ありそうな仏像
keiichi kowatari
PixAI에서 프롬프트는 기본적으로 공개되지만, 창작자는 자신이 올린 작품마다 프롬프트를 숨길 수 있습니다. 이 작품의 창작자는 프롬프트를 숨기기로 선택했기 때문에, 이미지를 생성하는 데 사용한 단어는 창작자 본인만 볼 수 있습니다. 프롬프트를 숨겨도 그 외에는 달라지는 점이 없습니다. 작품은 그대로 공개되어 있고, 평소처럼 좋아요, 댓글, 공유를 할 수 있습니다.
작성자에 의해 숨겨짐
모델 및 LoRA 사용
비슷한 작품
자세히 보기
A full body shot from a low-angle perspective depicts the deity Mahoraga as a sublime Buddhist statue in an anime illustration style. The figure possesses a noble humanoid body with two arms and legs, but the head is that of a dignified cobra with a wide, fanned hood and serene, half-open eyes. He is dressed in flowing celestial robes of deep green and white with intricate gold borders; his right hand firmly grips a golden vajra, while his left hand holds a pure white lotus flower. He stands atop a carved lotus pedestal amidst a rocky, mist-shrouded mountain terrain with subtle water elements. A circular golden halo with detailed serpent-scale patterns radiates behind his head, casting a divine glow. The color palette blends deep emerald greens, royal blues, and shimmering gold against earthy tones. The atmosphere is one of ancient wisdom and protective strength, characterized by a soft, ethereal light and floating spiritual particles, blending traditional Kamakura-period sculptural dignity with clean anime aesthetics.
SHIMESABAKUN
artist: buddha, An anime-style illustration of naraen-ten, a six-armed, three-faced Japanese Buddhist deity, is presented in a medium frontal shot against a temple hall interior. The central red-skinned wrathful face has three eyes, furrowed brows, bared fangs, and streaming black hair beneath a jeweled crown; its left peer face is peaceful and white, while its right peer face is fierce and dark red. The upper right hand grips a golden eight-spoked dharma wheel, the upper left hand presents a fully bloomed lotus, the middle right hand draws a bow, the middle left hand nocks an arrow, the lower right hand holds a three-pronged vajra, and the lower left hand clutches a lasso; all six muscular arms are positioned symmetrically. Celestial robes embroidered with gold swirl over the muscular torso, adorned with jeweled necklaces and bracelets. The deity sits in a commanding pose upon the back of a large tortoise whose shell rests on an ornate lotus pedestal. Behind the figure radiates a wide, golden circular halo with rippling patterns. Soft directional light from the upper right illuminates the deity and tortoise, casting gentle reflections on polished wood and lacquer surfaces, while warm temple tones of red, gold, and deep brown dominate the palette.
SHIMESABAKUN
A full stone statue of Daiitoku Myo-o stands in powerful contrapposto atop a massive lotus pedestal. Its colossal pedestal is encircled by subdued buffalo demons; the stone itself is incised with flame patterns and ancient mantras. The figure possesses eleven heads in three tiers: the lowest three buffalo heads with snow-white horns and glowing red eyes, the next tier three raging ogre faces, the third tier three wrathful visages, and the apex a serene golden Buddha head. Thirty-four arms radiate outward; the foremost right hand raises a flaming vajra sword, the left cradles a scarlet skull cup, while the remaining gauntlet-clutched hands grasp vajras, tridents, prayer beads, bows, Lotus flowers, mirrors, banners, and vincula. Eight muscular legs stride forward, crushing the demons beneath them. The body is deep indigo-black stone burnished with gold-leaf highlights on jewels, crown, and arm rings. A massive, radiant halo of swirling fire engulfs the statue, illuminating swirling clouds, rocky terrain, and faint mandala patterns etched in gilt. Below lies a smaller, five-pronged vajra resting on a secondary lotus. The entire composition is bathed in dramatic, warm directional light, while tiny reflective glints on carved stone and lacquer create a textured, ancient temple surface. The mood is solemn, fierce, and sublime.
SHIMESABAKUN