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AI art "翠葉ちゃんの日本温泉百景 NO.5 (みつばちゃん)"
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翠葉ちゃんの日本温泉百景 NO.5 (みつばちゃん)

🦊翠葉(みつば)ちゃんは、狐之さんのOCちゃんです👇️ BUT...勝手に秘湯の旅に出ました♨ 第五回目は、日本名湯NO.１の草津の湯です。湯畑や西の河原公園が有名ですね。草津良いとこ一度はおいで♪ ツバキ２で生成してEdit Proで修正したイラストをツバキ1で参考画像強度０で作ってます。 🦊Mitsuba-chan is Koyuki-san's OC 👇️ BUT... I took the liberty of sending her on a trip to a hidden hot spring ♨ The fifth installment is Kusatsu no Yu, Japan's No. 1 famous hot spring. Yubatake and Sainokawara Park are famous. "Kusatsu is a good place, come visit at least once♪" I made this by generating an illustration in Tsubaki 2, modifying it in Edit Pro, and then using it as a reference image at strength 0 in Tsubaki 1. NO.１ 秋保温泉 (Akiu Onsen) NO.２ 登別温泉 (Noboribetsu Onsen) NO.３ 蔵王温泉 (Zao Onsen) NO.４ 伊東温泉 (Ito Onsen) NO.５ 草津温泉 (Kusatsu Onsen)

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やいち

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댓글13

1girl, child, short stature, cute, with pea green fox ears and a matching low ponytail. Her eyes are reddish-purple with a fox-like shape, outlined in light pink eyeliner, and she wears light pink lipstick on an oval face. She wears a yellow-patterned kimono with a red obi sash and a short, cropped style, paired with a red low-rise miniskirt. She has a white ribbon hairband with a very large, prominent bow. She is barefoot, wearing thick-soled sandals. In the scene, she is in a bathhouse or hot spring area, holding a long, flat wooden board that is taller than she is, using it to stir the water in a large, square tub. Water splashes and steam fill the air, with a happy expression on her face as sweat and water droplets glisten on her skin. The wooden board has black ink text written in Japanese hiragana, consisting of three characters.
매개변수 표시
원본 프롬프트
(child's body build), short stature, cute, 蓬莱翠葉、The Fox Female Beast, (Pea green fox ears):1.2, (Pea green low ponies):1.2, (A low ponytail):1.2, Reddish-purple eyes, Fox eyes, Light pink eyeliner, Light pink lipstick, oval face, Light makeup, Cat mouth, A pea green fox's tail, 黄色い井桁模様着物、クロップド丈の着物、赤い帯、赤いローライズのミニスカート、白いリボンのヘアバンド、かなり大きいリボンが目立つヘアバンド、裸足、厚底草履、長い木の板を両手で持っている、身長より長い長い板、平たい長い板、温泉、湯揉み、洗い場から湯船を長い板でかき混ぜてる、湯のしぶき、ハネた水しぶき、四角い大きい湯船、立ち込める湯気、熱気、汗、ハッピー、長い木の板には文字が入ってる。黒い墨汁で書かれたテキストは「くさつ」と日本語の平仮名で入ってる。テキスト: ”く” ”さ” ”つ”
품질 태그
high quality, year_2025, year_2024, ﹝프롬프트﹞
크기
1024 x 1024
샘플링 단계
25
샘플링 방식
Euler
CFG 스케일
4.5
제외 조건
bad quality, low quality, worst quality, lowres, nsfw, jpeg artifacts, scan artifacts, mosaic, cropped, error, fewer digits, bad reflection, bad composition, bad anatomy, bad hands, bad fingers, missing fingers, extra hands, extra legs, excess fingers, light particles, artist name, text, watermark, username, copyright name

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Tsubaki - AI Model 커버 이미지

PixAI DiT.1

Tsubaki
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CUTE STYLE - AI Model 커버 이미지

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CUTE STYLE
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蓬莱翠葉(ほうらいみつば) - AI Model 커버 이미지

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蓬莱翠葉(ほうらいみつば)
4

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AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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