📢 로그인 문제 해결 안내 — 오늘 일부 사용자에게 PixAI 계정이 예기치 않게 로그아웃되는 현상이 발생했습니다. 해당 문제는 서버 측 오류로 확인되었으며, 현재는 정상적으로 해결되었습니다. 로그아웃된 경우 앱 또는 브라우저를 다시 실행한 뒤…

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AI art "ラブライブアイプラコラボ【Sumire Edition】" featuring #우라노호시 여학원 교복, #아이돌리 프라이드 and #오쿠야마 스미레
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ラブライブアイプラコラボ【Sumire Edition】

「IDOLY PRIDE」のもう1人のマイ最推しキャラ、「奥山すみれ」ちゃん。 今回は「ラブライブ! サンシャイン!!」浦の星女学院1年生冬服を着せてみました。 なお奥山すみれちゃん本体, 浦の星女学院制服ともLoRAを使用しています。 以前小美山愛ちゃんに2年生冬服を着せています https://pixai.art/ja/artwork/1923935422813794375 しかしすみれちゃんは中学生なので、高校入学妄想も兼ねて1年生の制服にしました。 冬服なのは、デフォの制服(紅花中学校)や「けいおん!」(桜が丘女子高等学校)に合わせるためです。

#우라노호시 여학원 교복#아이돌리 프라이드#오쿠야마 스미레
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a woman that is standing in the middle of a room all dressed up, 1girl, solo, Okuyama Sumire, idoly pride, long hair, dark green black hair, low twintail, twintail ribbons, yellow hair ribbon, hair between eyes, blue eyes, ((beautiful eyes)), (flat chest), uranohoshi school uniform, yellow ribbontie, serafuku, school uniform, grey skirt, pleats skirt, miniskirt, grey sailor collar, long sleeves, white socks, mary janes, black loafers, (beautiful), (looking at viewer:1.3), blush, closed mouth, smile, indoors, office, standing, (detailed_hands:1.5), ((ultra-detailed)), ((best quality)), ((best quality)), ((beautiful eyes)), ((extremely detailed)), 4K, (8K), best quality,
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768 x 1280
샘플링 단계
10
샘플링 방식
Euler a
CFG 스케일
2.5
제외 조건
lowres, worst quality, bad quality, bad anatomy, jpeg artifacts, old, oldest, watermark, anime screenshot, anime coloring, nostrils, nose,
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모델 및 LoRA 사용

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AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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