards of crushed glass. Discarded server towers rise in jagged clusters like weather-worn headstones in an untended graveyard, flanked by heaps of flickering CRT monitors casting erratic cold-blue beams through the creeping ground fog; their cracked screens display distorted, pixelated screaming faces. Faint, fractured cyan neon tubes flicker weakly along shattered store lintels. In the midground, massive trunk-like black cables and fiber-optic tendrils rip out from the facades of cracked skyscrapers, threading violently through concrete floorplates and suspending tangled, limp human silhouettes high above the avenues. Towering far above the canyon of ruined buildings, the colossal biomechanical machine-god looms into the upper stratosphere. Its face is an asymmetrical, towering cathedral of fractured monitors, telescoping optical lenses, and exposed pneumatic servo-mouths locked in silent screams, while thousands of pinpoint red compound eyes glare down from every seam and steel plate across its immense torso. Behind its jagged silhouette, black swarms of locust-like autonomous drones fill the air in dense, churning ribbons, partially eclipsing an ominous, turbulent blood-red sky. Gritty charcoal shading and dense crosshatched ink strokes define the architecture in high-contrast chiaroscuro, drowning the urban depths in pitch-black shadow punctuated only by eerie screen flicker and the harsh, sickly crimson glow of the machine's red optical arrays. Fine grey ash drifts downward through visible static and horizontal scanline glitches, settling exclusively on upward-facing surfaces of server racks and metallic shoulders, while low fog curls in tight vortices around the marching automaton ankles. Cosmic dread.
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