PixAI iOS 앱 App Store 일시 다운로드 중단 안내 — PixAI 이용자 여러분께 현재 PixAI iOS 앱을 App Store에서 검색하거나 다운로드할 수 없는 상황입니다. 빠른 시일 내에 다시 다운로드하실 수 있도록 Apple 측과 적극적으로 협의하고 있으며 서비스…
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- 원본 프롬프트
- Chibi mascot of a cute miniature elephant, cartoon style, sitting gently on top of a huge basket filled with red apples, oversized fruit, diorama world, tilt-shift photography, macro lens view, dynamic perspective, bright lighting, simple soft background, high quality, masterwork, no humans worst quality, low quality, realistic, photorealistic, human, person, icon, bad anatomy
- 모드
- standard
- 크기
- 848 x 1280
모델 및 LoRA 사용
비슷한 작품
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no humans, still life, food focus, apple, pile of apples, overflowing, wicker basket, checkered tablecloth, kitchen, tabletop, from above, warm lighting, overhead light, bokeh, depth of field, painterly, oil painting (medium), rich saturation, cream and gold tones
A high-angle three-quarters view looks down onto a cozy kitchen tabletop draped in a soft linen tablecloth patterned with cream and warm gold checkers. At the center sits a low, round woven wicker basket constructed of interwoven golden-brown reeds, filled past capacity with a towering pile of vibrant crimson apples. The fruit visibly overflows the braided rim, crossing the boundary to spill outward: several apples rest wedged against the lip, while two have tumbled entirely over the edge onto the tablecloth, one of them showing a slender dark stem bearing a single waxy green leaf. The weight of the resting apples presses visible creases into the fabric below, while the smooth, polished curves of their red skins cast subtle rosy bounce-light across the adjacent cream-colored checks. A warm overhead light acts as the exclusive light source from directly above, striking the tops of the apples with bright amber-toned highlights, accentuating their smooth waxy sheen, and casting soft-edged, warm drop shadows beneath the woven basket and the fallen fruit. The kitchen background recedes out of focus into a gentle bokeh of soft, circular golden-cream light orbs. Rendered with soft painterly textures with rich oil-paint saturation and warm golden lighting, contrasting deep saturated reds against cream and gold tones. Comforting abundance.
user-2060310758770687182
巨大な林檎
しゃぼん玉
still life, no humans, traditional media \(artwork\), watercolor \(medium\), paper texture, loose brushwork, close-up, from above, fruit, apples, red apples, wicker basket, overflowing, resting on windowsill, wooden windowsill, window frame, view through window, countryside, garden, diffused light, soft lighting, pastel background, warm and cozy
A close-up, slightly elevated three-quarter view captures a charming still life arrangement on a wide wooden windowsill. Resting near the center of the weathered, honey-toned sill is a small, tightly woven wicker basket heaped to overflowing with plump, bright red apples. Several vibrant crimson apples tumble over the braided rim, with two loose apples resting directly against the smooth wood grain of the ledge beside the basket, their curved bases casting soft, translucent diagonal shadows. A fresh single green leaf remains attached to one slender apple stem, curling against a glossy red surface. Behind the sill, an open white-framed window reveals a sun-drenched countryside garden rendered in a soft pastel background, where loose washes of pale sage green, buttercup yellow, and airy sky blue blend with soft wet-on-wet edges. Gentle diffused daylight filters into the scene from the window, creating delicate, glowing highlights along the top curves of the fruit and illuminating the subtle grain of the wood. The piece is rendered in a traditional watercolor illustration style characterized by loose, expressive brushstrokes, spontaneous pigment blooms, visible color bleeds, and the prominent, tactile tooth of cold-press watercolor paper across every wash. Warm and cozy.
user-2066177053912692525
no humans, still life, food focus, basket, wicker basket, overflowing, red apple, green apple, peeled apple, fruit peel, checkered cloth, red and white checkered tablecloth, autumn leaves, maple leaf, wooden table, indoors, slightly elevated angle, three-quarter view, depth of field, blurry background, warm lighting, overhead light, painterly
From a slightly elevated three-quarter angle, a cozy harvest still life rests upon the worn grain of a rustic farmhouse table. In the sharp foreground, a crisp half-peeled apple sits with its exposed pale ivory flesh bearing subtle surface moisture, its continuous ribbon of red skin curling down to rest along the rumpled folds of a red-and-white checkered linen cloth. Just behind it, a textured woven wicker basket is piled past its capacity, overflowing with shiny crimson apples and a few crisp green ones that tumble across the woven rim and settle directly onto the cloth. Brittle autumn maple leaves in burnished gold and saturated orange lie scattered around the base of the basket, their dry points lifting slightly from the table surface. Diffused warm overhead natural light washes down from above, illuminating the rounded contours of the fruit with soft golden highlights and casting downward contact shadows beneath the apples and curled peel. In the distant midground and background, the rustic countryside kitchen blurs into a soft shallow-depth-of-field haze where cool teal-blue atmospheric shadows balance the radiant golden-orange palette. The rendering features loose sketch-like linework, soft brushed textures, visible paint strokes, and layered color blocks blended with painterly softness. Plentiful warmth.
user-2058692703355743040
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yoimiya!
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みーちゃん
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❌⃝✦—𝐇𝐄𝐘! 𝐘𝐨𝐮 𝐰𝐚𝐧𝐧𝐚 𝐜𝐨𝐦𝐞 𝐢𝐧?⬩➤“
𝐋𝐢𝐗𝐗𝐗┆秋峠鬼火~👻
the queen
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the lancer
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🎵Surtur
helanx
マシュ
Atlas
Sakura Chiyono O: A Springtime Portrait
AfterThoughts
Love live! School idol maid - Hanayo koizumi
AMnatsu
음안
character: eren_yeager, mikasa_ackerman
character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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wisely
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