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AI art "emperor kaname junko" featuring #마법소녀 마도카☆마기카, #카나메 준코 and #황제
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emperor kaname junko

#마법소녀 마도카☆마기카#카나메 준코#황제
Avatar image of 유경원
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유경원

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character: kaname_junko, A medium shot from a slightly low-angle view depicts Kaname Junko sitting regally atop an ornate, massive throne. She is a young woman with short purple hair and sharp purple eyes, wearing an elaborate Japan emperor costume consisting of heavy, embroidered robes with intricate gold patterns and a magnificent imperial crown resting upon her head. She sits with a composed yet dominant posture, her left arm resting on the throne's armrest while her right hand firmly grips a modern handgun, pointing it slightly downward. The throne is crafted from dark wood and gold leaf, situated within a vast, opulent palace hall with polished marble floors and towering pillars. The atmosphere is one of absolute power and authority, illuminated by dramatic top-down lighting that casts deep shadows, creating a high-contrast visual with a rich color palette of deep purples and shimmering golds.
매개변수 표시
원본 프롬프트
kaname junko, short hair, purple hair, purple eyes, japan emperor costume, crown, sitting on throne, holding handgun
모드
lite
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720 x 1280

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Tsubaki.2 - AI Model 커버 이미지

PixAI DiT.2

Tsubaki.2
19.01k

비슷한 작품

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AI artwork
Avatar image of Lady Lilith
1girl, solo, sitting on throne, seated, leaning back, crossed legs, hands on armrests, long violet hair, straight hair, hair past waist, violet eyes, glowing eyes, eye glow, luminous violet irises, pale skin, light smile, closed mouth smile, faint smile, looking at viewer, half-closed eyes, deep purple velvet gown, gold embroidery, high collar, long sleeves, gold cuffs, bare earlobes, no hair ornaments, unadorned hair, from below, low angle, foreshortening, throne room, dark hall, stone columns, tall arched windows, night, moonlight, cool palette, deep purple, gold, black, cold blue moonlight, dramatic lighting, rim light, cinematic, no text, no speech bubble The camera sits low at the foot of the dais and tilts up, so the throne's tall back rises behind her and the armrests sweep in toward the lens in foreshortening. She is dropped back against the throne's upholstered back rather than perched upright: her spine against the padded panel, one shoulder lower than the other where she has let it slide, legs crossed with the upper knee over the lower and the lower foot hanging free with the toe of one velvet slipper just off the dais step. Her right palm rests flat on the right armrest and her fingers curl over its carved end, the gold ring of the armrest pressing a pale groove into her fingers; her left forearm lies along the left armrest with the wrist slack. The gown pools around her hips and spills over the seat's edge, its deep purple velvet catching a napped sheen where the cloth breaks over her thigh, and gold embroidery traces the high collar and the wide turned-back cuffs, the thread flaring where light hits the raised stitches. Her chin is tipped down toward the low camera while her eyes come up under half-lowered lids to meet the lens — a faint closed-lip smile, one corner a fraction higher than the other, the lower lip pressed and released once as if she were holding back a word. Her hair falls straight past her waist, some of it forward over the gown's shoulder and some of it caught behind her shoulder against the throne back. Her eyes are the light of the picture, and their glow is the revealer: the violet irises carry their own luminous core, and that light runs down onto the tops of her cheekbones and the bridge of her nose, and lays a cool violet sheen along the inner edges of the armrests where nothing else reaches. The only other source is moonlight through the tall arched windows behind and to her left — a hard cold blue edge on her shoulder, the collar's gold, and the armrest's crest, while her face's lower half and the hollow of the throne stay in a clean shadow that the eye glow pushes gently back. Beyond the dais the hall falls away into black stone columns and floor, unlit and absolute. Palette held to deep violet, tarnished gold, black and cold blue moonlight, with the eye glow as the single warm-cool anomaly inside it. Crisp cel linework with flat shadow shapes and a velvet nap rendered in soft gradation, quiet and regal.
Lady Lilith
#zetaCollab#원신#라이덴 쇼군

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AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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3#진격의 거인#미카사 아커만
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